With added functionality and enhanced audio performance, the AR-133 has been designed to be more affordable for musicians, studios and PA companies. The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery […]
With added functionality and enhanced audio performance, the AR-133 has been
designed to be more affordable for musicians, studios and PA companies.
The unit includes phantom power and battery supplies as standard. Should the
phantom power from the console fail or be accidentally switched off, the AR-133
automatically switches over to the internal 9V battery providing uninterrupted use.
The unit is housed in a rugged aluminium extrusion case, with robust polyurethane
end-cheeks which give the AR-133 a very distinctive look.
Input connectors are both 1/4″ jack sockets and an XLR socket, the latter meaning
that the AR-133 can be used to convert unbalanced signals to a balanced output on
XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat
cable management.
Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or
amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick
solutions to ground-loop problems.
The AR-133 uses an enhanced version of the same audio path as the AR-116, now
regarded by many people as a reference standard. The sound quality is legendary,
particularly on acoustic and bass guitars.
Numerous applications can be satisfied by the AR-133. For example, as well as the
traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier
outputs, and other electronic sources.An additional bonus is the ability to use the AR-133
as an active balancing device.
Input Section
Input Impedance 1M Ohm (pad at 0dB)
47k Ohm (pad at -20dB)
47k Ohm (pad at -40dB)
Max Input Level +9dBu (pad at 0dB)
+29dBu (pad at -20dB)
+49dBu (pad at -40dB)
Connectors Two Parallel 1/4″ jack connectors and a parallel
XLR connector (unbalanced)
Jack: Tip Hot (+ve)
Sleeve Ground
XLR: Pin 2 Hot (+ve)
Pin 1 & 3 Ground
Output Section
Output Transformer Balanced
Max. Output Level +8dBu into 600 Ohms or greater
Connector XLR3-32 or equivalent
System Performance
Distortion (THD) < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
General
Main/Standby battery 9 volt PP3 type, preferably alkaline.
Current drain on phantom – less than 7.5mA
on battery – less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Weight 650 gms, excluding batteries.
Overall Dimensions 59 mm x 124 mm x 143 mm
(2.3″ x 4.9″ x 5.6“)
Weight
0.65 kg
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With added functionality and enhanced audio performance, the AR-133 has been
designed to be more affordable for musicians, studios and PA companies.
The unit includes phantom power and battery supplies as standard. Should the
phantom power from the console fail or be accidentally switched off, the AR-133
automatically switches over to the internal 9V battery providing uninterrupted use.
The unit is housed in a rugged aluminium extrusion case, with robust polyurethane
end-cheeks which give the AR-133 a very distinctive look.
Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning
that the AR-133 can be used to convert unbalanced signals to a balanced output on
XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat
cable management.
Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or
amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick
solutions to ground-loop problems.
The AR-133 uses an enhanced version of the same audio path as the AR-116, now
regarded by many people as a reference standard. The sound quality is legendary,
particularly on acoustic and bass guitars.
Numerous applications can be satisfied by the AR-133. For example, as well as the
traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier
outputs, and other electronic sources.An additional bonus is the ability to use the AR-133
as an active balancing device.
Input Section
Input Impedance 1M Ohm (pad at 0dB)
47k Ohm (pad at -20dB)
47k Ohm (pad at -40dB)
Max Input Level +9dBu (pad at 0dB)
+29dBu (pad at -20dB)
+49dBu (pad at -40dB)
Connectors Two Parallel 1/4" jack connectors and a parallel
XLR connector (unbalanced)
Jack: Tip Hot (+ve)
Sleeve Ground
XLR: Pin 2 Hot (+ve)
Pin 1 & 3 Ground
Output Section
Output Transformer Balanced
Max. Output Level +8dBu into 600 Ohms or greater
Connector XLR3-32 or equivalent
System Performance
Distortion (THD) < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
General
Main/Standby battery 9 volt PP3 type, preferably alkaline.
Current drain on phantom - less than 7.5mA
on battery - less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Weight 650 gms, excluding batteries.
Overall Dimensions 59 mm x 124 mm x 143 mm
(2.3" x 4.9" x 5.6“)
Palmer PAN 03 19" DI Box 4-Channel active
Active 4-channel DI box. Each channel has a jack input with a parallel output for passing through the signal. An attenuation switch (-30 dB) allows either a line or loudspeaker signal to be connected.Active 4 x DI box, 19" format. Technical specitications identicl to the PAN-02, however, the PAN-03 is built for mains operation. All connections and switches are located on the front panel, an additional parallel XLR output is located in back. 19 inch rack-mount format, 1 rack space, 90 mm front to back.
Product type
DI Boxes
Type
active
Channels
4
Inputs
4
Input connectors
6.3 mm jack
Max. input level
+ 45 dBu
Input impedance
(@ 60 Hz) 1 M Ohm(s)
Input pad
0 / -30 dB
Outputs
4 (+ 4 parallel XLR outs)
THRU outputs/channel
1
Output connectors
6.3 mm jack , XLR
Max. output level
+ 10 dBu
Output impedance
600 Ohm(s)
Frequency response
10 - 20000 Hz
Transformer balanced
Yes
Ratio
10 : 1
Indicators
Power
Controls
attenuator , ground lift
Operating voltage
external
Cabinet material
sheet steel
Cabinet surface
Powder coated
Width
480 mm
Width
19 "
Depth
90 mm
Height
45 mm
Height
1 U
Weight
1,6 kg
At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didnʼt settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally thereʼs a direct box worthy of the dbx name.
Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.
As a professional, you donʼt have time for interference, so weʼve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx dB12 is for you.
Thru Output: 1 parallel connection from input jack
Connector: 1/4" jack
Type: Unbalanced, RF filtered
Main Output: 1 line level
Connector: XLR male jack
Type: Balanced
Impedance: 150 Ohm typical
Max Output Level: 0dBu
PERFORMANCE
Transformer: Custom dbx mu-metal-shielded
Frequency Response: 20Hz to 20kHz, +/-2.5dB
Noise:
THD:
GENERAL
Dimensions: 5.82" L X 5.44" W X 2.20" H (148 x 138 x 56mm)
Weight: 1.4 lbs / 0.65 kg
Note: Specifications subject to change without notice.
Behringer DI-400P High-Performance Passive Direct Injection Box
Introducing the Ultra-Compact DI-Boxes from BEHRINGER
There are times when you will want to connect certain sound sources straight to other audio gear, be it for a live performance or a studio session. A direct connection between audio equipment can be a challenge though: technical problems crop up that?ll corrupt the signal.
The DI400P lets you connect instruments or amplifier outputs. It converts any unbalanced signal to a balanced signal and eliminates unwanted noise. With its high-performance transformer, it also allows you to use very long cables without the loss of high frequencies.
This is the sort of medicine that?ll cure headaches in your studio or on stage.
You're serious about getting rid of all that excess noise on stage, but you've got so many line instruments you don't know where to start. The ADB-4 from Stewart can take care of all your high impedance problems. The ADB-4 is 4 active direct boxes, all in a module that only takes up half a space on your keyboard rack. It's a rugged, durable piece of equipment that packs a lot of DI power.
? Requires phantom power or 9v battery ? Ground lift switch ? Instrument or speaker level switch ? Transformerless ? Can be used with amp up to 400w ? RF shielding
Behringer DI-600P High-Performance Passive Direct Injection Box
Introducing the Ultra-Compact DI-Boxes from BEHRINGER
There are times when you will want to connect certain sound sources straight to other audio gear, be it for a live performance or a studio session. A direct connection between audio equipment can be a challenge though: technical problems crop up that?ll corrupt the signal.
The DI600P lets you connect instruments or amplifier outputs of up to 3,000 Watts. It converts any unbalanced signal to a balanced signal and eliminates unwanted noise. With its high-performance transformer, it also allows you to use very long cables without the loss of high frequencies.
This is the sort of medicine that?ll cure headaches in your studio or on stage.
It often happens that you want to connect certain sound sources straight to other audio gear, be it for a live performance or a studio session. The direct connection between audio equipment can quickly turn out to be a real challenge: technical problems crop up that can affect the signal.
Hook Your Guitar or Amp Up to the PA
Be ready for your next gig with the Behringer Ultra-DI DI600P direct box. Designed to send instrument or amplifier signals to the main mixing board, the DI600P is a high-performance passive DI is a useful tool in any gig rig or studio. Dual 1/4" TS jacks are wired in parallel let you plug your instrument into one and use the other as an output to your amp. The balanced XLR mic-level output feeds your mixer a clean and super-flat signal that is true to the source. Sweetwater knows that grounding issues and hum can be a problem at live gigs. The DI600P sports a ground lift switch to kill unwanted ground loops and hum. It also has a filter switch for optimal guitar tone and an instrument/amp switch with a 30dB input level drop. The Behringer Ultra-DI DI600P direct box is an extremely useful tool for any stage rig!
Behringer Ultra-DI DI600P Direct Box Features:
Compact, high-performance passive direct box
Jack input 1/4" TS in and parallel out
Gold-plated XLR output / impedance balanced
Super-flat frequency output for uncolored sound
Switchable filter that optimizes the DI for guitars
Instrument/Amp switch lowers the input level 30dB for feeding amplifiers into the DI
Instruments or amplifier outputs with up to 3,000 watts can be connected directly
Offers impedance and signal matching of instruments to mixers
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