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Put the power of superior digital audio performance in the palm of your hand
iRig Mic HD is the first affordable high-quality handheld digital condenser mic for singers, podcasters, online radio broadcasters, journalists, videographers, home studio enthusiasts and anyone else who needs to record high-definition digital audio on the go. Talk about versatile. And you can connect it directly to your iPhone, iPad, iPod touch or your Mac/PC! Howʼs that for convenience?
But versatility is just one of iRig Mic HDʼs many attributes. iRig Mic HD sports a 24-bit audiophile-grade A/D converter, a 44.1/48 kHz sampling rate and a low-noise/high-definition pre-amp. You can count on iRig Mic HD to give you professional quality results, anytime and anywhere. It can handle the most demanding professional needs in the field or in the studio and is comparable in quality to what you'd get in a mic that costs three times as much.
The successor to our highly popular iRig Mic, iRig Mic HD features a sturdy metal body construction and an ergonomic handheld form factor that allows for hours of comfortable recording and performance. It can also be mounted on a standard mic stand using the included clip — How's that for versatility?
And since we know you want to look good while you're recording and performing, iRig Mic HD comes in two eye-catching colorways: You can buy it in black or go for the exclusive silver version, which can only be purchased at the Apple Store.
Specs iRig Mic HD Specifications - Microphone Type: condenser, electret
- Polar Pattern: cardioid
- Interface Type: USB Digital Microphone, built-in low noise high definition pre-amp
- Frequency Response: 40 Hz - 18 kHz, -3dB
- Maximum Sound Pressure: 134 dB
- Distortion: 3% THD at 134 dB, 1 kHz
- Windscreen: built-in
- Sensitivity: adjustable over a 40 dB range
- Built-in low profile gain control
- Built-in multicolor LED for status and audio level indication
- Connector Type: standard Micro-USB
- Power and Connection: works with iOS and Mac/PC computer
Package includes - iRig Mic HD microphone
- Lightning cable
- USB cable
- Protective iRig Mic HD zippered storage bag
- iRig Mic HD clamp
- 5/8” to 3/8” thread adapter
Compatible with iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPhone 4S*, iPhone 4*, iPod touch (4th and 5th generation), iPad Air 2, iPad mini 3, iPad Air, iPad mini 2, iPad 4th generation, iPad mini, iPad 3rd generation*, iPad 2* and iPad*. iOS 5.1 or later is required.
* Using 30-pin cable (sold separately).
Mac®: Mac OS X 10.6 or later. One free USB port.
Windows®: Support using the ASIO4ALL driver on Windows XP/Vista/7/8. See our FAQ here for further details.
Compatible with Android devices that support Samsung Professional Audio technology, like the Samsung Galaxy Note 4 and Galaxy Note Edge. Samsung Galaxy S5 and Galaxy Note 3 require Android 5. Micro-USB-OTG to Micro-USB cable (sold separately) is required.
Compatible with Android devices with USB (OTG) connector running Android apps that use USB (OTG) audio input. Micro-USB-OTG to Micro-USB cable (sold separately) is required.
Compatible with any Android devices with USB (OTG) connector running Android 5. Micro-USB-OTG to Micro-USB cable (sold separately) is required.
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The MV5 from Shure is a portable digital condenser microphone that has a detachable desktop stand. It can be used to capture audio on Mac or Windows computers, iPods, iPhones, iPads, and Android/iOS devices in applications such as music, podcasting, video chats, and more
- Plug-n-play USB microphone
- Small diaphragm
- Cardioid condenser
- Comes with metal stand
- Three DSP modes
- Headphone jack
- Available in two colors
- Transducer: Electret condenser (16 mm)
- 24bit/ 48 kHz maximum sound quality
- Frequency response: 20 to 20k Hz
- Adjustable gain: Up to +36dB
MFi Certified
| Yes | DSP Modes | Presets: Voice/instrument/flat | Type | Electret condenser (16 mm) | Polar Pattern | Unidirectional (cardioid) | A/D Converter | Up to 24-bit/48 kHz | Frequency Range | 20 Hz to 20 kHz | Gain Range | Adjustable: 0 to +36 dB | Sensitivity | -40 dBFS/Pa at 1 kHz
At Minimum Gain, Flat Mode: 1 Pa=94 SPL | Maximum SPL | At Minimum Gain, Flat Mode: 130 dB SPL | Headphone Output | 1/8" (3.5 mm) mini-jack | Power Requirements | Powered through USB or Lightning connector | Microphone Mute | Yes | Housing | PC/ABS with die-cast zinc frame | Dimensions (H x W x D) | 2.60 x 2.64 x 2.56" (66 x 67 x 65 mm) without mounting stand
3.50 x 5.59 x 3.82" (89 x 142 x 97 mm) with mounting stand | Weight | 3.2 oz (90 g) without mounting stand
5.6 oz (160 g) with mounting stand |
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.
Specifications
Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption: | The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording | This new mic is a performance / price breakthrough. It has an acoustically identical version of the legendary CK1 capsule that is permanently mounted. This combination can handle high output transients as well as subtle harmonics. Also included are switchable 75 and 150Hz 12dB per octave rolloff, and switchable -10 & -20 dB input pad. It is a single pattern (cardioid), and has a frequency response of 20 to 20kHz with 135 dB SPL. Requires 12 to 48V phantom power. Kit comes with bag, windscreen and clip.
For more than twenty years, the AKG C 451 with the CK 1 condenser capsule was a standard item on tour riders for sound companies and required by leading engineers for studio projects. When it was discontinued in 1993, there was still a big demand for this microphone. AKG now has an updated version of this classic microphone.
The new C 451B provides the same frequency response as the legendary CK 1 with the same slight high-end rise that was the signature of the original. This characteristic makes the C 451B an ideal tool for capturing signals rich in transients such as acoustic guitars, snare drums, hi-hats and for overhead micing of drum kits. The C 451B?s response eliminates the need for heavy EQ on these instruments.
The new C 451B has also benefited from newer electronic technology with machine soldering and surface-mount components that improve noise performance and make the microphone much more reliable than the original.
Other special features include switchable 10 dB and 20 dB preattenuation pads and switchable low cut filters at 75 Hz or 150 Hz. Standard accessories included are an SA 40 stand adaptor, W 90 windscreen and a rugged zippered bag. Each C 451B also comes with an individual frequency response printout.
Three-year warranty.
Specification
Polar pattern: cardioid
Frequency range: 20?20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV re 1 V/Pa)
Max. SPL for 0.5 % THD: 135/145/155 dB SPL (-0/-10/-20 dB)
Equivalent noise level: 18 dB-A to DIN 45 412
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: switchable, 0, -10,-20 dB Bass cut filter: switchable to flat or 12 dB/octave at 75 Hz or 150 Hz
Electrical impedance: Recommended load impedance: >1.000 Ohms
Power requirement: 9?52 Volt phantom power to DIN 45 596/IEC 268-15
Current consumption: Connector: 3-pin male XLR
Finish: satin nickel plated
Size: dia.: 190 mm (0.7 in.); length: 160 mm (6.3 in.)
Net/shipping weight: 125/760 g (4.4 oz./1.7 lbs.)
Standard accessories: W 90 windscreen, SA 40 stand adapter |
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