DRAWMER MC 2.1 Monitor controller

550.00 incl. GR VAT

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MC2.1 – Monitor Controller It is imperative that what you record is exactly what you hear – this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller. With the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring […]

 

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MC2.1 – Monitor Controller

It is imperative that what you record is exactly what you hear – this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller.

With the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring circuit with the complexity of a host of mix checking features. It is versatile and intuitive, but above everything else, where the Drawmer MC2.1 excels is in it’s accuracy and ability to faithfully reproduce what has been recorded.

The MC2.1 incorporates four inputs with three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. In addition, it has a host of mix checking features not often found on other controllers, such as individual left/right cut, as well as two seperate headphone amplifiers and a talkback facility, making the MC2.1 a true engineers tool.

Whether you’re mastering a cd/dvd, recording, checking a mix for balance and e.q, doing A/B comparisons, plus a mutlitude of other tasks, you’ll have spent weeks designing the perfect studio environment and a fortune on active speakers, dynamics processors, various microphone and preamplifier combinations as well as a whole room full other gear, one thing is for sure – a monitor controller is central to every recording setup and probably the most important element of the entire signal chain – providing the ‘reference’ listening signal that enables the user to achieve the optimal mic placements, the perfect balance and EQ etc. There is one thing that should always be absolutely guaranteed – that you can rely on the accuracy of your monitor controller.

  • Ultra low noise and transparent circuit design.
  • Linear power supply with low hum toroidal transformer and internal voltage selector switch.
  • 3 stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output. All have individual left & right trims under the unit to provide complete control over level matching.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Comprehensive mix checking facilities including Left/Right Cut, Phase Reverse, Mono, Dim, Mute.
  • Parallelled custom quad pots on main and headphone level controls for excellent channel matching and smooth feel.
  • Four inputs including balanced Neutrik XLR, balanced Neutrik XLR/JACK COMBI, and shared aux phono or 3.5mm jack.
  • Two headphone amplifiers with individual level controls.
  • Built in talk back microphone with level control, mono output jack and internal headphone routing.
  • Rugged steel chasis and stylish brushed aluminium cover.
  • Can be stacked and is rack mountable (with the MCB 2U mounting kit).
  • Dimensions: L 272mm x W 215mm x H 81mm. Weight: 2.5kg
Weight 2.50 kg

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NameDRAWMER MC 2.1 Monitor controller removePALMER AUDIO MONICON L - Passive Monitor Controller removeDRAWMER CMC7 - Surround Monitor Controller removePALMER PMONICON Pro MONICON - Passive Monitor Controller removeAUDIENT Nero Monitor Controller removeBehringer Monitor2USB Speaker and Headphone Monitor Control remove
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MC2.1 - Monitor Controller

It is imperative that what you record is exactly what you hear - this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller.

With the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring circuit with the complexity of a host of mix checking features. It is versatile and intuitive, but above everything else, where the Drawmer MC2.1 excels is in it’s accuracy and ability to faithfully reproduce what has been recorded.

The MC2.1 incorporates four inputs with three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. In addition, it has a host of mix checking features not often found on other controllers, such as individual left/right cut, as well as two seperate headphone amplifiers and a talkback facility, making the MC2.1 a true engineers tool.

Whether you’re mastering a cd/dvd, recording, checking a mix for balance and e.q, doing A/B comparisons, plus a mutlitude of other tasks, you’ll have spent weeks designing the perfect studio environment and a fortune on active speakers, dynamics processors, various microphone and preamplifier combinations as well as a whole room full other gear, one thing is for sure - a monitor controller is central to every recording setup and probably the most important element of the entire signal chain - providing the ‘reference’ listening signal that enables the user to achieve the optimal mic placements, the perfect balance and EQ etc. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

  • Ultra low noise and transparent circuit design.
  • Linear power supply with low hum toroidal transformer and internal voltage selector switch.
  • 3 stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output. All have individual left & right trims under the unit to provide complete control over level matching.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Comprehensive mix checking facilities including Left/Right Cut, Phase Reverse, Mono, Dim, Mute.
  • Parallelled custom quad pots on main and headphone level controls for excellent channel matching and smooth feel.
  • Four inputs including balanced Neutrik XLR, balanced Neutrik XLR/JACK COMBI, and shared aux phono or 3.5mm jack.
  • Two headphone amplifiers with individual level controls.
  • Built in talk back microphone with level control, mono output jack and internal headphone routing.
  • Rugged steel chasis and stylish brushed aluminium cover.
  • Can be stacked and is rack mountable (with the MCB 2U mounting kit).
  • Dimensions: L 272mm x W 215mm x H 81mm. Weight: 2.5kg
  • All-passive volume control circuit
  • Stereo and AUX inputs
  • Dual outputs
  • Additional mono output
  • Balanced and unbalanced connection
  • Integrated high quality headphone amplifier
  • Mono, mute and PFL switches
  • Stereo volume, AUX and headphone level controls
  • Elegant design with solid wood side panels
  • Built to last
The Palmer Monicon® L is a precise, analogue volume control that connects between a computer or audio interface and active monitor speakers. The switch is completely passive and distortion-free, the LED displays and built-in headphone amplifier are powered via the included power supply. Symmetric combo sockets serve as stereo input. The Monicon® L’s AUX input features RCA sockets and a 3.5 mm stereo jack. The compact console offers outputs for two monitor pairs and a mono summed output via XLR sockets. The stereo or AUX input can be selected alternately, the two outputs individually and together. In addition to its large volume controller, the Monicon® L is also equipped with mono, mute and PFL switches, a 6.35 mm headphone output, and separate AUX and headphone controllers for convenient operation. Product type Other Studio and Recording Equipment
Channels 2
Inputs 2
Input connectors 3.5 mm TRS , RCA , XLR
Input type balanced/unbalanced (depending on TS/TRS connection)
Max. input level 20 dBu
Input impedance (balanced) 10k Ohm(s) , (unbalanced) 5k Ohm(s)
Outputs 3
Output connectors XLR
Output type balanced/unbalanced (depending on TS/TRS connection)
Max. output level 20 dBu
Output impedance 600 Ohm(s)
Frequency response 10 - 40000 Hz
THD 0.001 %
Max. attenuation (Attenuator + Mute) 112 dB , (Attenuator) 85 dB
Controls attenuation , input selector , mono , mute , output selector , PFL source
Cabinet material sheet steel , wood
Cabinet surface Powder coated
Width 218 mm
Height 77 mm
Depth 100 mm
Weight 1,14 kg

The CMC7 is a compact 8 channel / 7.1 / 5.1 surround volume controller and cost-effective alternative to the more complex and feature rich MC7.1. In order to maintain it's compact proportions and to keep the product budget friendly the CMC7 does away with controls that can often be found within your workstation software and concentrates on essential features such as ease of use and the quality of the signal path, ensuring that the audio is transparent and accurate across all channels and operation intuitive. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all-encompassing orchestral piece, one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever-increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. The budget friendly CMC7 allows you to do this without the large financial outlay that other setups will produce.

Coming from the same stable as the MC2.1, MC3.1 and MC7.1 you can be sure of the same high quality for the Drawmer CMC7 Surround Monitor Controller. The circuit is just as transparent and accurate. It's controls have the same quality feel and operation and the huge volume knob provides excellent channel matching, and smooth feel.

You hear exactly what you've recorded!

Surround Sound

The 8 inputs and outputs are provided via two balanced 25 pin d-sub connectors wired to the Tascam standard making connecting easy. It allows for 8 independent channels, 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc, the setup is up to the user.

With the Stereo Mix switch active the surround mix can be bounced down to a 2.1 signal in the front left and right monitors and sub-woofer, to test the quality of the recording when in stereo. In addition, it has a professional quality stereo headphone output with a separate amplifier and level control, that provides private mix checking, a DIM switch reduces output by 20dB and a MUTE switch is also available to cut the output completely.

Precision

The circuit design of the CMC7 ensures that the channel matching of all 8 channels is consistent throughout the full range of the volume control. Other manufaturers of surround controllers use multi-ganged potentiometers to achieve the levels of the 8 channels, this is especially true of passive surround controllers, this simplifies the circuit but leads to discrepancies in the level of each channel, especially at the lower and upper volumes, where accurate channel matching can vary wildly.

Compact

The CMC7 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC7 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.

Tough & Secure

Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC7 is built to last. In addition, a Kensington security slot provides protection from thieves.

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

Features:
  • Ultra low noise and transparent circuit design.
  • All 8 inputs and outputs are via 2 tascam standard 25 Pin D-Sub connectors making connection to interfaces and speakers simple and intuitive.
  • Mix down switch enables you to check the Surround as a Stereo mix with an independent Sub switch controlling the LFE/Sub.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • A large volume knob incorporating excellent channel matching and smooth feel.
  • An independent Headphone Amplifier with Individual Level Control with jack on the rear.
  • Kensington security slot (also called a K-Slot or Kensington lock).
  • Very low profile desktop enclosure with a footprint of just 18x16cm.
  • Stylish and Rugged Enclosure will withstand the knocks of the studio.

 

Palmer Monicon, and the volume is right! With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal. The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
  • Type: passive
  • Number of channels: 2
  • Number of inputs: 2
  • Input connections: XLR Combo / 3.5mm stereo jack
  • Input type: balanced/unbalanced
  • Maximum input level: +20 dBu
  • Input impedance: 10 kohms balanced/ 5 kohms unbalanced
  • Number of outputs: 2
  • Output connections: XLR/m, 3.5 mm stereo jack
  • Output type: balanced/unbalanced
  • Max output level: +20 dBu
  • Output impedance: 600 ohms
  • Frequency response: 10Hz - 40 kHz +/- 1 dB
  • THD: 0,001 %
  • Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
  • Controls: Attenuation, Mute, Mono
  • Housing material: sheet steel/wood
  • Housing surface: powder-coated
  • Width: 164 mm
  • Height: 62 mm
  • Depth: 85 mm
 
Audient Nero Monitor Controller 4 sources selectable:
  • 2 x Stereo Line Level Inputs (6.3 mm jack)
  • 1 x Stereo Cue Mix Inputs (6.3 mm jack)
  • Alt Inputs (3.5 mm mini jack, stereo RCA optical or coaxial S/PDIF inputs)
3 x Stereo Monitor Outputs Switchable subwoofer output 4x headphone output; built-in talkback microphone XLR input for external talkback microphone Dim, cut, mono & polarity function LED level meter Dimensions: 320 x 180 x 100 mm Weight: 2.2 kg

The Behringer Monitor2USB is a monitor controller and USB audio interface designed for home and project studios. It pairs a large VCA control knob for your overall output level with the ability to select among three sets of active studio monitors, as well as two sets of headphones. With its USB jack, you can connect your computer straight to the device so that you may play music from your digital library, or you can mix straight from your DAW. Through its XLR inputs, you can route analog sound, balanced or unbalanced. 

The VCA amplifier provides several benefits. For example, it allows DC current to flow through the volume control, rather than the audio signal, and thus, bypasses any DC-related signal degradation. This also helps in making sure your stereo image doesn’t drift as you crank the volume knob; anyone who’s experienced in monitor controllers knows this can be a problem—a problem mitigated in the Monitor2USB. The volume knob itself is quite large, and this too serves a function: Such a large size allows for more precision as you turn the control, so you can achieve minutely specific level adjustments, which might be necessary as you switch from monitoring post-production projects to music mixes.

You can use its three sets of outputs in a variety of ways—for instance, you can hook up two monitors and a subwoofer, or three sets of monitors, one of which can serve as your dedicated mono check. On the headphone outputs, a crossfeed control mimics the stereo experience of sitting in front of your speakers by feeding a miniscule amount of signal from the right to the left and vice versa. Amongst other benefits, this feature helps mitigate ear fatigue over long sessions. Mono and Dim buttons are on hand to help you in the mixing process. Included with the Monitor2USB are a power cable and a full, complimentary copy of Tracktion—a DAW to help you in your recording, editing, and mixing journeys.

Key Features at a Glance
  • Large volume knob with VCA control for precise level adjustments
  • Built-in stereo USB audio interface
  • 2 high-quality stereo inputs
  • 3 independent monitor outputs to connect two stereo monitors and one mono monitor
  • 2 headphone amplifiers with separate volume controls
  • Crossfeed control emulates the stereo speaker panorama when listening through your headphones
  • Convenient Mono and Dim functions
  • Included eco-friendly power supply
  • Designed and engineered in Germany

Analog Inputs 2 x XLR (input set 1)
2 x XLR (input set 2)
Input Impedance 20 kOhms balanced, 10 kOhms unbalanced
Input Sensitivity Input Set 1: +4 dBu
Input Set 2: +4 dBu / -10 dBV
Analog Outputs Monitor Out A: 2 x XLR, balanced
Monitor Out B: 2 x XLR, balanced
Monitor Out C: 1 x XLR, balanced
Phones: 2 x 1/4" TRS, phone type
USB USB 1.1, type-B
D/A Conversion 44.1 / 48 kHz
Frequency Response (-3 dB) < 10 Hz to 120 kHz
SNR 85 dB at 0 dB, A-weighted
CMRR > 50 dB at 1 kHz, 0 dBu input level, unity gain
THD+N 0.03% at 1 kHz, 0 dBu input level, unity gain
Crosstalk > 75 dB at 1 kHz
Attenuation Dim: -15 dB
Power Supply 100 to 240 VAC, 50 / 60 Hz
Dimensions (H x W x D) 3.3 x 8.5 x 7.8" / 84.0 x 216.0 x 199.0 mm
Weight 3.3 lb / 1.5 kg
Weight2.50 kg1.14 kg1.50 kg1.00 kg2.50 kg1.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 1.14 kg
Weight 1.50 kg
Weight 1.00 kg
Weight 2.50 kg
Weight 1.50 kg