Dunlop JC-95 Jerry Cantrell Signature Cry Baby Wah Pedal

Jerry Cantrell Wah Info

One of the most influential guitarists to come out of the Seattle rock scene, Jerry Cantrell's epic riffs and searing tone have been the driving force behind Alice in Chains since the late 80's. His melancholy wah-drenched melodies in modern classics like "Man in the Box" and "The Rooster" left an indelible mark on a generation of guitarists. Jerry favored wah-wahs with a wider, darker response, and Dunlop has painstakingly replicated that moody sound to create his signature pedal. It's custom-voiced for a tight, punchy heel-down tone and a rugged side-control knob lets you fine tune the toe-down frequency. And with its antique, oxidized "road worn" brass casting and custom Alice in Chains tread, this is one pedal that looks as great as it sounds.

Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

Tame your tone with the new Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmerʼs compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant.

Thereʼs also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal.

• Snake Charmer Compressor CT05
• Connection: Input: x1 (guitar input), Output: x1 (line output)
• Input / Output Impedance: 830 k-ohm / 4 k-ohm
• Tube: 12AU7 (ECC82)
• Power Supply: Four AA alkaline batteries or DC9V AC adapter
• Battery Life: Approx. 18 hours
• Current Consumption: 95 mA
• Dimensions: 168.5 (W) x 155.5 (D) x 64.0 (H) mm / 6.63” (W) x 6.12” (D) x 2.52” (H)
• Weight: 1,007 g (excluding batteries / 1,102 g including batteries)
• Included Items: Four AA alkaline batteries

The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.

• Produces extreme, low-end distortion for modern metal and hard rock
• Gain Boost circuit creates huge distortion and sustain regardless of level
• New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
• Tone control adjusts balance between high and low frequencies
• BOSS 5-year warranty

• Get vintage overdrive, smooth sustain and screaming fat tone
• Perfect for guitar; great for bass and keyboards, too
• Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound
• Captures every nuance of your playing from smooth overdrive to screaming tube sounds
• Dedicated Drive, Tone and Level controls for awesome sound shaping
• Status LED for effect on/off and battery check
• Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
• Rugged electronic On/Off switch for noise-free operation

• 6 different, high quality delay effects for you to explore
• Multi-mode selector switch
• Delay time control
• Feedback control
• Level control
• Solid metal casing
• Passive bypass
• Tap tempo pedal input
• Power: 9V DC Centre Negative Regulated PSU or PP3 battery
• Minimum Current Draw: 80mA
• Switches: On/Off Switch
• Indicators: On/Off LED
• Jacks: 2 Input, 2 Output 'Jack sockets' (1/4 inch)
• Input Impedance: 1MOhm
• Output Load Impedance: less than 1kOhm
• Dimensions: 120mm x 65mm x 55mm
• Weight: 510 grammes

Produces everything from mild, natural chorusing to the penetrating stereo chorus popular in contemporary music. Covers a wide frequency range and includes both high- and low-cut filters.