The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys . Dunlop’s engineering department examined hoards of vintage Fuzz Faces, honing in on a few units that possessed unmistakable Jimi voodoo. The Hendrix Fuzz Face is built […]
The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys
. Dunlop’s engineering department examined hoards of vintage Fuzz Faces, honing in on a few units that possessed unmistakable Jimi voodoo.
The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail — a hand wired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too — that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish.
Hendrix was the master of fuzz — an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his blazing career.
A truly playable collectIble for any Hendrix or Fuzz Face fanatic. Powered by 9V battery.
Features
* BC-108 silicon transistor
* Hand wired circuit board
* Original Fuzz Face knobs
* Turquoise hammertone finish
* Powered by 9V battery
Weight
2.00 kg
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The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys
. Dunlop's engineering department examined hoards of vintage Fuzz Faces, honing in on a few units that possessed unmistakable Jimi voodoo.
The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail — a hand wired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too — that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish.
Hendrix was the master of fuzz — an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his blazing career.
A truly playable collectIble for any Hendrix or Fuzz Face fanatic. Powered by 9V battery.
Features
* BC-108 silicon transistor
* Hand wired circuit board
* Original Fuzz Face knobs
* Turquoise hammertone finish
* Powered by 9V battery
Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
Compact overdrive pedal with warm, smooth overdriven sounds
Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
Tone control provides precise adjustment of drive sound
BOSS 5-year warranty
Input Impedance
1 M ohms
Output Impedance
10 k ohms or greater
Equivalent Input Noise Level
–120 dBu or less (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack
Power Supply
DC 9 V: Dry Battery 9 V type, AC Adaptor
Current Draw
12 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
400 g
0 lbs. 15 oz.
All-Time Favorite Chorus Effects, Modeled in a Single X-Series Pedal
Introducing the DigiTech CF-7 Chorus Factory. Think of it as 1-stomp shopping for all of your ultra high quality chorus needs. Besides Speed and Depth knobs, they've included a 2-in-1 concentric control that lets you tweak 2 more key parameters of each chorus effect. Add Flexible Output Mode, cast metal treadle and sleek carbon fiber finish and you have an industrial strength creative tool. If one of the best classic choruses with added control begs to be a part of your sound, you've just found the perfect pedal.
Features:
7 classic chorus effects models
Speed, depth and 2 parameter controls for each effect
Flexible output mode -- configure outputs for amp or mixer
CIT models classic speaker cabinets
Cast-metal treadle and chassis
Unique carbon-fiber look
Non-skid rubber base
Based on the Boss CH-1*
Based on the EH Small Clone*
Based on the DigiTech Multi Chorus
DigiTech, X-Series, Flexible Output Mode, DigiTech Whammy, Multi Chorus, CIT and CF-7 Chorus Factory are trademarks of Harman International Industries, Inc.
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
Tame your tone with the new Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmerʼs compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant.
Thereʼs also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal.
Power Supply: Four AA alkaline batteries or DC9V AC adapter
Battery Life: Approx. 18 hours
Current Consumption: 95 mA
Dimensions: 168.5 (W) x 155.5 (D) x 64.0 (H) mm / 6.63” (W) x 6.12” (D) x 2.52” (H)
Weight: 1,007 g (excluding batteries / 1,102 g including batteries)
Included Items: Four AA alkaline batteries
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Produces extreme, low-end distortion for modern metal and hard rock
Gain Boost circuit creates huge distortion and sustain regardless of level
New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
Tone control adjusts balance between high and low frequencies
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User's Manual
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