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To make sure your pop filter successfully filters undesired pop noises and clipping, you need to be able to position it perfectly in front of your mouth. This is simple with the Gravity MA POP 1 pop filter, with its large screen diameter, double nylon mesh and VARI®-ARM.
The VARI®-ARM allows you to position the pop filter precisely where it will work best, and then fix into position so that it won't shift.
All joints can be moved using only one single adjustment screw. Once the desired position has been achieved, you simply tighten the screw to fix the whole VARI®-ARM. This way, your pop filter won't slip out of position while you're sitting at your desk creating a podcast or standing in the studio booth recording vocals.
The solid clamp fits on any microphone stand, on the edge of a table or any other surface you want to attach it within the clamping range of 15 mm to 35 mm.
Product type
Microphone Accessories
Mounting
Microphone stand , Tabletop
Setup
Double nylon screen , plastic frame
Fits tube diameters up to
15 mm to 35 mm
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The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length.
Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
The Blimpʼs handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone.
With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted).
The Blimp attaches to any standard boompole via 3/8' thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight.
Type: Basket
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The Dead Kitten windshield is designed for minimising any wind noise when using the Stereo VideoMic or NT4 (with WS4 windshield) in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.
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Foam windscreen for ball head microphones approx. ? 18?20 mm (2 in.) |
Close range sounds, wind, and fast movements of the microphone boom, all may cause interfering noises. To avoid these unwanted sounds, windscreen accessories are available.
Typically, they are made out of open-cell polyurethane foam. These windscreens do not cause interfering resonances and do not influence the directional pattern. Only in the upper frequency range is the output level slightly attenuated.
The wind noise attenuation was measured without electrical filtering in a turbulent air stream traveling at 20 km/h, generated by a noiseless wind machine.
Windscreen for U 67, U 87 (Ai), TLM 50, TLM 103, TLM 127, M 147 Tube and TLM 170 (R).
Wind noise attenuation 26 dB. Attenuation at 15 kHz 3 dB.Diameter 90 mm. Color black. |
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