When you think about Eric Johnson, you think tone, and the tone he’s best known for is his sweet, singing, lead tone. His choice for getting that tone has always been the Fuzz Face. EJ worked closely with Fuzz Face guru Jeorge Tripps to create his signature pedal. It is inspired by EJʼs prized personal […]
When you think about Eric Johnson, you think tone, and the tone he’s best known for is his sweet, singing, lead tone. His choice for getting that tone has always been the Fuzz Face. EJ worked closely with Fuzz Face guru Jeorge Tripps to create his signature pedal. It is inspired by EJʼs prized personal Fuzz Faces and is built to his incredibly strict specifications, featuring hand-selected BC183 silicon transistors (for higher gain), custom repro ʼ68-ʼ69 knobs, and a vintage-style hammertone finish. The result: a beautifully dynamic, expressive, and powerful pedal. “I first heard the Fuzz Face when I was about 12 and loved playing through it,” he says. “Itʼs the classic tone used by Jimi Hendrix, one of my greatest influences. No other pedal gets this type of sound. Itʼs the pinnacle of psychedelic fuzz.”
Application:
Εl.Guitar
Type:
Single
Display:
No
Rythms:
No
Pedal:
No
Signature:
No
Weight
0.50 kg
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When you think about Eric Johnson, you think tone, and the tone he's best known for is his sweet, singing, lead tone. His choice for getting that tone has always been the Fuzz Face. EJ worked closely with Fuzz Face guru Jeorge Tripps to create his signature pedal. It is inspired by EJʼs prized personal Fuzz Faces and is built to his incredibly strict specifications, featuring hand-selected BC183 silicon transistors (for higher gain), custom repro ʼ68-ʼ69 knobs, and a vintage-style hammertone finish. The result: a beautifully dynamic, expressive, and powerful pedal. "I first heard the Fuzz Face when I was about 12 and loved playing through it,” he says. "Itʼs the classic tone used by Jimi Hendrix, one of my greatest influences. No other pedal gets this type of sound. Itʼs the pinnacle of psychedelic fuzz.”
Application:
Εl.Guitar
Type:
Single
Display:
No
Rythms:
No
Pedal:
No
Signature:
No
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
“Rate" control allows for higher speed adjustment than classic PN-2
“Wave" control alters LFO waveform from triangle to square
“Depth" control determines the strength of the effect
BOSS 5-year warranty
Features The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
Classic "blues" guitar tones with tube amp simulation
Warm distortion and overdrive
Responds to nuance and volume changes
AC adaptor or 9V battery operation
BOSS 5-year warranty
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
10 Stereo or Mono Delay effects
Digital Delay
Vintage Delay
Tape Echo
Mod Delay
Ducked Delay
Band Delay
Filter Pong
MultiTap
Reverse
Looper
Studio Quality Sound
Instant Program Change
Real-time control with 10 knobs, MIDI or expression pedal
Tap Tempo and MIDI Clock Sync
40 User Presets, unlimited through MIDI
True Analog Bypass
Rugged cast metal construction
Metal footswitches for instant Preset access
Mono or Stereo operation
Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Produces extreme, low-end distortion for modern metal and hard rock
Gain Boost circuit creates huge distortion and sustain regardless of level
New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
Tone control adjusts balance between high and low frequencies
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User's Manual
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