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The solution for complex sound-reinforcement challenges and permanent installations.
The DFC is a digital 3-way mono controller designed to be used in an HK AUDIO amplifier rack. With its specially developed software and matching MIDI interface, it offers a comprehensive means of managing a complex sound reinforcement system via an intuitive analog-style interface.
PA Remote Management The distributed sound systems used at today?s large venues have become so complex over the years that they now practically require a full-blown control center just to set up and manage them efficiently and maintain a clear overview over them. To ensure that each individual acoustic area is treated by a dedicated part of the PA, the various sections of the overall system must be divided into sensible groups,such as PA wing left/right, center cluster, long-throw, near-field, sub-low, delay 1, delay 2, and so on. Such a division usually leaves you with a large number of different sound coverage zones, which have to be treated separately but managed centrally. A system controlled in the traditional manner would normally need at least one EQ, delay, and crossover channel per coverage zone. Add to that the necessary standard cabling and rack and truck space, and you end up with a considerable number of racks and, what?s more, a complicated set up. The Digital Field Controller offers an easier and more cost-effective solution. The word "controller" usually refers to functions such as crossover and protective circuitry; the DFC expands the meaning of the word to include a very different meaning: PA-REMOTE-MANAGEMENT. To simplify the handling of large system configurations featuring several amplifier racks, you can network up to 32 DFCs via MIDI interface, controlling them remotely with the aid of a PC. Using the control program that was developed especially for this very application, you can manage even extremely large PA systems very conveniently, accessing all installed DFCs individually, if you wish, equalizing and correcting delay values for each single device separately. At the same time, you can choose to group several DFCs together in order to control an entire group of speakers (PA wing, delay tower, subs) that are powered by several amp racks as one. All settings that you enter for a given group are automatically transmitted to the appropriate controllers. This option for example lets you effortlessly implement a delay station: All you have to do is assign all of the DFCs that control the speakers of the delay station to one group, and set one single delay value, which is then automatically transmitted to all DFCs in that group. This feature considerably reduces the amount of cables you have to connect and simplifies the entire signal-processing operation considerably. The group control function lets you comfortably handle PA systems of any size, from club gigs to major open-air festivals. The extensive control functions of the DFC system can be operated from the graphic user interface of the PC software as conveniently and intuitively as you are accustomed to with individual analog equipment. The graphic user interface of the PC software makes using the extensive control functions of the DFC system as intuitive as using familiar analog equipment. In fact, you can manage your entire system from just three screens. The first screen displays the status of the peak and temperature limiters in the three frequency bands of every attached DFC. So, the operational status of the complete system can be checked easily from either the FOH position or the control room. You can also create groups, and the zones they are intended to cover, in this window. By double-clicking on the Group, you arrive at a second screen. Here you can assign a name to the group (e.g. “Long-throw Left“). Additionally you can set basic functions here, such as Mute, Level, Phase Reverse and Delay, for every one of the three frequency bands, as well as for the Group Master. From the third screen you can access, for each connected controller and for each created group, a 28-band equalizer with 15dB of cut or boost, Set-Flat and Bypass functions, and gain control. Dynamics The dynamic range of the input section plays a crucial role in a digital audio controller because * the greater the dynamics of the input section, the better the headroom. * the greater the dynamic range, the lower the audible noise. * dynamic reserves in the input stage are the basis of excellent dynamics at the output stage
Through the innovative use of Split-Stack Technology, in which two 20-bit AD converters are stacked together, the DFC achieves a dynamic range of 117 dB at the input! That exceeds what a high-quality 24-bit converter can do by 4 dB! Absolute Correction of Frequency and Phase In contrast to standard digital controllers, the DFC does not use IIR (Infinite Impulse Response) filters that are adjustable at the unit itself. Instead, at each output it uses one FIR (Finite Impulse Response) filter, which accomplishes both the dividing and equalizing functions in one. The difference between the two types of controllers is essentially how the signal is processed in the controller. Most other digital controllers have a fixed number of filter components which allow you to implement a low-pass filter with a slope of 12 decibels, or a fully parametric filter. The desired type of signal processing operation is made possible by a combination of these components. The processed signal is routed to the device's output. For example, to separate the signal for a woofer with a slope of 48 dB, the device requires eight filter components (four low and high-pass filters each). Optionally, you also can assign additional parametric filters to equalize the system. The FIR filters of the DFC, on the other hand, work with a sample of the desired filter impulse response. The sample is uploaded to the filter using Fourier transformation. It shapes the frequency and phase response of the filter. The sample is downloaded via the same process. As a result, FIR filters can execute detailed equalization operations with extremely steep slopes and freely assignable amounts and phases. This type of signal processing operation requires a PC. It computes the required impulse response for the desired signal processing operation via an inverse Fourier transformation. Once calculated, the filter can no longer be varied. If you want to change a parameter or value, the entire filter has to be recomputed. On the other hand, you no longer have to execute a number of tasks manually. For example, you do not have to adjust the delay and phase corrections for the split signals, since these operations are carried out automatically. The DFC is not a universal controller, but is set up for a specific system and it knows its specific characteristics. This is the only way a sound reinforcement system can really be equalized effectively. Together with frequency response, the phase response of a system plays a very large role in how that loudspeaker system reproduces sound. Phase errors are rooted in three main causes: 1. Each loudspeaker itself produces phase errors because different frequencies require different travel times on the membrane. 2. Loudspeaker enclosures always function as high bandpass filters of the second order in the case of sealed enclosures, and of the fourth order in the case of bass-reflex cabinets. All filters have the effect of making the phase response less linear. This includes the filters of a passive crossover network. 3. In most systems, the voice coils of individual loudspeaker components are not lined up on one axis. As a result, sound waves generated from these components are not in sync but out of phase, yielding distortion in the phase response.
The DFC is the first controller which not only uses time alignment to compensate for any time lags between the individual components, but goes a step further and compensates for the phase distortion arising from the enclosure, the crossover networks and each individual loudspeaker. So now, for the first time, a tool is available that uses a comprehensive approach for truly flattening the phase response of an entire sound reinforcement system. For the user this means a previously unattainable level of clarity and sonic purity, more effective use of equalization, a more natural soundstage, and a greater tolerance among listeners for higher volume levels.
Biamped and 3-Way Active: Best of Both Worlds! Both two-way and three-way systems have specific advantages and disadvantages. In combination with the two-way systems of the HK AUDIO R-Series and T-Series, the Digital Field Controller enjoys all the typical benefits of both two-way and three-way systems without having to suffer their disadvantages. As already mentioned, the DFC is dealing virtually with three separate ways ? low, mid and high ? but recombines the mids and highs before the output stage. In other words, the DFC produces a two-way signal, and yet each frequency band can be muted separately, and even its phase can be reversed separately! In a mid/high loudspeaker module such as the RT 112 (12“+2“), you are free to control the volume of the 12" speaker separately, reverse its phase, or even mute it briefly altogether without affecting the high frequency driver at all. And that, mind you, although both are connected to the same speaker cable and both are running over one and the same passive crossover.
* Comprehensive frequency adjustments * Quick access to speaker components * Individual speakers can be muted * Corresponds to traditional international usage * Easier to wire up * Less power amplifiers are required * Less electrical power is needed * Less weight * Less warehouse / truck space needed * Fewer sources of error * Higher Return on Investment
Perfect Protection for the System: the Limiters of the DFC The HK AUDIO Digital Field Controller includes two anticipatory limiter sections per frequency band: a) Thermal Limiter Since the DFC has data on the entire sound system, power amps included, it can continually monitor the operating state of its individual components. Taking into consideration how long the system has been running, it compares the processed signal with the stored maximum system values, and momentarily reduces the output as needed. In this way, the PA is protected against the dangers of overload. b) Peak Limiter The signal which has been processed by the DFC is checked with a peak detector before it reaches the output. If the signal is too high, the peak limiter section is directly activated; it calculates how much to reduce the signal before the peak signal reaches the output stage. In contrast to previous analog and digital controllers, the DFC does not use a feedback circuit of the sort where the limiter only reacts after the first peak has already gone through. Instead, the signal between the peak detector and the limiter is delayed by two milliseconds, allowing the needed corrections to have already been made before the peak reaches the outputs of the DFC and, therefore, the P.A. Delay Functions The DFC features both a master delay and a frequency-band delay. The master delay serves to compensate for the time lag between individual coverage zones, for example between the FOH PA and delay towers farther back in the audience. Up to 2000 milliseconds of delay is available to sync loudspeakers that are up to 680 meters (2230 feet) apart from each other, and that should be enough for most applications... The frequency-band delay offers up to 100 milliseconds to align the individual components of a PA stack with each other, for example if the mid/high cabs are flown but the bass cabs are resting on the floor. Both types of delay can be entered in time (milliseconds) or distance (feet or meters).
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Lab Gruppen NLB 60E
The NomadLink network provides remote monitoring, control and power sequencing functions for multiple C Series or FP+ amplifiers. Indeed up to 16 NLB 60E network bridges, each monitoring up to 60 amplifiers may be accommodated in one system. Easy setup, redundancy, and minimum maintenance were bywords when developing this network format.
NomadLink is a closed-loop, daisy-chained network topology with the NLB 60E providing the bridge to the familiar world of Ethernet/LAN. NomadLink reduces installation time and cost significantly, includes redundancy during operation by design and simplifies the location of faults or system abuse.
NomadLink together with the associated DeviceControl software allows the subnets’ architecture to be automatically uploaded even without individual IP addresses in the amplifiers. All in all, it is the fastest and easiest monitoring and control network on the market today.
Specifications:
Network Connectors:
* Nomadlink Out: EtherCon housed RJ45
* Nomadlink In: EtherCon housed RJ45
* Ethernet rear-panel: EtherCon housed RJ45
* Ethernet front-panel: Standard RJ45
General Purpose Inputs (GPI):
* One Voltage sensing input: Two pole Phoenix
* Two contact closure inptus: Two pole Phoenix
Front Panel Indicators:
* Front operation locked: Yellow LED
* Fault warning: Red LED
* Amplifier subnet muted: Red LED
* NomadLink network connected/activity: Blue LED
* Ethernet connected: Orange LED
* Ethernet Activity: Yellow LED
2 x 16 Character display: White text, Blue background
Navigation and Adjust keys: Yes, x 6
Subnet Power on/off keys: Yes, x 2
Power: 100 to 240 VAC, 50 to 60 Hz (auto-select)
Power consumption:
Finish: Anodized aluminum front, Plated and painted steel chassis
Approvals: CE, CSA
Dimensions (W x H x D): 19" x 1.73" x 8.2" (483 x 44 x 208 mm), 1 RU
Weight: 5 lbs. (2.25 kg)
| Behringer CX-3400 3-Way Stero/4-Way Mono Frequency Crossover with Limiters
The CX3400 is an active frequency crossover enabling 2 or 3-way stereo or even 4-way mono operation. Each band features two 24-dB Linkwitz-Riley filters, as well as individual IGC limiters, while the integrated delay enables flexible time alignment. Polarity switches for each output allow quick and easy runtime compensation for various driver and horn types.2
Respectively:
3-Way stereo or 4-way mono
24 dB / octave Linkwitz-Riley filter
Mono-Sub switchable
LF / HF gain regular / mutable
CD horn EQ switchable
Vertex frequency tunable
Factor switching (10x)
Multi-band limiter switch / variable (threshold)
Limit display each way
LF Delay (max 2ms / 60cm)
Phase reverse
25 Hz subsonic filter, sym
XLR in / out with multiband limiters
Dimensions: 19", 1U, 147 mm case depth
Weight: 1.7 kg | Overview
More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs
Features
- XLR balanced ins and outs
- Mode switch for stereo 2-way or mono 3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- dbx® 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant
Specifications
Input Connectors |
XLR (pin 2 hot) |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
Max Input |
>+22dBu balanced or unbalanced |
CMRR |
>40dB, typically >55dB at 1kHz |
Output Connectors |
XLR |
Output Type |
Impedance-balanaced/unbalanced, RF filtered |
Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
Bandwidth |
20Hz to 20kHz, +/-0.5dB |
Frequency Response |
90 kHz, +0/-3 dB |
Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >91dB (High Output) |
Signal-to-Noise (Mono Mode) |
>94dB (Low Output), >93dB (Mid Output), >91dB (High Output) |
Dynamic Range |
> 106 dB, unweighted, any output |
THD+Noise |
< 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz |
Interchannel Crosstalk |
< -80 dB, 20 Hz to 20 kHz |
Crossover Frequencies (Stereo Mode) |
Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
Crossover Frequencies (Mono Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
Mode Switch |
Selects stereo/mono and 2/3-way operation |
LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
Operating Voltage |
100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ |
Operating Temperature |
32°F to 113°F (0°C to 45°C) |
Power Consumption |
15W |
Power Connector |
IEC receptacle |
Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
Unit Weight |
3.7 lbs. (1.7 kg) |
Shipping Weight |
5.4 lbs. (2.5 kg) |
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With 6 inputs and 4 outputs the dbx ZonePro? 640 and 641 provide flexible signal routing,
powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the
highest quality tools available. Even the input and outputs connectors were chosen for their
standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced
signals and RCA connectors for interfacing with consumer equipment often used in commercial
applications; there is also a simple analog input buss that allows inputs to be sent from one
unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing
tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated
and specific functions such as selectable paging microphone processing including Gating,
De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the
ZonePro products is the Routing module that provides of course Primary Source Selection
but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of
processing designed for commercial applications like our patent-pending AutoWarmth? function
that was co-developed with JBL to provide natural low frequency extension at any signal level.
Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system
optimization. With the ZonePro? every tool is at your disposal to maximize the response of
your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters.
The ZonePro? 640 and 641 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? Windows? 2000 and XP GUI
? IEC, UL and CSA Approvals
| Behringer DCX2496 Overview
The DCX2496 ULTRADRIVE PRO from Behringer is a digital loudspeaker management system, that provides excellent audio quality, along with a comprehensive feature list. It allows for precise set-up of multiple loudspeaker arrays, suitable for live sound, fixed installations that require control of loudspeaker systems, and other contractor-installed applications.
Each of the three-inputs and six-outputs have fixed processing blocks, including gain, delay, EQ and dynamic EQ on the input channels, and gain, crossover, EQs, limiter and delays on the output side. One of the inputs can accept a stereo AES/EBU digital signal. An integrated sample rate converter assists in accepting various sample rates. Additionally, an internal input-sum signal is easily set-up.
Four different mono and stereo output operating modes are available, all with individual crossover filter types with selectable roll-off characteristics. Input and output delays allow for time adjusting signals to compensate for ambient temperature changes or for adjusting arrival time differences for individual speaker clusters. EQs can be used for both musical enhancement or for level-dependent equalization. Brick-wall limiters guarantee speaker protection.
Remote control of one or several units can be accomplished utilizing downloadable software for a Windows based computer. Set-ups can be saved to the software, or to an optional PCMCIA card for the ultimate in portability. Servo-balanced, gold-plated XLR connectors for all inputs and outputs guarantee excellent connectivity.
- Three-input, six-output loudspeaker management system
- Four different mono- and stereo-output operating modes
- Individual crossover filter types including Butterworth, Bessel and Linkwitz-Riley, with selectable roll-off characteristics from 6dB to 48dB per octave
- Choice of high-, band- and low-pass filters for each input and output
- Dynamic EQ for level-dependent equalization and parametric EQ selectable for each channel
- “Zero" attack limiters on all output channels for optimal signal protection
- Automatic or manual-adjustable delays for all inputs and outputs allow for adjustment due to room temperature, phase and arrival time differences
- Link option via RS-485 network interface allows for linking multiple units for larger installation requirements
- Downloadable software enables single- or multiple-unit remote control utilizing a Windows based computer
- Sixty user-defined internal presets can bestored via software or on a PCMCIA card
- Internal universal power supply allows the unit to operate virtually anywhere
Frequency Response |
10Hz to 35kHz, -1dB |
Dynamic Range |
109dB |
Input Connections |
3 x XLR |
Output Connections |
6 x XLR |
Input Impedance |
20kΩ @ 1kHz |
Output Impedance |
160Ω @ 1kHz |
Maximum Input Level |
+22dBu |
Maximum Output Level |
+22dBu |
Sample Rate |
32kHz to 96kHz |
RTA Mic Phantom Voltage |
+15V |
Crosstalk (Main Outputs) |
-100dB @ 10dBu In |
THD & Noise |
0.007% @ 0dBu In |
Dimensions |
19" x 8.5 x 1.75" (483 x 217 x 45mm) |
Weight |
6.6 lbs (3 kg) |
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