GENELEC 8040APM TWO-WAY ACTIVE NEARFIELD MONITOR

Genelec 8040APM 2-way active studio monitor - 48Hz-20kHz free field frequency response (+/-2dB), 115dB SPL peak per pair with music material @ 1m, 165mm high efficiency bass driver, 19mm metal dome tweeter with DCW (Directivity Control Waveguide), 3kHz crossover, magnetically shielded aluminium construction. Amplifier power per channel: 90W bass + 90W treble. Dimensions: 350 x 237 x 223mm (height with Iso-Pod: 365mm). Weight: 8.6kg. PRICE PER UNIT.

Since its founding in 1978, the Finnish company Genelec has been known for its range of active monitor loudspeakers, featuring matched electronic-crossovers and individual amplifiers for each driver. Found in broadcast, recording and mastering studios worldwide, Genelec offer a range of monitors for all applications. The most popular types are detailed here, all other models are available to special order. Full brochures available on request.

A bi-amplified, two-way speaker suitable for a variety of applications where high-quality sound is needed in a compact space, from near-field and project studio monitoring to surround-sound, high-end installations and multimedia systems. This, the smallest speaker in the Genelec range features features magnetic shielding, aluminium cabinet, active crossover and 2 x 20W amplifiers. The amplifier section features switches for treble tilt, bass roll-off and bass tilt, and has a male XLR input and a female XLR output. It can also be used to feed a subwoofer (7050B recommended) or a further chain of up to 6 x 8020A units in total, with the lead control affecting level of the whole chain. Front-panel mains indicator LED and volume control are neatly styled, with rear IEC power input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 20.5 brackets or the supplied keyhole wall-mount adapter and a three eighths of an inch thread on the base for microphone-stand mounting. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one pair of 8020Aʼs.

A two-way speaker suitable for a variety of applications where high-quality sound is needed in a compact space, from near-field and project studio monitoring to surround-sound, high-end installations and multimedia systems. This features magnetic shielding, aluminium cabinet, active crossover and 2 x 40W amplifiers. The amplifier section features switches for treble tilt, bass roll-off and bass tilt, and has a male XLR input and a female XLR output. It can also be used to feed a subwoofer (7050B recommended) or a further chain of up to 6 x 8030A units in total, with the lead control affecting level of the whole chain. Front-panel mains switch, mains indicator LED and volume control are neatly styled, with rear IEC power input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 20.5 brackets and a three eighths of an inch thread for microphone-stand mounting. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one pair of 8030Aʼs.

A bi-amplified two-way system for main and surround monitoring in small control rooms, OB vehicles and mastering suites. The hard-wearing, aluminium cabinet houses an active crossover, 2 x 90W amplifiers with overload protection, a metal-dome HF driver and polymer bass-driver, both magnetically shielded, and front-panel mains indicator LED. The crossover includes adjustable sensitivity and calibrated "tilt” switches for bass and treble adjustment. XLR balanced input and IEC mains input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 30.0 brackets and a M10 x 10mm thread for securing the unit to the base. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one pair of 8040Aʼs.

A bi-amplified two-way system for main and surround monitoring in medium-sized control rooms and mastering suites. The hard-wearing, aluminium cabinet houses an active crossover, two amplifiers with overload and thermal protection, a metal-dome HF driver and polymer bass-driver, both magnetically shielded, and front-panel mains indicator LED. The crossover includes adjustable sensitivity and calibrated "tilt” switches for bass and treble adjustment. XLR balanced input and IEC mains input. The speaker has three methods of mounting: 3 mounting points on the back of the monitor for attaching the supplied IsoPod desktop stand, which allows vertical and horizontal positioning and can be fixed to the optional floor stand using the optional stand plate, threaded holes on the back for Omnimount size 60.0 brackets and a M10 x 10mm thread for securing the unit to the base. Accessories available are a floor stand (speaker vertical or horizontal using IsoPod), stand plate (necessary for use with floor stand) and soft carrying bag for one 8050A.

Although the same floor stand applies to all 8000 series models of Genelec speakers, each model uses a unique stand plate to allow connection to the stand. Please ensure the correct stand plate is ordered for your model of 8020A, 8030A, 8040A or 8050A speaker.

PRICE PER UNIT

The most powerful AX monitor

With its power and radiation characteristics, the brand new A8X is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.

The A8X is equipped with the X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a licence to thrill.

Cabinet- and bass reflex-construction

Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.

Amplification and controls

With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.

On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies.
There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.

Review: A8X: a "powerful link" between near- and midfield monitors!

"The A8X is a powerful link between ADAM´s AX Series and the formidable and more expensive SX Series. Its all-in-all homogenous tuning, the deep and precise bass as well as the brilliant mid- and high-frequency reproduction make this speaker a huge recommendation for ambitious people without deep pockets." (Professional Audio 10/2010)

The CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 50cm away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Al-Mg inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.

PRICE PER UNIT

The original A5

The small A5 managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one "of the best small monitors” and a "great choice for the small studio.” (Future Music, 01/2009).

The new A5X

The similar dimensions and name could make one believe that the A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.

Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.

A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.

Stereolink

A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.

This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.

Controls and Connectors

The front of the A5X sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.

Review: "The A5X: a superb impression.“

"A sparkling and lively desktop monitor with an open, powerful character. Good filters and practical ergonomics as well as useful equipment make ADAMs A5X an ideal partner in multimedia nearfield sound." (Stereo, 10/10)

The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.

The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.