The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys . Dunlop’s engineering department examined hoards of vintage Fuzz Faces, honing in on a few units that possessed unmistakable Jimi voodoo. The Hendrix Fuzz Face is built […]
The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys
. Dunlop’s engineering department examined hoards of vintage Fuzz Faces, honing in on a few units that possessed unmistakable Jimi voodoo.
The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail — a hand wired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too — that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish.
Hendrix was the master of fuzz — an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his blazing career.
A truly playable collectIble for any Hendrix or Fuzz Face fanatic. Powered by 9V battery.
Features
* BC-108 silicon transistor
* Hand wired circuit board
* Original Fuzz Face knobs
* Turquoise hammertone finish
* Powered by 9V battery
Weight
2.00 kg
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The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys
. Dunlop's engineering department examined hoards of vintage Fuzz Faces, honing in on a few units that possessed unmistakable Jimi voodoo.
The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail — a hand wired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too — that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish.
Hendrix was the master of fuzz — an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his blazing career.
A truly playable collectIble for any Hendrix or Fuzz Face fanatic. Powered by 9V battery.
Features
* BC-108 silicon transistor
* Hand wired circuit board
* Original Fuzz Face knobs
* Turquoise hammertone finish
* Powered by 9V battery
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
“Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS 5-year warranty
The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
“Rate" control allows for higher speed adjustment than classic PN-2
“Wave" control alters LFO waveform from triangle to square
“Depth" control determines the strength of the effect
BOSS 5-year warranty
Bass chorus like the world has never known.
The DigiTech XBC Bass Multi Chorus Pedal is designed especially for bass. The XBC Bass Chorus Pedal lets you morph up to 16 bass chorus voices at once for an endless palette of amazingly rich effects. Built-in voice randomization increases with more voices for an even denser wash of killer chorus. DigiTech includes a 9V battery with the XBC Bass Multi Chorus Pedal.
DigiTech XBC Bass Multi Chorus Pedal Features:
Designed especially for bass
Morph up to 16 bass chorus voices at once
Voice randomization increases with more voices
Tame your tone with the new Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmerʼs compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant.
Thereʼs also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal.
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