Dynamic instrument microphone for percussion and drums Toms and Snare Drums benefit from good microphone placement. The small size of the Opus 66 allows for correct placement without obstructing the skin. beyerdynamic has investigated the sound patterns of those drum parts and created the Opus 66 microphone to capture the moment with clarity. With a […]
Dynamic instrument microphone for percussion and drums
Toms and Snare Drums benefit from good microphone placement. The small size of the Opus 66 allows for correct placement without obstructing the skin. beyerdynamic has investigated the sound patterns of those drum parts and created the Opus 66 microphone to capture the moment with clarity. With a supercardioid response means that the pick-up pattern is tight allowing each drum the ability to express itself and to faithfully reproduce the sound of the most aggressive drummers.
Features: Exact reproduction of percussion and drums Excellent transient behaviour Extremely high SPL (over 140 dB) Small, rugged construction Supplied with special microphone mount MKV 87 and storage bag Application: Drums, percussion
Technical Specifications: Transducer type Dynamic Operating principle Pressure gradient Frequency response (close miking) 50 – 15,000 Hz Polar pattern Supercardioid Open circuit voltage at 1 kHz (0dB = 1V/Pa) 2.5 mV/Pa Magnetic field suspension > 20 dB at 50 Hz Nominal impedance 300 Ω Connector 3-pin XLR male Length 75 mm Shaft diameter 24/30 mm Head diameter 35 mm Weight without cable 93 g
Weight
0.15 kg
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Dynamic instrument microphone for percussion and drums
Toms and Snare Drums benefit from good microphone placement. The small size of the Opus 66 allows for correct placement without obstructing the skin. beyerdynamic has investigated the sound patterns of those drum parts and created the Opus 66 microphone to capture the moment with clarity. With a supercardioid response means that the pick-up pattern is tight allowing each drum the ability to express itself and to faithfully reproduce the sound of the most aggressive drummers.
Features: Exact reproduction of percussion and drums Excellent transient behaviour Extremely high SPL (over 140 dB) Small, rugged construction Supplied with special microphone mount MKV 87 and storage bag Application: Drums, percussion
Technical Specifications: Transducer type Dynamic Operating principle Pressure gradient Frequency response (close miking) 50 - 15,000 Hz Polar pattern Supercardioid Open circuit voltage at 1 kHz (0dB = 1V/Pa) 2.5 mV/Pa Magnetic field suspension > 20 dB at 50 Hz Nominal impedance 300 Ω Connector 3-pin XLR male Length 75 mm Shaft diameter 24/30 mm Head diameter 35 mm Weight without cable 93 g
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
Professional-quality reproduction for drum, percussion, and instrument amplifier miking
Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Pneumatic shock-mount system cuts down handling noise
Extremely durable under the heaviest use
Frequency response: 40 to 15,000 Hz
Frequency Range
40 Hz to 15 kHz
Impedance
150 Ohms
Load Impedance
310 Ohms
Sensitivity
56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color
Gray
Mounting
5/8"-27 Female, Mic Clip (Included)
Construction Material
Steel, Steel Wire Grille
Dimensions
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight
10.02 oz / 284 g
Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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