DAP AUDIO D1914 EQ-1312 EQUALIZER 1×31 BAND

Discontinued
56%
DAP AUDIO D1914 EQ-1312 EQUALIZER 1x31 BAND
DAP AUDIO D1914 EQ-1312 EQUALIZER 1x31 BAND
DAP AUDIO D1914 EQ-1312 EQUALIZER 1x31 BAND
DAP AUDIO D1914 EQ-1312 EQUALIZER 1x31 BAND
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€110.35 incl. GR VAT

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Availability: Discontinued Discontinued SKU: D1914 Categories:
EQ-1312 Equalizer 1 x 31 Band 2 HE

 

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EQ-1312 Equalizer 1 x 31 Band 2 HE
Weight 6.00 kg

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DAP AUDIO D1914 EQ-1312 EQUALIZER 1x31 BAND removeERVINE E-Club 8c-HE series High Energy series 96 dB removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeDRAWMER 1974 - Stereo Parametric Equaliser removeDBX 231S 2X31 BAND GRAPHIC EQUALIZER removeAMERICAN AUDIO XEQ-152B EQUALIZER 2x15 BAND GRAPHIC EQUALIZER remove
NameDAP AUDIO D1914 EQ-1312 EQUALIZER 1x31 BAND removeERVINE E-Club 8c-HE series High Energy series 96 dB removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeDRAWMER 1974 - Stereo Parametric Equaliser removeDBX 231S 2X31 BAND GRAPHIC EQUALIZER removeAMERICAN AUDIO XEQ-152B EQUALIZER 2x15 BAND GRAPHIC EQUALIZER remove
ImageDAP AUDIO D1914 EQ-1312 EQUALIZER 1x31 BANDDRAWMER 1974 – Stereo Parametric Equaliser
SKUD1914E-Club 8cDBX IEQ15UA31374DBX 231S004558
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Price €110.35 incl. GR VAT €310.00 incl. GR VAT €770.00 incl. GR VAT€949.00 incl. GR VAT €185.00 incl. GR VAT €145.00 incl. GR VAT
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Description
ContentEQ-1312 Equalizer 1 x 31 Band 2 HEInstaller version of the Mobile 8, for wall or ceiling mount. Rec. amp power (non clipping): up to 300W RMS / 8ohms (electronically high pass filtered 24dB/oct at 200 Hz or higher) Peak SPL: 120dB Impedance: 6 ohms Dimensions: 49,2 x 59,2 x 5,5 cm; frame 1,5 cm thick 8 exciter engine. Frame can be painted in accordance with the interior. Panel is available in several colours or in an easy-to-paint-yourself version. Ceiling Version

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection

The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it\'s inspiration from 1970\'s-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain. Get immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician. Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall. Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings. Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies. Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave. The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision. Features:
  • Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.
  • Delivers classic sonic clarity and control at an affordable price.
  • Genuine stereo operation with one set of controls for both channels.
  • Indented and accurate potentiometers, providing precision for quick and simple recall.
  • Variable low and high cut filters allow you to perfectly tune out any undesirable signals.
  • Fully variable bandwidth provides absolute control for the parametric mid bands.
  • Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.
  • True hardware bypass for accurate A/B comparisons.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
  • Designed and manufactured by Drawmer in the UK.
INPUT Connectors: 1/4" TRS, female XLR (pin 2 hot) Type: Electronically balanced/unbalanced, RF filtered Impedance: Balanced 40k ohm, unbalanced 20k ohm Max Input Level: >+21dBu balanced or unbalanced CMRR: >40dB, typically >55dB at 1kHz OUTPUTS Connectors: 1/4" TRS, male XLR (pin 2 hot) Type: Impedance-balanaced/unbalanced, RF filtered Impedance: Balanced 100 ohm, unbalanced 50 ohm Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater >+18dBm balanced/unbalanced (into 600 ohm) SYSTEM PERFORMANCE Bandwidth: 20Hz to 20kHz, +0.5/-1dB Frequency Response: 50kHz, +0.5/-3dB Dynamic Range: Typicall >112dB Signal-to-Noise: Typically >95dB THD+Noise:

* 2 channel 15 2/3 octave band graphic equalizer
* 25Hz - 16kHz frequency control * Constant Q circuitry
(3% frequency accuracy) * Selectable 6dB or 12dB control
* Variable level control * By-pass switch * Overload threshold LED (5dB below clipping) * Ground lift switch * XLR & 1/4" TRS balanced Inputs/Outputs * Power: Selectable 120V/220V voltage
* Dimensions: 1.75" H x 19" W x x 8.5" D / 44.5mm x 483mm x 216mm - 1 space r.m. * Weight: 4.5 lbs. / 2.5kg

XEQ-152 Specifactions:
* Input type: Active balanced / Unbalanced * Output Impedance:

Weight6.00 kg3.00 kg3.86 kg4.00 kg3.58 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 6.00 kg
Weight 3.00 kg
Weight 3.86 kg
Weight 4.00 kg
Weight 3.58 kg
Weight 3.00 kg

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