| Content | BEHRINGER XENYX QX1204USB Premium 12-Input
Premium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface.
The compact QX1204USB mixer allows you to effortlessly achieve premium- quality sound, thanks to its 4 onboard studio-grade XENYX Mic Preamps and ultra-musical “British” channel EQs. And our easy-to-use “one-knob” compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this, the sweet forgiveness of our British-style EQs and a KLARK TEKNIK Multi-FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings – and the QX1204USB becomes an incredibly versatile mixer for your live performances. But XENYX QX1204USB isn’t just designed to handle your live gigs; they also provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, these mixers come with all the recording and editing software needed to turn your computer system into a complete, high-performance home recording studio.
Sonically Superior Mic Preamps
The XENYX QX1204USB gets its name from our legendary, high headroom XENYX mic preamps, which have been praised by audio engineers all over the world. These state-of- the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the XENYX QX1204USB provides such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.
One-Knob Compression
Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs find challenging. Our “one-knob” compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on all XENYX QX Series USB mixers.
• Premium ultra-low noise, high headroom mixer
• 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
• 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound
• Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings
• "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)
• Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com
• Neo-classic "British" 3-band EQs for warm and musical sound
• 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
• Clip LEDs, mute/alt 3-4, solo and PFL functions on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and 2-track outputs
• Control room/phones outputs with multi-input source matrix
• Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
• "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• High-quality components and exceptionally rugged construction ensure long life
Specifications:
- Type: Analog Mixing Desk
- Manufacturer: Behringer
- Model: XENYX QX1204USB
- Number of chanels: 8
- Inputs - Mic Preamps: 4x XLR
- Phantom Power: Yes
- Inputs - Line: 8x 6.3mm TRS, 2x RCA
- Inputs - Other: 1x 6.3mm (Footswitch)
- Outputs: 2 x XLR, 2 x 6.3mm TRS, 2x RCA
- Send/Return I/O: 2 x 6.3mm (Send), 4 x 6.3mm (Return)
- Busses: 2x Bus
- EQ Bands: 3-band
- USB: 1x Type-B
- Headphones: 1x 6.3mm jack TRS
- Dimensions: 97 x 270 x 328 mm
- Weight: 2.8 kg
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The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers. - Technical Specifications
- Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
- THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
- Noise Measured RMS, 22Hz to 22kHz Bandwidth
- Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
- Mix Output, 40 inputs routed to mix..
- Group & Centre Outputs..
- Aux Outputs (GB2 Groups only)..
- Matrix Outputs..
- Crosstalk Input Channel Mute..
- (@1kHz, typical) Input Fader cut-off..
- Pan isolation..
- Mix route isolation..
- Group route isolation..
- Adjacent channel crosstalk..
- Group to Mix..
- Aux Send pots offness (typical)..
- Matrix Send pots offness (typical)
- CMRR Typical @ 1kHz.. 80dB
- Input & Output Mono & Stereo Mic Inputs.. +15dBu
- Max Levels Mono & Stereo Line Inputs.. +30dBu
- Stereo Returns & Insert Returns.. +20dBu
- Any output.. +20dBu
- Nominal Operating Level.. 0dBu
- Headphone Power.. 2 x 250mW into 200Ω
- Input & Output Mic Inputs.. 2kΩ
- Impedances Line Inputs and Stereo Returns.. 10kΩ
- Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
- Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
- Insert sends.. 75Ω
- Recommended Headphone Impedance.. 100 - 600Ω
- High pass filter (Mono input).. 100Hz, 18dB per octave
- EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
- Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
- Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
- LF.. 80Hz, +/-15dB, 2nd order shelving
- EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
- Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
- Lo-Mid.. 450Hz, +/-15dB, Q=0.8
- LF.. 80Hz, +/-15dB, 2nd order shelving
- Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
- Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
- Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
- + Meterpod with 3 VU meters (L/R/C)
- Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
- (indicates monitor source level)
- Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
- Power consumption.. Less than 150W
- Operating conditions Temperature range.. -10ºC to +30ºC
- Relative humidity.. 0% to 80%
- Features
- * 19” Rackmountable console
- * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
- * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
- * Rotatable connector pod for top or rear cable entry
- * 8 (GB2R-16) or 10 (GB2R-12.2) busses
- * 2 full feature stereo inputs (GB2R-12.2 version)
- * GB30 Mic preamp and precision EQ on inputs
- * Switchable +48V phantom power on every mic input
- * 100Hz Hi-pass filter
- * Direct outputs on every channel
- * 100mm faders
- * Stereo Mix Output and separate Mono Sum output
- * Record output
- * Internal Universal switched mode PSU
| Key Features:
- 12+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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Soundcraft FX16ii - rebirth of a classic
The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.
The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.
Soundcraft FX16ii main features include:
- 26 inputs
- 16 mono microphone channels
- 4 stereo returns
- 4-bus architecture, with sub-group routable to mix
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo
- 3 FX parameter adjust rotaries
- User FX settings store function
- Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
- Inserts on all mono channels
- Inserts on stereo mix output
- Classic Soundcraft 3-band EQ with swept mid-band
- Stereo 18dB/octave 100Hz high-pass filter
- Dual global +48V phantom power split channels 1-8 and 9-16
- Channel Mute control
- 10-segment tri-coloured metering
- Two sub-group outputs
- Separate mono sum output
- Integral universal power supply
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Expand Your MCU with More Faders !
The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.
The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.
Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.
The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!
Features:
Eight-Fader Control Surface Extension for MCU Pro
Proprietary Mackie communication protocol for seamless software integration by DAW makers
100mm touch-sensitive optical Penny + Giles motorized faders
Multi-function V-Pots for fast control of panning, effects levels and more
Channel mute, solo, pan, send level and record arm functions
Full meter display with track names and parameters | Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
- Frame sizes 12+2
- 2 configurable auxiliary buses
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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