Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.
Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.
Weight
1.00 kg
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Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.
VINTAGE TUBE OVERDRIVE TO800
What's bright green and goes from 1 to 11 as fast as you can step on the “On” switch? It’s the very essence of rock ‘n’ roll, our screaming-hot VINTAGE TUBE OVERDRIVE TO800 effects pedal! The classic sound of blazing, overdriven vacuum tubes never goes out of style, and they’re at your command – when you have the VINTAGE TUBE OVERDRIVE TO800 in your effects chain
Vintage Tube-Like Tone
In order to recreate the sound of real-tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock’s most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.
Ease of Use
Dedicated Drive, Tone and Level controls let you shape the exact sound you want. The status LED tells you when this pedal is activated, and the top-quality on/off switch provides the highest signal integrity in bypass mode. You can power the TO800 via a 9 V battery or our PSU-SB DC power supply (not included).
Get vintage overdrive, smooth sustain and screaming fat tone
Perfect for guitar; great for bass and keyboards, too
Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound
Captures every nuance of your playing from smooth overdrive to screaming tube sounds
Dedicated Drive, Tone and Level controls for awesome sound shaping
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
Rugged electronic On/Off switch for noise-free operation
Studio Quality Effects at Your Feet
Premier recording studios worldwide use Eventide on hit after hit. ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
27 of Eventideʼs signature stereo or mono effects:
Liquid Chorus
Shimmer Chorus
Organic Chorus
Negative Phaser
Postive Phaser
BiPhase Phaser
Feedback Phaser
WahWah Q-Wah
Voc-Wah Q-Wah
Positive Flanger
Negative Flanger
Jet Flanger
Thru-o Flanger
Lowpass ModFilter
HiPass ModFilter
BandPass ModFilter
Standard Rotary
Giant Rotary
Bias Tremolo
Opto Tremolo
Modern Vibrato
Vintage Vibrato
Retro Vibrato
Pitch Undulator
Feedback Undulator
Ring (DC) Ringmod
String (AC) Ringmod
Studio quality sound
Software upgradeable via USB 2.0
MIDI control via USB or MIDI in, out/thru
Instant program change
Real-time control with 10 knobs, MIDI, or expression pedal
Tap tempo and MIDI clock sync
40 factory presets, unlimited through MIDI
True analog bypass
Rugged cast metal construction
Reliable metal footswitches for instant preset access
Mono or stereo operation
Guitar or line level inputs and outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
10 Stereo or Mono Delay effects
Digital Delay
Vintage Delay
Tape Echo
Mod Delay
Ducked Delay
Band Delay
Filter Pong
MultiTap
Reverse
Looper
Studio Quality Sound
Instant Program Change
Real-time control with 10 knobs, MIDI or expression pedal
Tap Tempo and MIDI Clock Sync
40 User Presets, unlimited through MIDI
True Analog Bypass
Rugged cast metal construction
Metal footswitches for instant Preset access
Mono or Stereo operation
Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Produces extreme, low-end distortion for modern metal and hard rock
Gain Boost circuit creates huge distortion and sustain regardless of level
New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
Tone control adjusts balance between high and low frequencies
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User's Manual
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