BLUE BALL HANDMADE CARDIOID DYNAMIC MICROPHONE

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150.15 incl. GR VAT

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Meet the Ball, the latest addition to our award-winning family of hand-built microphones. So-named for its unique shape and inimitable Blue styling, The Ball is our first offering in the dynamic mic category. But a phantom-powered dynamic? Yes. And no. Most recordists know that conventional dynamic mics do not require external DC power. Rather, they […]

 

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Meet the Ball, the latest addition to our award-winning family of
hand-built microphones. So-named for its unique shape and inimitable
Blue styling, The Ball is our first offering in the dynamic mic category.
But a phantom-powered dynamic? Yes. And no. Most recordists know
that conventional dynamic mics do not require external DC power.
Rather, they employ a relatively simple circuit and derive their output
voltage through electromagnetic induction. While this makes them rugged,
reliable and easier to operate than their electrostatic counterparts, they
also present the user with a unique set of problems. Chief among these
is frequency-dependent variable resistance which has dramatic effects
on the transducer?s acoustic balance, phase coherence, noise specification
and overall output. Our engineers solved this problem by incorporating
a phantom-powered proprietary active balancing circuit in the Ball?s output
stage. This circuit maintains a constant pure-resistive 50-ohm load across
the useable frequency spectrum yielding an exceptionally smooth and open
sound previously unheard of in a dynamic microphone. Additionally, as a
dynamic mic, the Ball is capable of handling extremely high sound pressure
levels without distortion, making it the ideal choice for studio, stage, broadcast,
film or any other applications where reliability, versatility and the utmost
sound quality is required.

SPECS:
Year Introduced: 2003
Operating Principal: Dynamic transducer with active“Class-A”
phantom-powered solid-state circuitry
Polar Pattern: Cardioid
Frequency Response: 35Hz – 16kHz
Sensitivity: 3.5mV/Pa at 1kHz, 1 Pa = 94dB SPL
Output Impedance: 50?
Recommended Load Impedance: 2k?
Maximum SPL: 146 dB SPL (2k? load at 1% THD)
Output Noise Level: 18 dB-A
Power Requirement: 48V DC Phantom Power
Current Draw: 2.5 mA

Weight 0.50 kg

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Quick Comparison

BLUE BALL HANDMADE CARDIOID DYNAMIC MICROPHONE removeShure DMK57-52 - Drum Mic Kit removeLD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeAKG D 40 Dynamic Instrument Microphone removeSHURE Beta98HC - clip on condenser instrument mic remove
NameBLUE BALL HANDMADE CARDIOID DYNAMIC MICROPHONE removeShure DMK57-52 - Drum Mic Kit removeLD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeAKG D 40 Dynamic Instrument Microphone removeSHURE Beta98HC - clip on condenser instrument mic remove
ImageSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz
SKUBALLDMK57-52LDWS1000MWBETA57AD 40BETA98H/C
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Price 150.15 incl. GR VAT 627.00 incl. GR VAT 108.04 incl. GR VAT 175.00 incl. GR VAT 101.00 incl. GR VAT 241.91 incl. GR VAT
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Description
Content

Meet the Ball, the latest addition to our award-winning family of
hand-built microphones. So-named for its unique shape and inimitable
Blue styling, The Ball is our first offering in the dynamic mic category.
But a phantom-powered dynamic? Yes. And no. Most recordists know
that conventional dynamic mics do not require external DC power.
Rather, they employ a relatively simple circuit and derive their output
voltage through electromagnetic induction. While this makes them rugged,
reliable and easier to operate than their electrostatic counterparts, they
also present the user with a unique set of problems. Chief among these
is frequency-dependent variable resistance which has dramatic effects
on the transducer?s acoustic balance, phase coherence, noise specification
and overall output. Our engineers solved this problem by incorporating
a phantom-powered proprietary active balancing circuit in the Ball?s output
stage. This circuit maintains a constant pure-resistive 50-ohm load across
the useable frequency spectrum yielding an exceptionally smooth and open
sound previously unheard of in a dynamic microphone. Additionally, as a
dynamic mic, the Ball is capable of handling extremely high sound pressure
levels without distortion, making it the ideal choice for studio, stage, broadcast,
film or any other applications where reliability, versatility and the utmost
sound quality is required.

SPECS:
Year Introduced: 2003
Operating Principal: Dynamic transducer with active“Class-A"
phantom-powered solid-state circuitry
Polar Pattern: Cardioid
Frequency Response: 35Hz - 16kHz
Sensitivity: 3.5mV/Pa at 1kHz, 1 Pa = 94dB SPL
Output Impedance: 50?
Recommended Load Impedance: 2k?
Maximum SPL: 146 dB SPL (2k? load at 1% THD)
Output Noise Level: 18 dB-A
Power Requirement: 48V DC Phantom Power
Current Draw: 2.5 mA

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  • LDWS1000MW User User's manual [7,20 MB]
    LDWS1000MW Battery disposal informationLDWS1000MW Frequency listLDWS1000MW Frequency lists / Pin assignment Wireless SystemsLDWS1000MW Data sheet - Microphone for Brass/Wind/Percussioninstruments Wind / percussion instrument clip microphone

    Linear frequency response, natural sound reproduction, lightweight, easy and stable positioning thanks to the gooseneck, very good impact sound isolation thanks to elastic capsule fastening, strong clamp providing good fastening without causing any damage to the instrument thanks to the soft rubber inner surface of the clips. Phantom Power Adapter LDPHA also available separately.

    Specifications:
    • Converter Principle: Electret Condenser Microphone
    • Pick-up Pattern: Cardioid pattern
    • Frequency Response: 50 Hz – 18 kHz
    • SPL: 133 dB
    • Sensitivty: -45 dB +/- 3dB
    • Impedance: 250 Ohms +/- 30% @1kHz
    • Connections: Mini XLR – 3 pins
    • Gooseneck: 70 mm
    • Cable length: 1,5 m
    • Surface: Black matt
    • Weight: 56 g
    • Accessories: Wind protection, Phantom power adapter
    Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
    • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
    • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
    • Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
    • Neodymium magnet for high signal-to-noise ratio output
    • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
    • Frequency response: 50 to 16,000 Hz
    Suggested Applications Guitar Amp Bass Amp Acoustic Guitar Brass/Saxophone Snare Drums Rack/Floor Toms Congas Woodwinds Lead Vocals

    The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
    The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
    The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
    An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

    Musical instruments, Live applications.
    Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
    Patented AKG Varimotion diaphragm
    Custom built capsule mounting
    Spring steel wire-mesh cap
    Rugged all-metal body withstands typical tough handling on stage

    Type Cardioid
    Polar pattern 75 to 20,000 Hz
    Sensitivity 4 mV/Pa (-48 dBV)
    Max. SPL 144/156 dB SPL (for 1%/3 % THD)
    Equivalent noise level 18 dB-A
    Impedance =1000 ohms
    Connector 3-pin XLR
    Finish dark stage blue
    Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
    Net weight 245 g (8.6 oz.)
     

    A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

    Other features include:

    • Mew A98D flexible drum mount
    • SPL handling to 160dB
    • frequency response of 20 to 20,000Hz and included preamplifier
    • shock mount and windscreen
    Weight0.50 kg2.00 kg0.35 kg0.50 kg0.24 kg0.20 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 0.50 kg
    Weight 2.00 kg
    Weight 0.35 kg
    Weight 0.50 kg
    Weight 0.24 kg
    Weight 0.20 kg