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GENELEC ACTIVE LOUDSPEAKERS
Since its founding in 1978, the Finnish company Genelec has been known for its range of active monitor loudspeakers, featuring matched electronic-crossovers and individual amplifiers for each driver. Found in broadcast, recording and mastering studios worldwide, Genelec offer a range of monitors for all applications. The most popular types are detailed here, all other models are available to special order. Full brochures available on request.
Active Monitors 8020A
A bi-amplified, two-way speaker suitable for a variety of applications where high-quality sound is needed in a compact space, from near-field and project studio monitoring to surround-sound, high-end installations and multimedia systems. This, the smallest speaker in the Genelec range features features magnetic shielding, aluminium cabinet, active crossover and 2 x 20W amplifiers. The amplifier section features switches for treble tilt, bass roll-off and bass tilt, and has a male XLR input and a female XLR output. It can also be used to feed a subwoofer (7050B recommended) or a further chain of up to 6 x 8020A units in total, with the lead control affecting level of the whole chain. Front-panel mains indicator LED and volume control are neatly styled, with rear IEC power input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 20.5 brackets or the supplied keyhole wall-mount adapter and a three eighths of an inch thread on the base for microphone-stand mounting. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one pair of 8020Aʼs.
8030A
A two-way speaker suitable for a variety of applications where high-quality sound is needed in a compact space, from near-field and project studio monitoring to surround-sound, high-end installations and multimedia systems. This features magnetic shielding, aluminium cabinet, active crossover and 2 x 40W amplifiers. The amplifier section features switches for treble tilt, bass roll-off and bass tilt, and has a male XLR input and a female XLR output. It can also be used to feed a subwoofer (7050B recommended) or a further chain of up to 6 x 8030A units in total, with the lead control affecting level of the whole chain. Front-panel mains switch, mains indicator LED and volume control are neatly styled, with rear IEC power input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 20.5 brackets and a three eighths of an inch thread for microphone-stand mounting. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one pair of 8030Aʼs.
8040A
A bi-amplified two-way system for main and surround monitoring in small control rooms, OB vehicles and mastering suites. The hard-wearing, aluminium cabinet houses an active crossover, 2 x 90W amplifiers with overload protection, a metal-dome HF driver and polymer bass-driver, both magnetically shielded, and front-panel mains indicator LED. The crossover includes adjustable sensitivity and calibrated "tilt” switches for bass and treble adjustment. XLR balanced input and IEC mains input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 30.0 brackets and a M10 x 10mm thread for securing the unit to the base. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one pair of 8040Aʼs.
8050A
A bi-amplified two-way system for main and surround monitoring in medium-sized control rooms and mastering suites. The hard-wearing, aluminium cabinet houses an active crossover, two amplifiers with overload and thermal protection, a metal-dome HF driver and polymer bass-driver, both magnetically shielded, and front-panel mains indicator LED. The crossover includes adjustable sensitivity and calibrated "tilt” switches for bass and treble adjustment. XLR balanced input and IEC mains input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 60.0 brackets and a M10 x 10mm thread for securing the unit to the base. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one 8050A.
Technical Specification:
| 8020A | 8030A | 8040A | 8050A |
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Lower cut-off | | | | | frequency: | 65Hz | 55Hz | 45Hz | 35Hz | Upper cut-off | | | | | frequency: | 21kHz | 21kHz | 21kHz | 21kHz | Max SPL @1m: | 105dB | 108dB | 115dB | 120dB | Amplifier power: | 20W/20W | 40W/40W | 90W/90W | 150W/120W | Input impedance: | 10k ohms | 10k ohms | 10k ohms | 10k ohms | Level for 100dB | | | | | SPL @1m: | mute to -6dBu | mute to -6dBu | -6 to +6dB | -6 to +6dB | Mains voltage (±10%): | 230V | 230V | 230V | 230V | | Power consumption: | | | | |
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idle: | 5VA | 10VA | 10VA | 10VA | full power: | 50VA | 80VA | 110VA | 170VA | Dimensions (w): | 151mm | 189mm | 237mm | 286mm | (h): | 230mm | 285mm | 350mm | 433mm | (h inc. IsoPod): | 242mm | 299mm | 365mm | 452mm | (d): | 142mm | 178mm | 223mm | 278mm | Weight: | 3.7kg | 5.7kg | 8.6kg | 12.7kg | Ordering note
Although the same floor stand applies to all 8000 series models of Genelec speakers, each model uses a unique stand plate to allow connection to the stand. Please ensure the correct stand plate is ordered for your model of 8020A, 8030A, 8040A or 8050A speaker.
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PRICE PER UNIT A revolutionary formula: 2 x 7 = 77 In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line. The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring. Driver technology Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels. The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Review samples: “… a refreshing change“ "… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012 “… wide and spacious soundstage with solid left/right imaging“ "… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012 Subwoofer | | Number | 1 / 1 | Basket Ø | 7" (175 mm) / 7" (175 mm) | Voice coil Ø | 1.5" (38 mm) / 1.5" (38 mm) | Cone material | Carbon / rohacell / glass / Carbon / rohacell / glass | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Subwoofer | 1 | Type | PWM | Amp. power RMS / music | 100 W / 150 W | Subwoofer | 1 | Type | PWM | Amp. power RMS / music | 100 W / 150 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 75 W | Control panel | | Input Sensitivity | -∞ to +14 dB | High Shelf EQ > 5 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | Location | Rear | General data | | Panel | Front | Frequency response | 38 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.5 % | Long term output | ≥114 dB | Max. peak | ≥122 dB | Crossover frequencies | 400 / 3000 Hz | Input impedance | 30 KOhm | Weight | 28.2 lb (12,8 kg) | Magnetically shielded | Optional | Height x Width x Depth | 9.5" (235 mm) x 21" (530 mm) x 11" (280 mm) | Warranty | 5 Years |
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Features
Ruler-Flat Response 52Hz to 20kHz, + 1.5 dB
Benefit: Sound true to actual recording
Benefit: Any pair of speakers is a matched pair
Active Technology
2 FR (Fast Recovery) Series Amplifiers; HF 40W; LF 100W
Benefit: Precise dividing slope, correct phase, and low distortion
Benefit: Minimal chance of speaker damage due to overdriving
Servo Loop Woofer Technology
Electronic control and dampening
Benefit: Speaker output is as true to incoming signal as possible
Frequency Response Controls
80Hz low-cut switch; 3-position live/dead switch (-2bdB, Normal and +2dB)
Benefit: Excellent response in a variety of acoustic environments
Wide Sweet Spot
Custom-designed die-cast wave guide
Benefit: User hears the same thing across a wider range of motion
3-Position Acoustic Space Switch
Compensation in bass response for half-space (-2dB) and quarter-space (-4dB) placement
Benefit: As close-to-flat performance as possible regardless of placement in room
Applications
Professional Recording Studios
Home and Project Studios
Film (THX) and Post Production Studios
Home Theater Installations
Acoustic Performance
Free Field Frequency Response: 52Hz - 20Hz
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PRICE PER UNIT ADAMs A7 & A7X: the evolution of a legend The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios. With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level. Driver technology The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels. The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Mid-Woofer | | Number | 1 | Basket Ø | 7" (175 mm) | Voice coil Ø | 1.5" (38 mm) | Cone material | Carbon/Rohacell/Glass Fiber | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Mid-Woofer | 1 | Type | PWM | Amp. power RMS / music | 100 W / 150 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 75 W | Control panel | | Input Sensitivity | -∞ to +14 dB | High Shelf EQ > 5 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | General data | | Frequency response | 42 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.5 % | Long term output | ≥106 dB | Max. peak | ≥114 dB | Crossover frequencies | 2500 Hz | Input impedance | 30 KOhm | Weight | 20.3 lb (9,2 kg) | Magnetically shielded | No | Height x Width x Depth | 13.5" (337 mm) x 8" (201 mm) x 11" (280 mm) | Warranty | 5 Years | Delivery contents | Power cord, Manual |
| M-Audio BX8 D3 Features:
- 150W active studio monitor with 8" military-grade Kevlar low-frequency driver and 1.25" silk dome tweeter
- Bi-amplified design delivers a sound that's both powerful and precise
- Custom waveguide ensures accurate dispersion for an incredibly tight soundstage
- Optimized rear-mounted port produces defined low-end response with bass extension down to 37Hz
- Acoustic Space Control tailors your monitor to your mix space
- Volume control for dialing in the perfect playback level
- Balanced combo input allows for flexible installation
- Front-panel LED shines brightly when the speaker is positioned at an ideal angle
M Audio BX8 D3 8 Inch Powered Studio Monitor Specifications
- Frequency Range: 37Hz – 22kHz
- Crossover: 2.0kHz
- Maximum Peak Input Level: -2dBU
- Input Types: Balanced 20kO XLR, and TRS
- Unbalanced: 10kO TS
- Input Sensitivity: -12dBU
- HF Driver Size: 31.8 mm (1.25“)
- LF Driver Size: 203 mm (8“)
- Amplifier Power: 150W Class A/B
- HF Driver Power Amp: 70W
- LF Driver Power Amp: 80W
- Port: Rear internally flared
- Controls: Yes
- Magnetic Shielding: Yes
- AC Input Voltage: 100–120V, 50/60 Hz 220–240V, 50/60 Hz
- Enclosure Construction: MDF
- Enclosure Finish: Black PVC
- Baffle Construction: Injection-molded ABS
- Baffle Finish: Matte black with Soft-touch
- Dimensions (HxWxD): 384 mm x 250mm x 302mm (15.1” x 9.8” x 11.9”)
- Weight: 10.5 kgs (23.1 lbs)
- Display Carton (HxWxD): 398mm x 345mm x 482mm (15.6” x 13.5” x 18.9”)
- Shipping Carton (HxWxD): 412mm x 359mm x 502mm (16.2” x 14” x 19.68”)
- Shipping Weight: 12.8kgs (28.22lbs)
- Configuration: 2-Way bi-amp
- System Type: Active Monitor
- Fuse Rating: 220–240V~ T1AL, 250V 100–120V~ T2AL, 250V
- Power Consumption: 150W
- Shape: Bass-reflex
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PRICE PER UNIT The smallest big sound ever... With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction. A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly. Stereolink A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily. Controls and Connectors The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting. Review: "Highly recommended“ "Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“ (Jon Chappell, Harmony Central, 03/10) Review: "...one of the best compact monitors“ "ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10) Mid-Woofer | | Number | 1 | Basket Ø | 4.5" (120 mm) | Voice coil Ø | 1" (25 mm) | Cone material | Carbon Fiber | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Mid-Woofer | 1 | Type | A/B | Amp. power RMS / music | 25 W / 40 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 25 W / 40 W | Control panel | | Input Sensitivity | -∞ to +14 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | General data | | Frequency response | 60 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.8 % | Long term output | ≥98 dB | Max. peak | ≥106 dB | Crossover frequencies | 2800 Hz | Input impedance | 10 KOhm | Weight | 10.1 lb (4,6 kg) | Magnetically shielded | No | Height x Width x Depth | 10" (252 mm) x 6" (150 mm) x 7.5" (185 mm) | Warranty | 5 Years | Delivery contents | Cinch-cable, Power cord, Manual |
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