MXR M222 Talkbox, talk box, suitable for guitar and keyboard, providing a way to play sound from the mouth shape, independent amplifiers and speakers, there is no separate amp needed, controls for volume and tone gain, more stable foot, blue status LED, 6.3 mm jack input and output, pedalboard-friendly size, rugged roadworthy housing, true bypass. […]
MXR M222 Talkbox, talk box, suitable for guitar and keyboard, providing a way to play sound from the mouth shape, independent amplifiers and speakers, there is no separate amp needed, controls for volume and tone gain, more stable foot, blue status LED, 6.3 mm jack input and output, pedalboard-friendly size, rugged roadworthy housing, true bypass.
incl. Dunlop AC adapter 18V DC
Weight
0.20 kg
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MXR M222 Talkbox, talk box, suitable for guitar and keyboard, providing a way to play sound from the mouth shape, independent amplifiers and speakers, there is no separate amp needed, controls for volume and tone gain, more stable foot, blue status LED, 6.3 mm jack input and output, pedalboard-friendly size, rugged roadworthy housing, true bypass.
incl. Dunlop AC adapter 18V DC
VINTAGE TUBE OVERDRIVE TO800
What's bright green and goes from 1 to 11 as fast as you can step on the “On” switch? It’s the very essence of rock ‘n’ roll, our screaming-hot VINTAGE TUBE OVERDRIVE TO800 effects pedal! The classic sound of blazing, overdriven vacuum tubes never goes out of style, and they’re at your command – when you have the VINTAGE TUBE OVERDRIVE TO800 in your effects chain
Vintage Tube-Like Tone
In order to recreate the sound of real-tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock’s most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.
Ease of Use
Dedicated Drive, Tone and Level controls let you shape the exact sound you want. The status LED tells you when this pedal is activated, and the top-quality on/off switch provides the highest signal integrity in bypass mode. You can power the TO800 via a 9 V battery or our PSU-SB DC power supply (not included).
Get vintage overdrive, smooth sustain and screaming fat tone
Perfect for guitar; great for bass and keyboards, too
Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound
Captures every nuance of your playing from smooth overdrive to screaming tube sounds
Dedicated Drive, Tone and Level controls for awesome sound shaping
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
Rugged electronic On/Off switch for noise-free operation
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
“Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS 5-year warranty
The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
“Rate" control allows for higher speed adjustment than classic PN-2
“Wave" control alters LFO waveform from triangle to square
“Depth" control determines the strength of the effect
BOSS 5-year warranty
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Produces extreme, low-end distortion for modern metal and hard rock
Gain Boost circuit creates huge distortion and sustain regardless of level
New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
Tone control adjusts balance between high and low frequencies
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User's Manual
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