EVENTIDE REVERB 2016 DIGITAL REVERBERATOR

Discontinued

2,915.00 incl. GR VAT

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REVERB 2016 Eventide’s Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include […]

 

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REVERB 2016

Eventide’s Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s
SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of
the original effects has been duplicated including every detail of the user parameters.
While the algorithms are identical to the originals, the hardware implementation is
state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit
analog audio I/O, digital I/O and MIDI interface.
The Reverb 2016 is built to reverb ? it?s not a multi-effects box. It was designed
from the perspective that reverb is used nearly always and warrants a dedicated
box with an optimal user interface. The Reverb 2016 user interface is extremely
easy-to-use, unbelievably cool and features dedicated controls for each of the
effect?s parameters. The controls and display are intuitive. The panel controls are
optimized for the studio and for live performance. Up to 99 user presets can be stored.
While recreating the original reverbs is the Reverb 2016?s raison d?etre, it also
features brand new, enhanced versions of the originals. These ?New? reverbs are
not a breakthrough: they have the same basic structure of the originals but with
more complex early reflections, higher density, and finer control of the parameters.
The ?New? reverbs represent the natural evolution of the development work that maxed
out the array processing power of the SP2016.

Reverb 2016 Features
6 Reverb effects and a dedicated user interface
Recreates 3 original SP2016 reverb effects
Stereo Room
Room Reverb
High Density Plate
3 new enhanced versions of the originals
Fast top level UI (one knob – one job) optimized for studio
and live performance
Stores up to 99 user defined presets.
Digital input/output (S/PDIF)
Input kill switch, relay bypass switch
Dual function footswitch input
>98dB dynamic range
24 bit conversion
MIDI in & out
20 Hz – 20 kHz +/-1dB
Pro levels (+4 dB nominal) and connections (XLR and 1/4?)
Balanced/unbalanced input selection via rear panel, push button switch
Universal internal power supply works anywhere

Weight 4.31 kg

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Quick Comparison

EVENTIDE REVERB 2016 DIGITAL REVERBERATOR removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- removeDBX 166XS COMPRESSOR-LIMITER-GATE-EXPANDER removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeDBX ZONEPRO 640 DIGITAL ZONE PROCESSOR remove
NameEVENTIDE REVERB 2016 DIGITAL REVERBERATOR removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- removeDBX 166XS COMPRESSOR-LIMITER-GATE-EXPANDER removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeDBX ZONEPRO 640 DIGITAL ZONE PROCESSOR remove
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SKUREVERB 2016DBX 223XSDBX 166XSDBX ZONEPRO 1260DBX 1215DBX ZONEPRO 640
Rating
Price 2,915.00 incl. GR VAT 200.00 incl. GR VAT 225.00 incl. GR VAT 1,150.00 incl. GR VAT 364.00 incl. GR VAT 782.00 incl. GR VAT
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Description
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
ContentREVERB 2016 Eventide's Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface. The Reverb 2016 is built to reverb ? it?s not a multi-effects box. It was designed from the perspective that reverb is used nearly always and warrants a dedicated box with an optimal user interface. The Reverb 2016 user interface is extremely easy-to-use, unbelievably cool and features dedicated controls for each of the effect?s parameters. The controls and display are intuitive. The panel controls are optimized for the studio and for live performance. Up to 99 user presets can be stored. While recreating the original reverbs is the Reverb 2016?s raison d?etre, it also features brand new, enhanced versions of the originals. These ?New? reverbs are not a breakthrough: they have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. The ?New? reverbs represent the natural evolution of the development work that maxed out the array processing power of the SP2016. Reverb 2016 Features 6 Reverb effects and a dedicated user interface Recreates 3 original SP2016 reverb effects Stereo Room Room Reverb High Density Plate 3 new enhanced versions of the originals Fast top level UI (one knob - one job) optimized for studio and live performance Stores up to 99 user defined presets. Digital input/output (S/PDIF) Input kill switch, relay bypass switch Dual function footswitch input >98dB dynamic range 24 bit conversion MIDI in & out 20 Hz - 20 kHz +/-1dB Pro levels (+4 dB nominal) and connections (XLR and 1/4?) Balanced/unbalanced input selection via rear panel, push button switch Universal internal power supply works anywhereOverview More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs Features
  • XLR balanced ins and outs
  • Mode switch for stereo 2-way or mono 3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant
Specifications
Input Connectors XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced >50k ohm, unbalanced >25k ohm
Max Input >+22dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors XLR
Output Type Impedance-balanaced/unbalanced, RF filtered
Output Impedance Balanced 200 ohm, unbalanced 100 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohms or greater
Bandwidth 20Hz to 20kHz, +/-0.5dB
Frequency Response 90 kHz, +0/-3 dB
Signal to Noise Ratio Ref: +4 dBu, 22 kHz measurement bandwidth
Signal-to-Noise (Stereo Mode) >94dB (Low Output), >91dB (High Output)
Signal-to-Noise (Mono Mode) >94dB (Low Output), >93dB (Mid Output), >91dB (High Output)
Dynamic Range > 106 dB, unweighted, any output
THD+Noise < 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz
Interchannel Crosstalk < -80 dB, 20 Hz to 20 kHz
Crossover Frequencies (Stereo Mode) Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Frequencies (Mono Mode) Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Filter Type Linkwitz-Riley, 24 dB/octave, state-variable
Low cut Switch Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel.
Phase Invert Switch Inverts the phase at the output, one switch per output.
x1 / x10 Switch Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel.
Mode Switch Selects stereo/mono and 2/3-way operation
LF Sum Switch Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode.
Indicators Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output)
Operating Voltage 100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ
Operating Temperature 32°F to 113°F (0°C to 45°C)
Power Consumption 15W
Power Connector IEC receptacle
Dimensions 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm)
Unit Weight 3.7 lbs. (1.7 kg)
Shipping Weight 5.4 lbs. (2.5 kg)
Compressos Expander Gate Kimiter DBX 166XS Stereo Overview Bring a more professional sound to your mix Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Specifications
Input Connectors 1/4" TRS, female XLR (pin 2 hot)
Input Impedance >50kΩ balanced, >25kΩ unbalanced
Max Input >+24dBu, Balanced or Unbalanced
Input Type Electronically balanced/unbalanced, RF filtered
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level >+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Impedance 120Ω balanced, >60Ω unbalanced
Max Output +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise

With 12 inputs and 6 outputs and Ethernet control the dbx ZonePro? 1260 and 1261
are the newest members of the ZonePro? family providing a complete suite of signal
processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 1260/1261 deliver
the highest quality tools available. Even the input and outputs connectors were chosen for
their standard usage and reliability. The ZonePro products offer Euroblock connectors for
balanced signals and RCA connectors for interfacing with consumer equipment often used
in commercial applications; there is also a simple analog input buss that allows inputs to be
sent from one unit to the next for unit and job scalability. The 1260 and 1261 provide every
necessary processing tool, from the input processing like gain control and EQ available on all
inputs to highly sophisticated and specific functions such as selectable paging microphone
processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback
Suppression. The heart of the ZonePro products is the Routing module that provides of course
Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs
also offer a wealth of processing designed for commercial applications like our patent-pending
AutoWarmth? function that was co-developed with JBL to provide natural low frequency extension
at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay
for system optimization. With the ZonePro? every tool is at your disposal to maximize the response
of your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters. The addition of
Ethernet control means that not only will it work with standard network equipment, but it can also
be accessed from remote dialup locations or from wireless access points.
The ZonePro? 1260 and 1261 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
 
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? IEC, UL and CSA Approvals
 
ZonePro? 1260/1261 Specifications    
      
ANALOG INPUT
Number of Inputs:
12 Total (2) Switchable mic or line, (8) RCA, and (1)
S/PDIF
Connectors:
Euroblock (Line and Mic) RCA (Source)
Type:
Impedance (Euroblock):
> 50kΩ Balanced, >25kΩ Unbalanced, RF Filtered
Impedance (RCA):
>25kΩ Unbalanced, RF Filtered
Max input line level:
+20dBu Mic/Line, +12dBu RCA
CMRR:
> 40dB, typically >55db @ 1kHz
Mic Pre gain:30 to 60dB
Mic EIN:
> 118dB, 22Hz-22kHz, 150Ω Source Impedance
Mic Phantom Power:
15V
 
ANALOG OUTPUTS
Number of Outputs 6
Connectors: Euroblock
Type:
Electronically balanced, RF filtered
Impedance:
120 ohms balanced, 60ohm unbalanced
Max Output Level: +20dBu
 
A/D PERFORMANCE
Type:
dbx Type IV? conversion system
Dynamic Range line:
>113 dB, A-weighted, >110 dB unweighted
Type IV dynamic range:
>119 dB, A-weighted, 22kHz BW
>117 dB, A-weighted, 22kHz BW
Sample Rate: 48kHz
 
D/A PERFORMANCE
Dynamic Range:
112 dB A-weighted, 109dB unweighted
 
SYSTEM PERFORMANCE
Dynamic Range:
>110 dB A-weighted, >107dB unweighted
THD+N:
0.003% typical at +4dBu, 1kHz, 0dB gain
Frequency Response:
20Hz - 20kHz, +/-0.5dB
Interchannel Crosstalk:
>80dB typical
Crosstalk input to output:
>80dB
Propagation Delay
0.6 msec
 
POWER REQUIREMENTS
Operating Voltage:
100-240 VAC, 50/60Hz
Power Consumption:
27 Watts
 
Physical:
Weight:
6.8 lbs.(3.1 kg) Shipping weight 8.8 lbs. (4.0 kg)
Dimensions:
1.75? H x 5.75? D x 19? W

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

 

  •   Switchable boost/cut ranges of ±6 or ±15 dB
  •   Electronically balanced/unbalanced inputs
  •   Servo balanced/unbalanced inputs
  •   RF filtered inputs and outputs
  •  XLR, Barrier Strip, and 1/4" TRS connectors
  •  -12dB/+12dB input gain range
  •  18dB/octave 40Hz Bessel low-cut filter
  •  Chassis/signal ground lift capability
  •  Internal power supply transformer
  •  Power-off hardwire relay bypass with 2-second power-up delay

With 6 inputs and 4 outputs the dbx ZonePro? 640 and 641 provide flexible signal routing,
powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the
highest quality tools available. Even the input and outputs connectors were chosen for their
standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced
signals and RCA connectors for interfacing with consumer equipment often used in commercial
applications; there is also a simple analog input buss that allows inputs to be sent from one
unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing
tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated
and specific functions such as selectable paging microphone processing including Gating,
De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the
ZonePro products is the Routing module that provides of course Primary Source Selection
but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of
processing designed for commercial applications like our patent-pending AutoWarmth? function
that was co-developed with JBL to provide natural low frequency extension at any signal level.
Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system
optimization. With the ZonePro? every tool is at your disposal to maximize the response of
your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters.

The ZonePro? 640 and 641 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.

? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? Windows? 2000 and XP GUI
? IEC, UL and CSA Approvals

Weight4.31 kg2.50 kg2.00 kg4.00 kg2.00 kg4.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.31 kg
Weight 2.50 kg
Weight 2.00 kg
Weight 4.00 kg
Weight 2.00 kg
Weight 4.00 kg