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Boasting performance comparable to much larger systems, but in a compact package,
the bi-amplified 8040A is ideal for use in many situations where a wide frequency response
is needed but space is limited. Uses include nearfield monitoring, project/home studios,
workstations, broadcast and TV control rooms and mobile production vehicles.
The ingenious, flow optimized, reflex port achieves clear deep bass articulation with no
compression or port noises. Combined with the advanced Genelec Directivity Control
Waveguide? (DCW?) and the rounded edges and gently curved front and sides of the
MDE? (Minimum Diffraction Enclosure?) enclosure, the result is an astoundingly wide,
flat frequency response both on and off axis. Other benefits include superb imaging qualities
and less listening fatigue.
Carefully designed crossover filters with steep roll-off feed dedicated amplifiers for each of
the low distortion drivers. The 8040A includes magnetic shielding, overload protection circuitry
and versatile room response controls as standard.
Each 8040A comes with an Iso-Pod? (Isolation Positioner/Decoupler?) which eliminates
coloration of the sound by decoupling the monitor from its mounting surface. The Iso-Pod?
also allows the speaker to be angled so that its acoustic axis points directly at the listener.
For ideal mounting in differing environments, the 8040A includes integrated rear support points
for floor and wall stands, with an additional M10 threaded mounting hole on the enclosure base.
Technical Specifications
Peak per pair with music material 115 dB SPL @ 1m
Drivers
Bass 6.5"
Midrange -
Treble 3/4" metal dome
Crossover frequencies 3 kHz
Free field frequency
response 48 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 90 W
Midrange -
Treble 90 W
Speaker dimensions (H x W x D)
mm 350 x 237 x 223 mm (Height with Iso-Pod? 365 mm)
inches 13 13/16 x 9 3/8 x 8 13/16" (Height with Iso-Pod? 14 3/8“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches
Speaker weight 8.6 kg (18.9 lb)
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Behringer MS-20 24-Bit/192 kHz Digital 20-Watt Stereo Near Field Monitors
OVERVIEW
The MS20 Studio Monitors from Behringer are a pair of extremely compact, 2 x 10-Watt nearfield monitors that feature high-resolution 24-bit/192 kHz D/A converters. With the MS20, you can connect directly to your digital signal sources and eliminate annoying analog line-loss and hum forever. Whether you connect to your computer sound card, keyboard, or MP3 player, you will enjoy exceptional sound quality with great dynamics. The built-in amplifiers provide lots of headroom, while the powerful woofers and tweeters provide ultra-linear frequency response.
The MS20 connectivity includes stereo 1/8" and RCA jacks, which can be used simultaneously or mixed with a digital stereo source. Digital duties are handled by either RCA or TOSLINK sockets, providing for ultra-simple hookup. Individual volume controls for both Line inputs plus Bass and Treble EQ controls are provided on the front panel, along with a 1/4" headphone jack that automatically mutes the internal speakers.
Sound Quality
Sporting 3.625" woofers and 2.5" high-resolution tweeters, MS20 monitor speakers bring quality audio within the reach of anyone that operates a computer workstation. Whether you're a musician tracking your latest masterpieces, or just someone who listens to your favorite songs at work, MS20 loudspeakers will make them sound significantly better. They also make excellent add-on speakers for electronic keyboards. Front-mounted volume and individual bass and treble controls make accurate sound adjustments a breeze.
Built-in Mixer
The MS20 takes audio to an even higher level with its multiple input options. The built-in mixer features 1/8" stereo inputs for connecting CD/MD/MP3 players, dual RCA jacks for tape decks and stereo keyboard modules, and even both RCA and TOSLINK connectors for digital signal sources. This adds up to a system that lets you play along with a variety of prerecorded tracks. And you can wail away to your heart's content in total privacy, thanks to MS20's powerful headphone jack.
FEATURES
- 2-Way active studio monitor pair
- Ideally suited for computer studios, multimedia workstations and keyboards
- Built-in 2 x 10-Watt powerful amplifiers with lots of headroom
- Powerful woofers and high-resolution tweeters
- High-resolution 24-bit/192 kHz D/A converters for extended dynamic range
- Optical and coaxial inputs to directly connect digital audio sources by S/PDIF interface
- Two stereo analog inputs featuring 1/4'' TRS and stereo RCA connectors
- Individual volume controls for both Line inputs plus Bass and Treble EQ controls
- 1/4'' TRS headphone connector with auto-mute loudspeaker function easily accessible on the front panel
SPECIFICATIONS
MS20 Digital Monitor Speakers (Pair)
- Loudspeakers
Tweeter: ˜ 65 mm (2 1/2“), 8 ?
Woofer: ˜ 92 mm (3 5/8“), 4 ?
Audio Inputs
Line 1: 1/8" TRS stereo, impedance 20 k?
Line 2: 2 RCA, impedance 20 k?
Digital Inputs
Optical: TOSLINK
Coaxial: RCA
Converter: 24-bit
Sample rate:
System Specs
Output power: 2 x 20W
Frequency response: 50Hz to 25kHz
Power Supply
Mains Voltages: USA/Canada 120 V, 60 Hz
Power Consumption: 80W
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MYTHO 6 is a two-way reference studio monitor that features a high quality large metal dome tweeter for the best vocal reproduction and a 6” neodymium vented woofer with a large sized 51 mm voice coil that guarantees very high energy for tight and controlled bass reproduction and perfect thermal stability with minimum power compression.
The magnetic circuit features a special air ventilation to reduce air compression, air noises and minimize distortion in large excursion situations. The MYTHO 6 is equipped with two separate amplifiers: 200 W for the low frequencies and 100 W for the high. The design is a classic AB circuit, unparalleled for low distortion and natural sound. The signal processing is executed from a dedicated high quality DSP processing. It features a solid aluminium cabinet internally braced and reinforced to improve low frequencies behaviour and reduce resonances.
Acoustical Specifications |
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Frequency Response -3 dB: | 40 Hz | ÷ 20 kHz | Max SPL: | 114 dB | | Horizontal coverage angle: | 110° | | Vertical coverage angle: | 70° | | Compression Driver: | 1" neo, metal dome | | Woofer: | 6.5" neo, ICC technology | |
INPUT/OUTPUT SECTION |
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Input connectors: | combo XLR/Jack | | Input sensitivity: | -6/+6 dBu | |
PROCESSOR SECTION |
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Crossover frequencies: | 1900 Hz | | Protections: | thermal, excurs., rms | | Limiter: | soft limiter | | Controls: | bass tilt, roll-off, treeble tilt, desktop, DSP controlled | |
AMPLIFIER SPECIFICATIONS |
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High frequencies: | 100 Watts | | Low frequencies: | 200 Watts | | Cooling: | convection | | Connections: | vde | |
CABINET |
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Cabinet Material: | die cast aluminum | | Hardware: | orientation adjustable stand | |
PHYSICAL SPECIFICATIONS |
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Height: | 370/14.5 mm/inch | | Width: | 265/10.4 mm/inch | | Depth: | 250/9.8 mm/inch | | Net Weight: | 10.5/23 Kg/Lbs |
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PRICE PER UNIT
S3X-V
Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.
Reviews: "Wonderfully detailed...”
“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)
“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)
Woofer |
| Number | 1 | Basket Ø | 9" (228 mm) | Voice coil Ø | 2" (50 mm) | Cone material | HexaCone | Midrange |
| Number | 1 | Basket Ø | 4.5" (116 mm) | Voice coil Ø | 1" (25 mm) | Cone material | HexaCone | Tweeter |
| Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers |
| Woofer | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Midrange | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 100 W | Control panel |
| Input Sensitivity (coarse) | -20 to +8 dB (4 dB steps) | Input Sensitivity (fine) | -1.5 to +2 dB (0.5 dB steps) | EQ 80 Hz | 0 to +6 dB (1 dB steps) | High Shelf EQ > 6 kHz | ±4 dB (1 dB steps) | Low Shelf EQ | ±4 dB (1 dB steps) | Tweeter gain | ±2 dB (0.5 dB steps) | Input connectors |
| Analog | XLR | Digital (optional) | AES/EBU / SPDIF / word clock | General data |
| Panel | Front | Frequency response | 32 Hz - 50 kHz | THD > 80 Hz | ≤0.6 % | Long term output | ≥114 dB | Max. peak | ≥124 dB | Crossover frequencies | 350 / 2800 Hz | Input impedance | 10 KOhm | Weight | 34 lb (15,4 kg) | Magnetically shielded | Optional | Height x Width x Depth | 19" (485 mm) x 11" (281 mm) x 11.5" (295 mm) | Warranty | 5 Years | Delivery contents |
Power cord, Manual
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The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.
Specifications Frequency response : | 40Hz - 40kHz | Maximum SPL : | 113dB SPL (peak @ 1m) |
Input :
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Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
| Bass/mid-range : | 150W rms, BASH® technology | Treble : | 100W rms, AB class |
Electric supply :
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Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire
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Visualization and control :
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Input sensitivity selector
Adjustable tweeter and woofer levels with potentiometers
Power On/off switch
Voltage selector
| warning light : | Power on LED |
Electric supply :
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Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire
| Woofer : | 6W4370B, 6-1/2" (16.5cm) Focal "W" composite sandwich cone speaker | Tweeter : | Focal TB871 Beryllium inverted dome tweeter | transducer shielding : | Integral through cancellation magnets or by magnet design | Box : | 7-1/2" (19mm) MDF panels |
Finish :
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Dark red natural veneering side panels, black body
| Dimensions (HxWxD) : | 13 x 9-7/16 x 11-7/16 " (330x240x290mm) | Weight : | 24.2lb (11kg) |
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Features
Ruler-Flat Response 52Hz to 20kHz, + 1.5 dB
Benefit: Sound true to actual recording
Benefit: Any pair of speakers is a matched pair
Active Technology
2 FR (Fast Recovery) Series Amplifiers; HF 40W; LF 100W
Benefit: Precise dividing slope, correct phase, and low distortion
Benefit: Minimal chance of speaker damage due to overdriving
Servo Loop Woofer Technology
Electronic control and dampening
Benefit: Speaker output is as true to incoming signal as possible
Frequency Response Controls
80Hz low-cut switch; 3-position live/dead switch (-2bdB, Normal and +2dB)
Benefit: Excellent response in a variety of acoustic environments
Wide Sweet Spot
Custom-designed die-cast wave guide
Benefit: User hears the same thing across a wider range of motion
3-Position Acoustic Space Switch
Compensation in bass response for half-space (-2dB) and quarter-space (-4dB) placement
Benefit: As close-to-flat performance as possible regardless of placement in room
Applications
Professional Recording Studios
Home and Project Studios
Film (THX) and Post Production Studios
Home Theater Installations
Acoustic Performance
Free Field Frequency Response: 52Hz - 20Hz
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