EVENTIDE REVERB 2016 DIGITAL REVERBERATOR

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2,915.00 incl. GR VAT

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REVERB 2016 Eventide’s Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include […]

 

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REVERB 2016

Eventide’s Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s
SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of
the original effects has been duplicated including every detail of the user parameters.
While the algorithms are identical to the originals, the hardware implementation is
state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit
analog audio I/O, digital I/O and MIDI interface.
The Reverb 2016 is built to reverb ? it?s not a multi-effects box. It was designed
from the perspective that reverb is used nearly always and warrants a dedicated
box with an optimal user interface. The Reverb 2016 user interface is extremely
easy-to-use, unbelievably cool and features dedicated controls for each of the
effect?s parameters. The controls and display are intuitive. The panel controls are
optimized for the studio and for live performance. Up to 99 user presets can be stored.
While recreating the original reverbs is the Reverb 2016?s raison d?etre, it also
features brand new, enhanced versions of the originals. These ?New? reverbs are
not a breakthrough: they have the same basic structure of the originals but with
more complex early reflections, higher density, and finer control of the parameters.
The ?New? reverbs represent the natural evolution of the development work that maxed
out the array processing power of the SP2016.

Reverb 2016 Features
6 Reverb effects and a dedicated user interface
Recreates 3 original SP2016 reverb effects
Stereo Room
Room Reverb
High Density Plate
3 new enhanced versions of the originals
Fast top level UI (one knob – one job) optimized for studio
and live performance
Stores up to 99 user defined presets.
Digital input/output (S/PDIF)
Input kill switch, relay bypass switch
Dual function footswitch input
>98dB dynamic range
24 bit conversion
MIDI in & out
20 Hz – 20 kHz +/-1dB
Pro levels (+4 dB nominal) and connections (XLR and 1/4?)
Balanced/unbalanced input selection via rear panel, push button switch
Universal internal power supply works anywhere

Weight 4.31 kg

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EVENTIDE REVERB 2016 DIGITAL REVERBERATOR removeARX EC-2 STEREO 2WAY-MONO 3WAY 24dB ACTIVE CROSSOVER removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeLEXICON PCM-96 Surround Digital professional surroundprocessor removeDBX 266XS COMPRESSOR/GATE 2CH remove
NameEVENTIDE REVERB 2016 DIGITAL REVERBERATOR removeARX EC-2 STEREO 2WAY-MONO 3WAY 24dB ACTIVE CROSSOVER removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeLEXICON PCM-96 Surround Digital professional surroundprocessor removeDBX 266XS COMPRESSOR/GATE 2CH remove
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SKUREVERB 2016EC-2DBX ZONEPRO 1260SCOM 4PCM-96DBX 266XS
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Description
ContentREVERB 2016 Eventide's Reverb 2016 recreates the legendary reverb algorithms of  Eventide?s SP2016 ? Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface. The Reverb 2016 is built to reverb ? it?s not a multi-effects box. It was designed from the perspective that reverb is used nearly always and warrants a dedicated box with an optimal user interface. The Reverb 2016 user interface is extremely easy-to-use, unbelievably cool and features dedicated controls for each of the effect?s parameters. The controls and display are intuitive. The panel controls are optimized for the studio and for live performance. Up to 99 user presets can be stored. While recreating the original reverbs is the Reverb 2016?s raison d?etre, it also features brand new, enhanced versions of the originals. These ?New? reverbs are not a breakthrough: they have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. The ?New? reverbs represent the natural evolution of the development work that maxed out the array processing power of the SP2016. Reverb 2016 Features 6 Reverb effects and a dedicated user interface Recreates 3 original SP2016 reverb effects Stereo Room Room Reverb High Density Plate 3 new enhanced versions of the originals Fast top level UI (one knob - one job) optimized for studio and live performance Stores up to 99 user defined presets. Digital input/output (S/PDIF) Input kill switch, relay bypass switch Dual function footswitch input >98dB dynamic range 24 bit conversion MIDI in & out 20 Hz - 20 kHz +/-1dB Pro levels (+4 dB nominal) and connections (XLR and 1/4?) Balanced/unbalanced input selection via rear panel, push button switch Universal internal power supply works anywhere

The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers.
It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on
the back panel selecting either mode.

Features
Ultra low noise circuitry
Totally phase aligned at crossover point
Switchable Dual Channel 2 way or Single Channel 3 way
Unique 'semi-fixed' crossover point
24dB per octave (Fourth Order) Linkwitz-Riley filters
Separate Summed Mono Output
Balanced Inputs and Outputs
Built in High Pass filters
Intuitive, 'user friendly' layout
Flawless performance in any audio environment

Tamper-Proof Crossover Points
The crossover points are determined internally by the value of 4 resistors per channel; changing
the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of
externally adjusted crossover points, making the crossover points tamper-proof once they are set.
Idle fingers can't fiddle with the crossover points and create havoc with the system!
As a handy guide, a list of common crossover points and their corresponding resistor values are
printed inside the unit's lid, and also set out in the Owner's Manual.
On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid
and High in single channel 3 way mode, with corresponding Outputs on the rear panel.

Balanced Inputs and Outputs
EC-2 has Balanced Inputs and Outputs, on XLR connectors.
The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low
feed (e.g. Left and Right full-range plus a single Sub Bass speaker).
High Pass Filter
There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers
and waste amplifier power.
In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of
differing sensitivities.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard
IEC connector, with built-in fuse and voltage change switch.
Uncompromising Audio Quality
Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels.
It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth
Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the
crossover region.
From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX
EC-2 is a crossover that is suited to any application that requires flawless, transparent sound.
You'll never compromise on Quality when you choose ARX

T E C H N I C A L S P E C I F I C A T I O N S

Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 21 dB
CMRR >45 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 21dB
Frequency Response 30Hz-20KHz +or- 0.5dB
Note: 30 Hz is a function of the High Pass filter
Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted
Distortion 004% THD,0dB,1KHz
Dynamic Range 111 dB
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm
Input Connector type XLR
Output Connector type XLR
Crossover point frequencies are changed internally by varying the value of 4 resistors
per channel.

Front Panel Controls
Low and High Output controls for 2 way mode
Low, Mid and High Output controls for 3 way mode
Marker panels for labelling crossover assigns
2 way/ 3 way status LEDs
Rear Panel
Balanced XLR Inputs and Outputs
Additional summed mono Low output
2 way / 3 way mode switch

With 12 inputs and 6 outputs and Ethernet control the dbx ZonePro? 1260 and 1261
are the newest members of the ZonePro? family providing a complete suite of signal
processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 1260/1261 deliver
the highest quality tools available. Even the input and outputs connectors were chosen for
their standard usage and reliability. The ZonePro products offer Euroblock connectors for
balanced signals and RCA connectors for interfacing with consumer equipment often used
in commercial applications; there is also a simple analog input buss that allows inputs to be
sent from one unit to the next for unit and job scalability. The 1260 and 1261 provide every
necessary processing tool, from the input processing like gain control and EQ available on all
inputs to highly sophisticated and specific functions such as selectable paging microphone
processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback
Suppression. The heart of the ZonePro products is the Routing module that provides of course
Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs
also offer a wealth of processing designed for commercial applications like our patent-pending
AutoWarmth? function that was co-developed with JBL to provide natural low frequency extension
at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay
for system optimization. With the ZonePro? every tool is at your disposal to maximize the response
of your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters. The addition of
Ethernet control means that not only will it work with standard network equipment, but it can also
be accessed from remote dialup locations or from wireless access points.
The ZonePro? 1260 and 1261 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
 
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? IEC, UL and CSA Approvals
 
ZonePro? 1260/1261 Specifications    
      
ANALOG INPUT
Number of Inputs:
12 Total (2) Switchable mic or line, (8) RCA, and (1)
S/PDIF
Connectors:
Euroblock (Line and Mic) RCA (Source)
Type:
Impedance (Euroblock):
> 50kΩ Balanced, >25kΩ Unbalanced, RF Filtered
Impedance (RCA):
>25kΩ Unbalanced, RF Filtered
Max input line level:
+20dBu Mic/Line, +12dBu RCA
CMRR:
> 40dB, typically >55db @ 1kHz
Mic Pre gain:30 to 60dB
Mic EIN:
> 118dB, 22Hz-22kHz, 150Ω Source Impedance
Mic Phantom Power:
15V
 
ANALOG OUTPUTS
Number of Outputs 6
Connectors: Euroblock
Type:
Electronically balanced, RF filtered
Impedance:
120 ohms balanced, 60ohm unbalanced
Max Output Level: +20dBu
 
A/D PERFORMANCE
Type:
dbx Type IV? conversion system
Dynamic Range line:
>113 dB, A-weighted, >110 dB unweighted
Type IV dynamic range:
>119 dB, A-weighted, 22kHz BW
>117 dB, A-weighted, 22kHz BW
Sample Rate: 48kHz
 
D/A PERFORMANCE
Dynamic Range:
112 dB A-weighted, 109dB unweighted
 
SYSTEM PERFORMANCE
Dynamic Range:
>110 dB A-weighted, >107dB unweighted
THD+N:
0.003% typical at +4dBu, 1kHz, 0dB gain
Frequency Response:
20Hz - 20kHz, +/-0.5dB
Interchannel Crosstalk:
>80dB typical
Crosstalk input to output:
>80dB
Propagation Delay
0.6 msec
 
POWER REQUIREMENTS
Operating Voltage:
100-240 VAC, 50/60Hz
Power Consumption:
27 Watts
 
Physical:
Weight:
6.8 lbs.(3.1 kg) Shipping weight 8.8 lbs. (4.0 kg)
Dimensions:
1.75? H x 5.75? D x 19? W

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

LEXICON PCM96S, professional surroundprocessor, new and legendary reverb and effectalgorithm, up to 24bit/96khz, firewire audio streaming for six channels, "hardware plug-in" for Mac VST and audio unit software, 2200 presets and 768 user-programs, three AES/EBU in/out (XLR) OLED Display, compact flash card slot, HiQnet compatible, Midi IN/OUT/THRU, dual ethernet/firewire, wordclock in, .1U, 19“           FEATURES

  • DAW automation 
  • FireWire streaming 
  • Unrivalled collection of new and legendary Lexicon reverbs and effects 
  • Connectivity options include six channels XLR analog, six channels XLR AES/EBU digital I/O
  • MIDI, Wordclock, Ethernet and Firewire.
Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time
Weight4.31 kg5.00 kg4.00 kg3.40 kg5.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.31 kg
Weight 5.00 kg
Weight 4.00 kg
Weight 3.40 kg
Weight 5.00 kg
Weight 3.00 kg