The ultimate metal distortion pedal. Three powerful EQ bands sculpt the mids and 6 controls shape the sound precisely for your groove from slithering mercury to lead belly blast furnace dross. Its unique Top Boost adds serious bite with its own control knob and footswitch so you can kick it on for searing leads.
The ultimate metal distortion pedal. Three powerful EQ bands sculpt the mids and 6 controls shape the sound precisely for your groove from slithering mercury to lead belly blast furnace dross. Its unique Top Boost adds serious bite with its own control knob and footswitch so you can kick it on for searing leads.
Weight
1.00 kg
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The ultimate metal distortion pedal. Three powerful EQ bands sculpt the mids and 6 controls shape the sound precisely for your groove from slithering mercury to lead belly blast furnace dross. Its unique Top Boost adds serious bite with its own control knob and footswitch so you can kick it on for searing leads.
Following up on the success and rave reviews of our newly released Vocalist® products, we decided to make a pedal with the same cool features but specifically designed for the guitarist. With our exclusive musIQ™ technology we were able to combine the lightning-fast natural sounding harmony generation made famous by the Vocalist pedals, and fuse it with the demands of professional guitarists everywhere.
HarmonyMan™ is the world's first guitar pedal that generates harmonies based on your chord progression. It features four different types of pitch shifting depending on which of the 42 different voices are selected. Combine up to two distinct voices in any combination to accompany the input signal: a 3rd or 5th above or below, an octave up, two octaves below, 24 semitones and 4 detune variations. Simply play the songs you know and love, and when the spotlight cues your solo, hit the harmony footswitch to get amazing multi-part guitar harmonies!
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Features
Shifting Modes
Configurations
Specifications
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Shifting Modes Triad Center Shifting Mode
Create musically correct harmonies based around your favorite chordal structure whether soloing a riff in a specific key or using the sidechain input for chord recognition.
Scalic Shifting Mode
Creates musically correct harmonies with various shifting depending on the harmony key.
Fixed (chromatic) Shifting Mode
Applies fixed harmony intervals to all notes with the fixed number of semitones selected.
Detune Shifting Mode
Get a thick overall sound applying a small fixed amount of pitch shifting to the lead guitar voice ranging from 5 cents to 30 cents in both up and down directions simultaneously.
Configuration Electric Guitar With Pre-Harmony Distortion and Stereo Amplifiers Add distortion to your lead and harmonies.
The Side-Chain Using Two Guitars with Pre-Harmony Distortion This configuration is used when the 2nd guitar is the source signal.
Specifications
Unit Dimensions: 9.75" x 7.9" x 3.4“ Unit Weight: 4 lbs./1.82 kg. Power Supply: 9VAC 1300mA PS0913B-120 Included Inputs: 1/4" Unbalanced Outputs: 1/4" Unbalanced Sidechain: Ground Lift Switch
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds
Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing
Includes Level, Tone, Drive and Color controls for precise tonal shaping
BOSS 5-year warranty
Wah-Wah Pedal HB-01 hell-babe
HELLBABE HB01
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
The FZ-5 is a modern pedal built for the modern guitarist, but the sounds you can get from the FZ-5 are pure retro. Looking back at the glorious rock sounds of the ʼ60s and ʼ70s, the FZ-5 recreates its vintage fuzz through BOSS state-of-the-art COSM technology. Recall the fuzz-filled flavors of classic pedals such as the Maestro FZ-1A, Fuzz Face, and Octavia pedals, and kick ʼem into overdrive with the FZ-5ʼs Boost knob. BOSS' proprietary COSM technology allows guitar players to recreate classic fuzz BOOST control for more aggressive tone. The FZ-5 is the perfect weapon for players wanting to beef up their rigs with classic retro fuzz artillery.
Vintage sounds inspired by famous fuzz pedals of the ʼ60s and ʼ70s
Uses advanced COSM technology to recreate classic fuzz
BOOST control for more aggressive tone
Road-tough BOSS metal construction
Nominal Input Level
-20 dBu
Input Impedance
1 M ohm
Nominal Output Level
-20 dBu
Output Impedance
1 k ohm
Recommended Load Impedance
10 k ohms or greater
Controls
Pedal switch, LEVEL knob, FUZZ knob, MODE knob
Indicator
CHECK indicator (Serves also as battery check indicator)
Connectors
INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V)
Power Supply
DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional)
Current Draw
36 mA (DC 9 V)
Expected battery life under continuous use
Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use.
Accessories
Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), MODE sticker, Dry Battery 006P/9V (6LR61)
Options
AC Adaptor (PSA series)
Size and Weight
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
440 g
1 lbs.
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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