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The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day few guitar players names are more synonymous with killer wah leads and wicked wah-driven syncopated rhythms.
The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like "Up From the Sky”, Voodoo Child (Slight Return) Little Miss Lover and Still Raining Still Dreaming The Jimi Hendrix Signature Wah reproduces these timbres and more with startling accuracy Throaty and expressive it will fire your imagination The vintage classic look is 100% authentic too with a flashy chrome top and sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound everything about this wah just screams Hendrix
| Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
- 10 Stereo or Mono Delay effects
- Digital Delay
- Vintage Delay
- Tape Echo
- Mod Delay
- Ducked Delay
- Band Delay
- Filter Pong
- MultiTap
- Reverse
- Looper
- Studio Quality Sound
- Instant Program Change
- Real-time control with 10 knobs, MIDI or expression pedal
- Tap Tempo and MIDI Clock Sync
- 40 User Presets, unlimited through MIDI
- True Analog Bypass
- Rugged cast metal construction
- Metal footswitches for instant Preset access
- Mono or Stereo operation
- Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
| Analog Input/Output |
| Input impedance |
500K ohms |
| Output Impedance |
470 ohms |
| Recommended Load Impedance |
10K ohms or greater |
| Connectors |
| Input 1 (mono) |
¼ inch mono phone jack |
| Input 2 |
¼ inch mono phone jack |
| Output 1 (mono) |
¼ inch mono phone jack |
| Output 2 |
¼ inch mono phone jack |
| Expression Pedal |
¼ inch mono phone jack |
| Aux Switch |
¼ inch stereo phone jack |
| USB |
Type B Socket. Use 2.0 cables only. |
| MIDI In |
Five pin DIN (Female) |
| MIDI Out/Thru |
Five pin DIN (Female) |
| AC Adapter Jack |
Power Supply included (see below) |
| Physical |
| Power |
9 VDC, 1200 mA, Tip hot (+) |
| Dimensions |
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm |
| Weight |
2.15 lbs, 1kG |
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The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
- Compact chorus pedal especially designed for bass guitar
- Applies chorus sound to the high frequencies without altering low frequencies
- Effect Level, Low Filter, Rate and Depth knobs permit precise tonal shaping
- BOSS 5-year warranty
| The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
- Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
- Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
- “Rate" control allows for higher speed adjustment than classic PN-2
- “Wave" control alters LFO waveform from triangle to square
- “Depth" control determines the strength of the effect
- BOSS 5-year warranty
| Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
- Compact overdrive pedal with warm, smooth overdriven sounds
- Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
- Tone control provides precise adjustment of drive sound
- BOSS 5-year warranty
| Input Impedance |
1 M ohms |
| Output Impedance |
10 k ohms or greater |
| Equivalent Input Noise Level |
–120 dBu or less (IHF-A, Typ.) |
| Connectors |
INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack |
| Power Supply |
DC 9 V: Dry Battery 9 V type, AC Adaptor |
| Current Draw |
12 mA (DC 9 V) |
| Accessories |
Dry Battery 9 V type (6F22/9 V) |
| Option |
AC Adaptor (PSA-Series) |
| Size and Weight ( incl. battery ) |
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| Wah-Wah Pedal HB-01 hell-babe
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
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