| Content |
The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic.
| Studio Quality Effects at Your Feet
Premier recording studios worldwide use Eventide on hit after hit. ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
- 27 of Eventideʼs signature stereo or mono effects:
- Liquid Chorus
- Shimmer Chorus
- Organic Chorus
- Negative Phaser
- Postive Phaser
- BiPhase Phaser
- Feedback Phaser
- WahWah Q-Wah
- Voc-Wah Q-Wah
- Positive Flanger
- Negative Flanger
- Jet Flanger
- Thru-o Flanger
- Lowpass ModFilter
- HiPass ModFilter
- BandPass ModFilter
- Standard Rotary
- Giant Rotary
- Bias Tremolo
- Opto Tremolo
- Modern Vibrato
- Vintage Vibrato
- Retro Vibrato
- Pitch Undulator
- Feedback Undulator
- Ring (DC) Ringmod
- String (AC) Ringmod
- Studio quality sound
- Software upgradeable via USB 2.0
- MIDI control via USB or MIDI in, out/thru
- Instant program change
- Real-time control with 10 knobs, MIDI, or expression pedal
- Tap tempo and MIDI clock sync
- 40 factory presets, unlimited through MIDI
- True analog bypass
- Rugged cast metal construction
- Reliable metal footswitches for instant preset access
- Mono or stereo operation
- Guitar or line level inputs and outputs
SPECIFICATIONS:
| Analog Input/Output |
| Input impedance |
500K ohms |
| Output Impedance |
470 ohms |
| Recommended Load Impedance |
10K ohms or greater |
| Connectors |
| Input 1 (mono) |
¼ inch mono phone jack |
| Input 2 |
¼ inch mono phone jack |
| Output 1 (mono) |
¼ inch mono phone jack |
| Output 2 |
¼ inch mono phone jack |
| Expression Pedal |
¼ inch mono phone jack |
| Aux Switch |
¼ inch stereo phone jack |
| USB |
Type B Socket. Use 2.0 cables only. |
| MIDI In |
Five pin DIN (Female) |
| MIDI Out/Thru |
Five pin DIN (Female) |
| AC Adapter Jack |
Power Supply included (see below) |
| Physical |
| Power |
9 VDC, 1200 mA, Tip hot (+) |
| Dimensions |
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm |
| Weight |
2.15 lbs, 1kG |
| The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.
The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.
The main features of the Marshall EH-1 ECHOHEAD include:
- 6 different, high quality delay effects for you to explore
- Multi-mode selector switch
- Delay time control
- Feedback control
- Level control
- Solid metal casing
- Passive bypass
- Tap tempo pedal input
- Power: 9V DC Centre Negative Regulated PSU or PP3 battery
- Minimum Current Draw: 80mA
- Switches: On/Off Switch
- Indicators: On/Off LED
- Jacks: 2 Input, 2 Output 'Jack sockets' (1/4 inch)
- Input Impedance: 1MOhm
- Output Load Impedance: less than 1kOhm
- Dimensions: 120mm x 65mm x 55mm
- Weight: 510 grammes
| The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
- Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
- Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
- “Rate" control allows for higher speed adjustment than classic PN-2
- “Wave" control alters LFO waveform from triangle to square
- “Depth" control determines the strength of the effect
- BOSS 5-year warranty
|
Produces everything from mild, natural chorusing to the penetrating stereo chorus popular in contemporary music. Covers a wide frequency range and includes both high- and low-cut filters.
| Input Impedance | 1 M ohms |
|---|
| Output Impedance | 1 k ohms |
|---|
| Recommended Load Impedance | 10 k ohms or greater |
|---|
| Residual Noise Level | -93 dBu (IHF-A, Typ.) |
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| Connectors | INPUT Jack, OUTPUT Jack A (mono)/ B, AC Adaptor Jack (DC 9 V) |
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| Power Supply | DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor |
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| Current Draw | 22 mA (DC 9 V) |
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| Accessories | Dry Battery 9 V type (6F22/9 V) |
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| Option | AC Adaptor (PSA-Series) |
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| The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
- Compact pedal creates a variety of classic "wah" effects
- Dynamic wah sounds provide variable effect based on picking strength
- “Humanizer" effect creates human voice-type vowel sounds
- Dedicated Bass input for processing bass guitar
- EXP Pedal mode allows wah control via optional expression pedal
- Tempo can be set for pedal control or at fixed rate via Manual mode
- BOSS 5-year warranty
|
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