Dunlop JH-1D Jimi Hendric Signature Wah Pedal

199.00 incl. GR VAT

Available on backorder

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The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day few guitar players names are more synonymous with killer wah leads and wicked wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. […]

 

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The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day few guitar players names are more synonymous with killer wah leads and wicked wah-driven syncopated rhythms.

The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like “Up From the Sky”, Voodoo Child (Slight Return) Little Miss Lover and Still Raining Still Dreaming The Jimi Hendrix Signature Wah reproduces these timbres and more with startling accuracy Throaty and expressive it will fire your imagination The vintage classic look is 100% authentic too with a flashy chrome top and sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound everything about this wah just screams Hendrix
   
       
   

Weight 2.00 kg

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Quick Comparison

Dunlop JH-1D Jimi Hendric Signature Wah Pedal removeBOSS PH-3 PHASE SHIFTER Pedal removeBEHRINGER HB01 HELL-BABE WAH pedal removeEVENTIDE TIMEFACTOR MULTIDELAY/PEDAL removeBEHRINGER BEQ700 BASS GRAPHIC EQUALIZER Pedal removeDIGITECH HM2 HarmonyMan Intelligent Pitch Shifter Guitar Effects Pedal remove
NameDunlop JH-1D Jimi Hendric Signature Wah Pedal removeBOSS PH-3 PHASE SHIFTER Pedal removeBEHRINGER HB01 HELL-BABE WAH pedal removeEVENTIDE TIMEFACTOR MULTIDELAY/PEDAL removeBEHRINGER BEQ700 BASS GRAPHIC EQUALIZER Pedal removeDIGITECH HM2 HarmonyMan Intelligent Pitch Shifter Guitar Effects Pedal remove
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SKUG05DU00042690.ROL.101E005300TIMEFACTORE005247HM2
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Price 199.00 incl. GR VAT161.08 incl. GR VAT 68.00 incl. GR VAT 519.21 incl. GR VAT 35.00 incl. GR VAT 194.00 incl. GR VAT
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Descriptionhttps://youtu.be/81eXvxy6_No
Content

The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day few guitar players names are more synonymous with killer wah leads and wicked wah-driven syncopated rhythms.

The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like "Up From the Sky”, Voodoo Child (Slight Return) Little Miss Lover and Still Raining Still Dreaming The Jimi Hendrix Signature Wah reproduces these timbres and more with startling accuracy Throaty and expressive it will fire your imagination The vintage classic look is 100% authentic too with a flashy chrome top and sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound everything about this wah just screams Hendrix
   
       
   

Vintage BOSS phasing effects including 4-, 8-, 10-, and 12-stage phasers, plus new "Rise" and "Fall" effects for unidirectional phasing. Tap tempo sync or realtime control of rate via an Expression/Pedal input.

 

Nominal Input Level-20 dBu
Input Impedance1 M ohms
Nominal Output Level-20 dBu
Output Impedance1 k ohms
Recommended Load Impedance10 k ohms or greater
Residual Noise Level-92 dBu (IHF-A, Typ.)
ConnectorsINPUT Jack, OUTPUT Jack, EXP/CTL Jack, AC Adaptor Jack (DC 9 V)
Power Supply DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw50 mA (DC 9 V)
AccessoriesDry Battery 9 V type (6F22/9 V)
Options AC Adaptor (PSA-Series), Expression Pedal (Roland EV-5), Footswitch (FS-5U)
Size and Weight ( incl. battery )
Width
73 mm2-7/8 inches
Depth
129 mm5-1/8 inches
Height
59 mm2-3/8 inches
Weight
420 g0 lbs. 15 oz.

 

 

Wah-Wah Pedal HB-01 hell-babe
HELLBABE HB01
HELLBABE HB01
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
   
Studio Quality Effects at Your Feet Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility. Flexibility Built-In Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals. Obsolescence is so 20th Century Easy to upgrade; download new software from the Internet and install via USB. Features
  • 10 Stereo or Mono Delay effects
    • Digital Delay
    • Vintage Delay
    • Tape Echo
    • Mod Delay
    • Ducked Delay
    • Band Delay
    • Filter Pong
    • MultiTap
    • Reverse
    • Looper
  • Studio Quality Sound
  • Instant Program Change
  • Real-time control with 10 knobs, MIDI or expression pedal
  • Tap Tempo and MIDI Clock Sync
  • 40 User Presets, unlimited through MIDI
  • True Analog Bypass
  • Rugged cast metal construction
  • Metal footswitches for instant Preset access
  • Mono or Stereo operation
  • Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance 500K ohms
Output Impedance 470 ohms
Recommended Load Impedance 10K ohms or greater
Connectors
Input 1 (mono) ¼ inch mono phone jack
Input 2 ¼ inch mono phone jack
Output 1 (mono) ¼ inch mono phone jack
Output 2 ¼ inch mono phone jack
Expression Pedal ¼ inch mono phone jack
Aux Switch ¼ inch stereo phone jack
USB Type B Socket. Use 2.0 cables only.
MIDI In Five pin DIN (Female)
MIDI Out/Thru Five pin DIN (Female)
AC Adapter Jack Power Supply included (see below)
Physical
Power 9 VDC, 1200 mA, Tip hot (+)
Dimensions English: 4.8" (H) x 7.5" (W) x 2.12" (D) Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight 2.15 lbs, 1kG
Product Features: Shape your sound and eliminate feedback with 7 bands of equalization This BEHRINGER product has been designed to compete head to head with leading products on the market Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band Status LED for effect on/off and battery check Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) First-class electronic On/Off switch for noise-free operation High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany How the specific frequency bands of the BEQ700 can shape your sound 50 Hz (sub-bass) Boost: To thicken up sub-bass content, which is mostly felt rather than heard Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power 120 Hz (soft bass) Boost: To enhance the lower end of the bass spectrum Cut: To reduce the tendency of low frequency content to overwhelm a small room 400 Hz (hard bass) Boost: To enhance the "hard” bass punch of fundamental tones Cut: To reduce punch for better linkage with the kick drum 500 Hz Boost: or Cut: To control bass clarity and warmth 800 Hz Boost: To add an aggressive edge to the overall bass sound Cut: For reducing somewhat nasal or horn-like content 4.5 kHz Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate harshness 10 kHz Boost: To bring out the upper harmonics and add edge to the overall bass tonality Cut: Apply a cut to reduce harsh high-frequency content or hiss acrobat_reader_logo. User's Manual

Following up on the success and rave reviews of our newly released Vocalist® products, we decided to make a pedal with the same cool features but specifically designed for the guitarist. With our exclusive musIQ™ technology we were able to combine the lightning-fast natural sounding harmony generation made famous by the Vocalist pedals, and fuse it with the demands of professional guitarists everywhere.

HarmonyMan™ is the world's first guitar pedal that generates harmonies based on your chord progression. It features four different types of pitch shifting depending on which of the 42 different voices are selected. Combine up to two distinct voices in any combination to accompany the input signal: a 3rd or 5th above or below, an octave up, two octaves below, 24 semitones and 4 detune variations. Simply play the songs you know and love, and when the spotlight cues your solo, hit the harmony footswitch to get amazing multi-part guitar harmonies!

Features
  • Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
  • 3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
  • Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
  • Edit, store and recall 4 memory presets.
  • Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
  • Built-in guitar tuner
  • Pre-harmony Distortion loop
  • Features
  • Shifting Modes
  • Configurations
  • Specifications
Features
  • Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
  • 3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
  • Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
  • Edit, store and recall 4 memory presets.
  • Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
  • Built-in guitar tuner
  • Pre-harmony Distortion loop
Shifting Modes Triad Center Shifting Mode

Create musically correct harmonies based around your favorite chordal structure whether soloing a riff in a specific key or using the sidechain input for chord recognition.

Scalic Shifting Mode

Creates musically correct harmonies with various shifting depending on the harmony key.

Fixed (chromatic) Shifting Mode

Applies fixed harmony intervals to all notes with the fixed number of semitones selected.

Detune Shifting Mode

Get a thick overall sound applying a small fixed amount of pitch shifting to the lead guitar voice ranging from 5 cents to 30 cents in both up and down directions simultaneously.

Configuration Electric Guitar With Pre-Harmony Distortion and Stereo Amplifiers Add distortion to your lead and harmonies.

Config 1 The Side-Chain Using Two Guitars with Pre-Harmony Distortion This configuration is used when the 2nd guitar is the source signal.

Config 2 Specifications

Unit Dimensions: 9.75" x 7.9" x 3.4“
Unit Weight: 4 lbs./1.82 kg.
Power Supply: 9VAC 1300mA PS0913B-120 Included
Inputs: 1/4" Unbalanced
Outputs: 1/4" Unbalanced
Sidechain: Ground Lift Switch

Weight2.00 kg0.42 kg1.50 kg1.00 kg0.50 kg1.82 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 0.42 kg
Weight 1.50 kg
Weight 1.00 kg
Weight 0.50 kg
Weight 1.82 kg