ESI Moco Passive Monitor Controller

70.00 incl. GR VAT

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MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors. \”Fully passive\” means that there are no active components involved, that could in any way alter the audio signal – keeping the maximum sound quality level for your studio monitors. MoCo provides two […]

 

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MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors.
\”Fully passive\” means that there are no active components involved, that could in any way alter the audio signal – keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4\” TRS connectors, one with both unbalanced RCA and unbalanced 1/8\” TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4\” TRS plus unbalanced 1/8\” TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out!
Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.

Features

  • 2x mono balanced 1/4\” TRS input (input A)
  • 2x mono unbalanced RCA input (input B)
  • 1x stereo unbalanced 1/8\” mini jack input (input B)
  • 2x mono balanced XLR output (output A)
  • 2x mono balanced / unbalanced 1/4\” TRS output (output B)
  • 1x stereo unbalanced 1/8\” mini jack output (output B)
  • selected high quality potentiometer for passive volume control
  • A/B input selection switch
  • L/R switch to swap left & right audio channels
  • independent A and B buttons to enable and disable the outputs
  • mono downmix button (mixes left to right channel and right to left channel)
  • mute button to mute output signal instantly
Weight 0.80 kg

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ESI Moco Passive Monitor Controller removeKORG RD-KB KEYBOARD FOR RADIAS-R removePALMER AUDIO MONICON XL Active Studio Monitor Controller removeJBL NANO PATCH+ Passive Studio monitor controller removeDRAWMER CMC2 Monitor Controller removeDRAWMER MC 7.1 Surround Monitor Controller remove
NameESI Moco Passive Monitor Controller removeKORG RD-KB KEYBOARD FOR RADIAS-R removePALMER AUDIO MONICON XL Active Studio Monitor Controller removeJBL NANO PATCH+ Passive Studio monitor controller removeDRAWMER CMC2 Monitor Controller removeDRAWMER MC 7.1 Surround Monitor Controller remove
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Description
Content

MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors. \"Fully passive\" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4\" TRS connectors, one with both unbalanced RCA and unbalanced 1/8\" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4\" TRS plus unbalanced 1/8\" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out! Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.
Features

  • 2x mono balanced 1/4\" TRS input (input A)
  • 2x mono unbalanced RCA input (input B)
  • 1x stereo unbalanced 1/8\" mini jack input (input B)
  • 2x mono balanced XLR output (output A)
  • 2x mono balanced / unbalanced 1/4\" TRS output (output B)
  • 1x stereo unbalanced 1/8\" mini jack output (output B)
  • selected high quality potentiometer for passive volume control
  • A/B input selection switch
  • L/R switch to swap left & right audio channels
  • independent A and B buttons to enable and disable the outputs
  • mono downmix button (mixes left to right channel and right to left channel)
  • mute button to mute output signal instantly


49 Key Controller exclusive for Radias R Module

INPUT x2 (Volume/Expression SW)

OUTPUT x2 (Volume/Expression)

TUNER OUT (Signal from Input 1 only)

Volume: Input Impedance > 50k ohm,

Output Impedance

Minimum Volume 0%–50%

Expression: Minimum Volume (100k ohm, 0%–100%)

Dimensions: 4.5(W) x 11.8(D) x 2.7(H)in.

Weight 3 lbs.


 

  • Latency-free analogue signal path
  • Customisable
  • Level indicator L/R with +4, +10 and +18 dBu calibration options
  • Correlation meter for verifying mono-compatibility
  • Two headphone outputs with volume controllers and main cue selector switches
  • Three analogue inputs, one S/PDIF input
  • Three loudspeaker outputs with volume controllers for level calibration
  • Mono summed output for subwoofer or mono monitor
  • Main and cue direct outputs
Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button. The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal\'s left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style. Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount. Product type Other Studio and Recording Equipment
Channels 3 x switchable balanced outputs, 1 x CUE output, 1 x main output
Inputs 3 + SPDIF
Input connectors 3.5 mm TRS , 6.3 mm jack , RCA , SPDIF
Input type balanced/unbalanced (depending on TS/TRS connection)
Max. input level 20 dBu
Input impedance (balanced) 10.000 Ohm(s) , (unbalanced) 5.000 Ohm(s)
Outputs 7 x stereo
Output connectors TRS balanced (1 - 3) , TRS unbalanced (CUE, MAIN, headphones 1 & 2)
Output impedance 600 Ohm(s)
Frequency response 12 - 90000 Hz
Total Harmonic Distortion (THD) 0.002 % (BW 20 - 20,000 Hz)
Signal-to-noise ratio (SNR) 102 dB (a-weighted) @ + 4 dBu
Dynamic range (DR AES17) 115 dB
CMRR > 55 dB
Max. attenuation (Attenuator + Mute) 111 dB , (Attenuator) 86 dB
Controls attenuation , Audio DIM , input selector , mono , mute , output selector , PFL source , Talkback
Housing material sheet steel , wood
Cabinet surface Powder coated
Width 254 mm
Height 84 mm
Depth 215 mm
Weight 1,512 kg

The Nano Patch+ really comes into its own when connected between your computer audio interface/soundcard master outputs and a pair of active (powered) monitor speakers. One of the benefits of passive volume attenuation is that you no longer have to control volumes with your softwareʼs master volume fader. Reducing levels from your software only reduces the audio bit depth. It is much more appropriate to keep your software masters at unity and attenuate the audio to your active monitors with a passive controller like the Nano Patch+. This way you can maintain maximum audio resolution and attenuate your monitoring volume with the confidence that the sonic integrity of your audio is not compromised.

No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the Nano Patch+. It simply delivers attenuated signal. Pure, simple transparent.

- Super compact 2 channel analog passive volume control
- Rotary volume attenuation control
- Mute button
- Completely transparent operation
- No power required
- 2 x combo inputs (balanced and unbalanced)
- 2 x TRS outputs (balanced and unbalanced)
- 1 x Mini jack I/O
- available in black and silver
- No signal conversion from unbalanced to balanced!

CMC2 - Compact Monitor Controller

COMPACT, ACCURATE & AFFORDABLE.

The CMC2 is a compact monitor controller that has been designed to provide the same top quality audio, transparency and accuracy of Drawmer's other monitor controllers, such as the MC2.1 and MC3.1, whilst retaining all the necessary features that the smaller project studio would require without the cost of the advanced features that would seldomly be used. 

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

Accurate & Transparent

With the same Drawmer pedigree as the MC2.1, the CMC2 circuit is just as transparent and accurate. It's switches and paralleled custom-quad knobs have excellent channel matching, a smooth feel.

You hear exactly what you've recorded!

Multiple Connections

The CMC2 is very well connected: with 2 Stereo balanced jack inputs, plus a 3.5mm jack for your Smartphone/MP3 Player, with variable level control. It supports 2 sets of stereo monitors plus a sub-woofer, each with individual switches so you can activate them in any order, especially useful for A/B comparisons.

In addition, it has a professional quality headphone output with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC2 does through the speakers.

Key Mix check features such as Phase Reverse, Mono, Dim & Mute are also included, to enable you to examine the quality of your recordings with ease.

Compact

The CMC2 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC2 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.

Tough & Secure

Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC2 is built to last. In addition, a Kensington security slot provides protection from thieves.

Features:
  • Ultra low noise and transparent circuit design.
  • Source switches can be active in any combination. 3 Inputs in Total - Two on ¼” balanced jacks and One 3.5mm Front Panel Aux for your Smartphone/Mp3 Player.
  • 2x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • A large volume knob incorporating a parallelled custom quad pot for excellent channel matching and smooth feel.
  • A Headphone Amplifier with Individual Level Controls with easy access to the jack on the front.
  • Front Panel 3.5mm AUX Input with Level Control for connecting MP3 player, smartphone or tablet etc.
  • Mix Checking facilities Include Dim, Phase Reverse and Mono, as well as an easy access Mute switch.
  • Kensington security slot (also called a K-Slot or Kensington lock).
  • Very low profile desktop enclosure with a footprint of just 18x16cm.
  • Stylish and Rugged Enclosure will withstand the knocks of the studio.

MC7.1 - Surround Monitor Controller

MULTIPLE SOURCE STUDIO MONITOR CONTROLLER FOR 7.1/5.1 SURROUND & STEREO APPLICATIONS.

The Drawmer MC7.1 Surround Monitor Controller is a combined 7.1/5.1 and stereo monitor controller. Designed to provide all the mix checking features required for surround recordings without compromising on those used in stereo monitoring. It has the same pristine & transparent design as others from the Drawmer monitor controller pedigree, with a rugged desk top "wedge" form factor as used in the popular MC3.1. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all encompassing orchestral piece, be it in 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc., one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. 

Boasting two sets of balanced 7.1 Inputs, a 7.1 through, 1 Balanced Stereo Input and a convenient front panel Aux Input, with Balanced 7.1 Speaker outs and an independent Stereo main out with its own sub woofer option, there are no shortage of connectivity options. The Drawmer MC7.1 is capable of supporting any speaker seup, from mono, to stereo, various modes of surround, or 8 independent channels, depending on input type and speaker positioning.

The MC7.1 is a powerful Surround Monitor Controller in its own right, but is also perfect for controlling and checking your stereo mixes. This is one area where other surround monitoring controllers fall short. All studios, whether dedicated to film audio post production, or small home studio will at at some time (if not most of the time) work in stereo as well as surround. Aside from the surround capabilities, the MC7.1 contains the same comprehensive set of stereo "mix check" functions that are presented on the MC3.1 and which can of course be applied to the stereo input channel or any of the surround channels when these are routed to stereo.

The ability to "mix down" the surround mix to the FL and FR speakers OR the independent Stereo main speakers combined with the comprehensive cut or solo matrix means any combination of the surround channels can be listened to in the front mains. Want to focus in on the rear channels? Simply mix down to the front stereo speakers then solo them out of the mix! Whilst soloing out the centre or LFE channels give a central mono representation across the fronts or stereo mains!

Speaker level matching with switchable Mono/Sub output, the popular Low/Mid/High band solo feature, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all brought over from the MC3.1, completing the rich array of features available on the MC7.1.

  • Pristine, ultra low noise & transparent circuit design gives you an accurate representation of your mix whether it be surround or stereo.
  • There are a total of 20 input sources. These include two separate 7.1 inputs (one via balanced jacks and one via 25 pin D-sub) with a through output to send to a multitrack recorder, for example. A Stereo input via Neutrik combijacks, and a Top panel 3.5mm AUX Input & Level Control for connecting MP3 players, smartphones or tablets etc.
  • 3x Sets of Speaker Outputs. One 7.1 (or 8 Speakers in any configuration), one Stereo Left/Right pair, and one Mono/Sub. Each can be switched individually & simultaneously or give A/B comparisons. All eleven outputs have level trims to provide precise channel matching and ease of calibration.
  • Each of the eight 7.1 speakers can be cut or soloed individually.
  • 7.1 channels can be mixed down to 5.1, Stereo and Mono, though any configuration of up to 8 monitors should be possible depending on the source and the speaker layout.
  • Stereo outputs (including those mixed down from surround) can be monitored via the main stereo speaker outputs or the FL and FR from the surround speakers.
  • When in stereo operation comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
  • Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has excellent channel matching and smooth feel.
  • 2x Headphone Amplifiers with Individual Level Control.
  • Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, & Internal Routing to Headphones and also a Mono Output Jack.
  • The MC7.1 is all analogue so won’t need to be rebooted due to software crashes, and doesn’t require firmware updates.
  • Desktop 'wedge' form factor with a rugged steel chassis and a Kensington security slot for added protection.
Weight0.80 kg5.00 kg1.50 kg0.50 kg1.10 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.80 kg
Weight 5.00 kg
Weight 1.50 kg
Weight 0.50 kg
Weight 1.10 kg
Weight 3.00 kg