EVENTIDE REVERB 2016 DIGITAL REVERBERATOR

Discontinued

2,915.00 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
REVERB 2016 Eventide’s Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include […]

 

Read more

REVERB 2016

Eventide’s Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s
SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of
the original effects has been duplicated including every detail of the user parameters.
While the algorithms are identical to the originals, the hardware implementation is
state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit
analog audio I/O, digital I/O and MIDI interface.
The Reverb 2016 is built to reverb ? it?s not a multi-effects box. It was designed
from the perspective that reverb is used nearly always and warrants a dedicated
box with an optimal user interface. The Reverb 2016 user interface is extremely
easy-to-use, unbelievably cool and features dedicated controls for each of the
effect?s parameters. The controls and display are intuitive. The panel controls are
optimized for the studio and for live performance. Up to 99 user presets can be stored.
While recreating the original reverbs is the Reverb 2016?s raison d?etre, it also
features brand new, enhanced versions of the originals. These ?New? reverbs are
not a breakthrough: they have the same basic structure of the originals but with
more complex early reflections, higher density, and finer control of the parameters.
The ?New? reverbs represent the natural evolution of the development work that maxed
out the array processing power of the SP2016.

Reverb 2016 Features
6 Reverb effects and a dedicated user interface
Recreates 3 original SP2016 reverb effects
Stereo Room
Room Reverb
High Density Plate
3 new enhanced versions of the originals
Fast top level UI (one knob – one job) optimized for studio
and live performance
Stores up to 99 user defined presets.
Digital input/output (S/PDIF)
Input kill switch, relay bypass switch
Dual function footswitch input
>98dB dynamic range
24 bit conversion
MIDI in & out
20 Hz – 20 kHz +/-1dB
Pro levels (+4 dB nominal) and connections (XLR and 1/4?)
Balanced/unbalanced input selection via rear panel, push button switch
Universal internal power supply works anywhere

Weight 4.31 kg

Reviews

There are no reviews yet.

Be the first to review “EVENTIDE REVERB 2016 DIGITAL REVERBERATOR”

Your email address will not be published. Required fields are marked *

Quick Comparison

EVENTIDE REVERB 2016 DIGITAL REVERBERATOR removeDBX-1074 OUAD NOISE GATE removeDBX 266XS COMPRESSOR/GATE 2CH removeLEXICON PCM-96 Surround Digital professional surroundprocessor removeTOA L-1102 2 CHANNEL LIMITER-LEVELLER removeDBX 1046 COMPRESSOR/LIMITER 4 IN remove
NameEVENTIDE REVERB 2016 DIGITAL REVERBERATOR removeDBX-1074 OUAD NOISE GATE removeDBX 266XS COMPRESSOR/GATE 2CH removeLEXICON PCM-96 Surround Digital professional surroundprocessor removeTOA L-1102 2 CHANNEL LIMITER-LEVELLER removeDBX 1046 COMPRESSOR/LIMITER 4 IN remove
Image
SKUREVERB 2016DBX 1074DBX 266XSPCM-96L-1102DBX 1046
Rating
Price 2,915.00 incl. GR VAT 589.00 incl. GR VAT 162.00 incl. GR VAT 4,018.00 incl. GR VAT 564.32 incl. GR VAT 443.00 incl. GR VAT
Stock

Out of stock

Available on backorder

In stock

Available on backorder

In stock

Available on backorder

AvailabilityOut of stockAvailable on backorderIn stockAvailable on backorderIn stockAvailable on backorder
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
ContentREVERB 2016 Eventide's Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface. The Reverb 2016 is built to reverb ? it?s not a multi-effects box. It was designed from the perspective that reverb is used nearly always and warrants a dedicated box with an optimal user interface. The Reverb 2016 user interface is extremely easy-to-use, unbelievably cool and features dedicated controls for each of the effect?s parameters. The controls and display are intuitive. The panel controls are optimized for the studio and for live performance. Up to 99 user presets can be stored. While recreating the original reverbs is the Reverb 2016?s raison d?etre, it also features brand new, enhanced versions of the originals. These ?New? reverbs are not a breakthrough: they have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. The ?New? reverbs represent the natural evolution of the development work that maxed out the array processing power of the SP2016. Reverb 2016 Features 6 Reverb effects and a dedicated user interface Recreates 3 original SP2016 reverb effects Stereo Room Room Reverb High Density Plate 3 new enhanced versions of the originals Fast top level UI (one knob - one job) optimized for studio and live performance Stores up to 99 user defined presets. Digital input/output (S/PDIF) Input kill switch, relay bypass switch Dual function footswitch input >98dB dynamic range 24 bit conversion MIDI in & out 20 Hz - 20 kHz +/-1dB Pro levels (+4 dB nominal) and connections (XLR and 1/4?) Balanced/unbalanced input selection via rear panel, push button switch Universal internal power supply works anywhere

The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. 

From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.

  • Four independent channels of gating
  • Independent key filtering
  • Independent Threshold and Release controls
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Stereo Coupling mode
  • Switchable +4dBu or -10dBv operation per channel

    Input ConnectorsXLR (Pin 2 and tip hot)
    Input TypeElectronically balanced/unbalanced, RF filtered
    Input ImpedanceBalanced > 50 kOhm, unbalanced >25 kOhm
    Max Input> +22 dBu balanced or unbalanced
    CMRR40dB: Typically >55 dB at 1 kHz
    Key InputElectronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm
    Output ConnectorsXLR (Pin 2 hot)
    Output TypeServo-balanced/unbalanced, RF filtered
    Output ImpedanceBalanced 60 Ohm, unbalanced 30 Ohm
    Max Output> +22 dBm balanced, > +20 dBm unbalanced
    Bandwidth20 Hz to 20 kHz, +0/-0.5 dB
    Frequency Response0.35 Hz to 200 kHz, +0/-3 dB
    Noise
    Dynamic Range> 115 dB, unweighted
    THD+Noise0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
    Interchannel Crosstalk
    Stereo CouplingTrue RMS Power Summing
    Operating Voltage100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
    Power Consumption30 Watts
    Fuse100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
    Power ConnectorIEC receptacle
    Unit Weight6.9 lbs.
    Shipping Weight9.3 lbs.


Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time

LEXICON PCM96S, professional surroundprocessor, new and legendary reverb and effectalgorithm, up to 24bit/96khz, firewire audio streaming for six channels, "hardware plug-in" for Mac VST and audio unit software, 2200 presets and 768 user-programs, three AES/EBU in/out (XLR) OLED Display, compact flash card slot, HiQnet compatible, Midi IN/OUT/THRU, dual ethernet/firewire, wordclock in, .1U, 19“           FEATURES

  • DAW automation 
  • FireWire streaming 
  • Unrivalled collection of new and legendary Lexicon reverbs and effects 
  • Connectivity options include six channels XLR analog, six channels XLR AES/EBU digital I/O
  • MIDI, Wordclock, Ethernet and Firewire.
L-1102 Leveler/Limiter * Program dependent attack and release for transparent operation. * Noise gate to cut off system background noise when there is no signal. * In limiter mode sense signal is from the amplifier output. * Limits 4 ohm, 8 ohm, 25 V, 70 V and 100 V amplifier outputs. * 20 dB gain in signal leveler mode. * Security cover and rack-mount ears included. * Five year warranty.

In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.

The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.

All four channels have the following controls:

Threshold - allows you to set the level at which the compressor starts affecting the gain

OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.

Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.

Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.

Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.

Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.

PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.

Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.

All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.

So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.

 

  • Four independent channels of operation, stereo linkable in two pairs
  • PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
  • Independent Threshold and ratio controls
  • Switchable OverEasy® or Hard Knee compression
  • Classic dbx® compression
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Precision metering of input level, output level, and gain reduction
  • Dual True stereo or quad mono operation
  • Switchable +4dBu or -10dBV operation per channel

 

Input Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced > 40 kOhm, unbalanced >20 kOhm
Max Input > +22 dBu balanced or unbalanced
CMRR Typically >50 dB at 1 kHz
Output Connectors XLR and 1/4" TRS (Pin 2 and tip hot)
Output Type Servo-balanced/unbalanced, RF filtered
Output Impedance Balanced 30 Ohm, unbalanced 15 Ohm
Max Output > +22 dBm balanced, > +20 dBm unbalanced
Bandwidth 20 Hz to 20 kHz, +0/-0.5 dB
Frequency Response 0.35 Hz to 90kHz, +0/-3 dB
Noise
Dynamic Range > 118 dB, unweighted
THD+Noise >0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
IMD
Interchannel Crosstalk
Stereo Coupling True RMS Power Summing
Compressor Threshold Range -40 dBu to +20 dBu
Compressor Ratio 1:1 to infinity:1
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Attack/Release Characteristic AutoDynamic™
Compressor Attack Time Program-dependent
Compressor Release Time Program-dependent
Compressor Output Gain -20 to +20 dB
Limiter Threshold Range 0 dBu to +24 dBu (off)
Limiter Ratio infinity:1
Limiter Type PeakStopPlus® two-stage limiter
Limiter Stage 1 PeakStop® brickwall limiter
Limiter Stage 1 Attack Time Zero
Limiter Stage 1 Release Time Zero
Limiter Stage 2 Predictive intelligent program limiter
Limiter Stage 2 Attack Time Program-dependent
Limiter Stage 2 Release Time Program-dependent
OverEasy® Switch Activates the OverEasy compression function
I/O Meter Switch Switches between monitoring input and output levels on the Input/Output Level meter
Bypass Switch Activates the direct input-to-output hard-wire bypass
Operating Level Switch (rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels
ST Link Switch Links channels in stereo pairs. Channels One and Three become the master channels
Gain Reduction Meter 8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB
I/O Meter 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu
PeakStop™ Indicator 1 LED to indicate PeakStop™ limiting
Function Switches LED indicator for each front-panel switch
Output Transformer Options Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx
Operating Voltage Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption 20 Watts
Fuse 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector IEC receptacle
Dimensions 1.75“Hx19“Wx9“D (4.4cmx48.3cmx20.1cm)
Unit Weight 5.2 lbs. (2.4 kg)
Shipping Weight 7.6 lbs. (3.5 kg)
Weight4.31 kg3.00 kg3.00 kg5.00 kg4.00 kg3.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.31 kg
Weight 3.00 kg
Weight 3.00 kg
Weight 5.00 kg
Weight 4.00 kg
Weight 3.50 kg