Project Lone Pine Kali\’s debut LP-8 studio monitors are designed to give you world-class power and accuracy without breaking the bank. Performance Transparency. Clarity. Accuracy. Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever […]
Kali\’s debut LP-8 studio monitors are designed to give you world-class power and accuracy without breaking the bank.
Performance
Transparency. Clarity. Accuracy.
Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
100W Class D Power
37 Hz Lower Frequency Response
< 2.5% System THD 94 dB @ 1M
114 dB Max SPL
3-D Imaging Waveguide
Hear three dimensional sound from a stereo pair of speakers.
Dual-Layer Voice Coil
Large diameter voice coil allows for low distortion and high dynamic range.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.
Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the “Common Loudspeaker Format Viewer” application to view.
Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.
This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.
Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.
The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.
Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-8 features balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.
Low Noise Port Tube
We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Powered:
Yes
Amp Class:
D
Power Config:
Bi-Amped
LF Power:
60 W
HF Power:
40 W
Total Power:
100 W
LF Driver:
8″ Woofer
HF Driver:
1″ Soft Dome Tweeter
Freq. Response (-10 dB):
37 Hz – 25 kHz
Frequency Range (±3 dB):
45 Hz – 21 kHz
Crossover:
1.8 kHz
Listening Distance:
2.8 Meters
Max SPL:
114 dB
Weight
9.00 kg
Reviews
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Perfect for Home Studios and Multimedia Applications
2-Way Studio Monitors with 2 x 8 Watts Power Output
Dedicated Volume, Mic Level, Bass and Treble Controls
Powerful 4'' Woofers and High-Resolution 1.5'' Tweeters
1/8'' TRS Stereo and RCA Stereo Input Connectors
Content
Project Lone Pine
Kali\'s debut LP-8 studio monitors are designed to give you world-class power and accuracy without breaking the bank.
Performance
Transparency. Clarity. Accuracy.
Kali Audio\'s Lone Pine Series studio monitors are designed to allow you to hear every detail that\'s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\'ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
100W Class D Power
37 Hz Lower Frequency Response
< 2.5% System THD 94 dB @ 1M
114 dB Max SPL
3-D Imaging Waveguide
Hear three dimensional sound from a stereo pair of speakers.
Dual-Layer Voice Coil
Large diameter voice coil allows for low distortion and high dynamic range.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.
Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the "Common Loudspeaker Format Viewer" application to view.
Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.
This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.
Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.
The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.
Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-8 features balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.
Low Noise Port Tube
We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as "chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Powered:
Yes
Amp Class:
D
Power Config:
Bi-Amped
LF Power:
60 W
HF Power:
40 W
Total Power:
100 W
LF Driver:
8" Woofer
HF Driver:
1" Soft Dome Tweeter
Freq. Response (-10 dB):
37 Hz - 25 kHz
Frequency Range (±3 dB):
45 Hz - 21 kHz
Crossover:
1.8 kHz
Listening Distance:
2.8 Meters
Max SPL:
114 dB
DM-2100: 2.1-ch Speaker System
Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.
Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
Powered bass reflex speakers with 15 watts per side and flat frequency response
Active subwoofer with 50-watt amplifier for increased low end
Front-mounted controls convenient located on right speaker
Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
Sleek black wooden cabinets with magnetic shielding
Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer
Ultra-linear studio monitor with true active design
Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
High-precision crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions
Separately controlled limiter for low and high frequency overload protection
Magnetic shielding allows placement near computer monitors
“Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
Dedicated Volume, Bass and Treble controls for more flexibility
Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
1/8'' TRS headphone connector with auto-mute loudspeaker function
Magnetically shielded for placement near computer monitors
Designed and engineered in Germany
Specifications
Woofer: 4''
Tweeter: 1.5''
Output Power: 2 x 8 Watts
Frequency Response: 80Hz - 20kHz
Speaker Impedance: 4?
Input 1:
Connector: 1/8'' TRS Stereo
Input Level: -10dBm, 10k?
Input 2:
Connector: RCA Stereo
Input Level: -10dBm, 10k?
Mic Input:
Connector: 1/4'' TRS
Input Level: -50dBm, 50?
Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
Weight: 4kg
PRICE PER UNIT
A revolutionary formula: 2 x 7 = 77
In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line.
The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring.
Driver technology
Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels.
The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
Review samples:
“… a refreshing change“ "… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012
“… wide and spacious soundstage with solid left/right imaging“ "… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012
Features of the HR824mk2 Studio Reference Monitor:
- High-resolution Active studio reference monitor
- Ultra-linear frequency response for accurate mix translation
- 8.75 in. high-precision, low-distortion LF transducer
- 1 in. titanium dome, ferrofluid cooled tweeter
- Optimized Waveguide for wide, even sweet zone
- Twin FR Series amps -- 150W for LF / 100W for HF
- Cast aluminum Zero Edge Baffle minimizes diffraction
- Full internal damping eliminates midrange artifacts
- Onboard passive radiator extends bass response to 35Hz
- Acoustic Space, LF roll-off, and HF controls
- Balanced XLR, TRS, and unbalanced RCA inputs
- OmniMount ready for easy wall/ceiling placement
- THX pm3 certified for surround sound applications
- Perfect for High Definition audio, cinema and gaming systems
Dimensions and Weight in PackagingShipping Weight: 41 lbs Shipping Dimensions: 14 x 18 x 22 in
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Full Description
Reviews
There are no reviews yet.