Content |
DN100 v2
The DN100 v2 has become an established favourite amongst both engineers and musicians alike. With its high headroom, dynamic response and sonic clarity, DN100 faithfully reproduces the character of electric and acoustic instruments and allows far more of the detail of musical performances to be captured. DN100 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 kΩ load. This increased headroom means that much higher level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN100 offers a very wide dynamic range, and only requires a single -30 dB pad for use when connecting directly to instrument amplifier outputs.
DN100 is built to handle the rigours of life on the road, a thick aluminium extrusion protects the electronics, and in turn is covered by a tough silicone rubber sleeve.
Balanced Transformer-Isolated Output
Exhaustive listening tests using a wide variety of active and passive bass guitars, electro-acoustic guitars and electronic musical instruments were carried out to select the components for DN100 v2 to achieve the best musical sound. Not only was the choice of the audio transformer particularly important in achieving this goal, but the impedances of the surrounding components were also highly critical in getting the best possible performance out of the audio transformer. The line-driving characteristics of the transformer output were carefully optimised to provide the best frequency and phase responses for short and long cables and widely differing line and termination impedances.
Care was taken in the design of the DN100 v2 to avoid audio transformer core saturation and a fixed high pass filter has been included in the signal path to roll off frequencies below those that are musically important. The lowest note on a 5- or 6-string bass guitar is B0 with a frequency of 30.87 Hz, and the lowest note on an 88-key piano keyboard is A0 with a frequency of 27.50 Hz. DN100 still maintains a frequency response of ±0.5 dB at these lowest musical notes.
As well as the transformer in the signal path, DN100 also has a transformer to isolate the power rails to the input circuit from the phantom power supply sourced from the output XLR connector. When used in conjunction with the Earth Lift switch, this full galvanic isolation of input and output interfaces ensures that any risk of earth loops is avoided when taking a direct feed from stage backline equipment.
Dual-Impedance Inputs
A custom instrumentation-grade input circuit was designed for the DN100 using advanced analogue design techniques to create the very high input impedance required by passive guitar and bass pickups, whilst keeping the actual component values low to minimise noise. This innovative approach to circuit design produces a very low noise floor, which combined with the high clipping point creates an unrivalled dynamic range in a +48 V phantom powered DI Box.
DN100 features one parallel-connected XLR and two ¼" TRS inputs, one which may also be used a link output for connection to a guitar or bass amplifier. When connecting to the XLR input only, the input impedance is 20 kΩ, ideal for line level equipment and offering even lower noise performance. This input impedance is far too low for guitar and bass pickups and is removed from the circuit when a jack plug is inserted into a ¼" TRS input, resulting in a nominal 1 MΩ input impedance, ideal for passive electric pickups.
Illuminated 30dB Pad and Earth Lift Switches
DN100 features illuminated Pad and Earth Lift switches, which along with the +48V phantom power indicator LED, provide ‘at a glance’ status display, even at wide distances and viewing angles.
The Earth Lift switch separates the input and output grounds, useful in eliminating earth loops between equipment on different mains electricity supplies.
Built for the Road
Featuring a tough aluminium extrusion, the DN100 is designed for the rigours of live concert touring. The protective rubber corners also insulate the DN100 chassis to further enhance its electrical isolation. Premium Neutrik XLR connectors are used to ensure reliable audio connections, night after night.
Inputs
Connectors |
2 x 1/4" TRS and 3-pin XLR linked in parallel |
Impedance |
1 MΩ nominal, balanced or unbalanced, 20 kΩ (XLR only) |
Max input level |
35 dBu (with pad enabled) |
Attenuator |
20 dB pad |
Outputs
Connector |
3-pin XLR |
Impedance |
50 Ω |
Max output level |
15 dBu with 10 kΩ load |
Min load |
600 Ω |
System
Noise |
-103 dBu, 22 Hz to 22 kHz unweighted,
with input terminated by 10 kΩ resistor |
Frequency response |
20 Hz to 20 kHz, ±1 dB, 10 kΩ load |
Distortion (THD + N) |
Typically <0.005% @ 1 kHz, +10 dBu |
Power Requirement
Voltage |
+48 V phantom |
Current consumption |
<10 mA |
Physical
Dimensions |
118 x 63 x 112 mm (4.7 x 2.5 x 4.4") |
Weight |
(4.7 x 2.5 x 4.4") Weight ~ 1 kg |
|
2-channel DI box/splitter, passive Converts 2 separate unbalanced line inputs (e.g. instruments) into 2 balanced XLR outputs for connecting a mixer Switchable to split mode (input 1 routes the signal to both outputs) Switchable input attenuation: 0 dB, -20 dB, -40 dB Ground-lift switch eliminates ground loop problems 2 signal inputs via XLR/jack combo connectors 2 low-impedance XLR outputs Modern convex housing design Full rubber housing corners for safe operation Cables can be routed under the housing |
Phantom or battery powered in a rugged steel chassis The ARX DI-PLUS 2 represents another major step forward in active direct boxes. Packaged in a single channel stand-alone format, the DI-PLUS 2 represents a fresh look at active stereo D.I. concepts.
Precision engineered Ultra quiet, ultra clean circuitry delivers maximum headroom whatever the signal. Premium grade components, plus an all-steel chassis gives excellent hum and noise specifications and superb audio quality in a tough, roadworthy package. Accurate Left and Right channel level matching keeps the stereo image centred.
Level control The DI-PLUS 2 features two high impedance unbalanced inputs on the front panel, running to balanced XLR outputs on the rear. A a global Pad switch drops inputs by 20dB, making it suitable for all applications from the softest keyboard to the hottest broadcast levels. Battery compartment The revolutionary simple 'clamshell' action of the DI-PLUS 2 battery compartment makes battery changing extremely easy, even on the darkest stages. A 9v alkaline battery snaps into a PCB mounted battery holder for fast, secure location. No fragile battery clip leads to break, no tools required, no screws to lose. Production crew heaven! Automatic Phantom switching The DI-PLUS 2 will automatically switch itself to the console's own Phantom Power, if available, and an LED will indicate this mode. Turn the Phantom Power off and it will instantly revert back to battery mode.
Rugged all-steel case A lot of direct boxes are fitted into brittle cast alloy cases. Not this one! The tough all-steel inner and outer chassis of the DI-PLUS 2 provide excellent RF/EMF shielding while making it a sturdy, heavy duty unit that is hard to dislodge, and hard to leave behind. Rear panel showing Left and Right XLR connectors, ground lift switch, battery check switch and LED, plus phantom power On LED and captive screw for opening up the unit for battery changing Whether you're a Studio or Live Sound engineer, installation contractor, or broadcast engineer, you want all the dynamics,clarity and stereo information of the original sound source transferred to the mixing console. The ARX DI-PLUS 2 provides a rugged, no-compromise solution to all stereo direct injection and signal balancing requirements. T E C H N I C A L S P E C I F I C A T I O N S: Max Input Level +12 dB Phantom powered +6 dB Battery powered Input Impedance 1 Meg Ohm Max Output Level +17 dB 10K Ohm load Phantom powered +12 dB 10K Ohm load Battery powered +11 dB 600 Ohm load Phantom powered +12 dB 600 Ohm load Battery powered Output Impedance 680 Ohms Balanced Output Signal to Noise -100 dB unweighted -104 dB A weighted Dynamic Range 117 dB 10K Ohm load Phantom powered 112 dB 10K Ohm load Battery powered 111 dB 600 Ohm load Phantom powered 107.5 dB 600 Ohm load Battery powered Distortion 100 Hz .0018%, 1KHz .0028%, 10KHz .0056% Frequency Response 20Hz to 20KHz, ± 0.2 dB Gain through Unit: 6dB (Pad switch out) Pad Switch: Global -20 dB attenuation Input and Loop Out Connectors Insulated jacks (!!!Note that Channel A Input connector switches the unit on when a plug is inserted. Remove plug when storing to avoid battery drain!!!) Output Connectors 3 pin XLR. Wired Pin 1 Ground, Pin 2 + Hot, Pin 3 - Cold. Global Audio Ground (Pin 1) lift switch Construction All-steel chassis, fibreglass PCB Battery Access Twist connector opens chassis, snap-in battery holder inside. No tools required
| Standard active DI box. Can be operated with 9 V batteries or 48 V phantom power. High-impedance input; higher output level than with a passive DI box. Active circuitry allows for high input impedance ( 1 meg. ohm) and higher input sensitivity (typical difference between in and out -4 dB). Maximum output impedance with phantom power operation +10 dB. Output: transformer balanced. The special "floating ground" circuitry enables ground lift even during phantom power operation. Metal case 110 x 73 x 42 mm. |
Tube-buffered DI-Box DI-1000
The Tube-Buffered DI-Box DI-1000 allows the extraction of all the musical details of musical interfaces without degrading the sound. This can only be achieved by providing a very high input impedance to avoid any loading of instrument pickups.This design approach allows seemingly infinite headroom to preserve the real dynamic range of the interfaced instruments.A vacuum tube enables all these goals to be achieved without any compromises in sound quality.The sonic difference between a standard DI-Box and the Tube-Buffered DI-Box is comparable to the musical resolution difference between a standard microphone and a studio microphone.One of the best transformers, the very transparent sounding JENSEN JT-DB-E, was chosen providing complete ground isolation. The parameters of this transformer, like frequency response, phase response, group delay and geadroom capabilities, play a vital part in the performance of this DI-Box. Technical Specifications Input The signal of the instrument is directly fed to the tube circuit with > 20 MOhms input impedance to prevent any signal degradation, inevitable in traditional designs. Buffered Output“ The second stage of the vacuum tube is used to buffer the signal and lower the output impedance to < 8 kOhms. This unity gain output allows for cable runs of 10 meters without loosing high frequency information. Boost circuit The boost circuit increases the signal send to the output transformer by 15 dB. This may be useful for instruments with extremely low output, but decreases headroom capability to 6 Volt rms. Under these circumstances the signal may be clipped, concerning the output transformer?s signal, which gives you 2nd harmonic tube-like distortion. This distortion normally does not occur - but is sometimes desirable, being the reason for this special feature. Unity circuit The unity circuit feeds a low distortion unity gain signal to the JENSEN output transformer. This gives the best possible sound quality. Ground-lift“-Switch This front panel mounted switch allows complete ground and electrical isolation between the direct injection box and the console or recording device.
Mechanical Specifications Cabinet 2 mm stainless steel Front- and rear-panel 1,5 mm stainless steel lasercut and photo-chemically etched Dimensions 185 x 100 x 40 mm Vibration insulation 4 high-compliance rubber-elements Operating Voltage 220/110 V AC, selectable via rear panel mounted switch. The fuse is easily accessible from the rear panel. IEC mains connector with optional fixture. Construction details Double sided glass fibre contacted PCB with 70 mm copper plating. 1% metal film resistors and the finest polypropylene capacitors are used in the signal path. MIL type Switchcraft jacks and high performance switches ensure flawless operation. The power supply is optimised via measurement quality toroid transformer and a low impedance design to ensure the lowest possible noise. Through a double sided PCB all parts are roadworthy secured. A waterclear blue LED perfects the aesthetics of the DI box.
Technical Data Input impedance > 20 MOhm Output impedance180 Ohm at 1 kHz Frequncy response 20 Hz - 20 kHz (-0,1 dB) 5 Hz - 120 kHz (-3 dB) THD at 0 dBv 0,06% at 20 Hz 0,04% at 1 kHz 0,035% at 20 kHz Signal to Noise Ratio 86 dB Tube ECC 83/7025 A - military E 83 CC optional Output transformer JENSEN JT-DB-E Polarity Pin 2 Hot , AES/IEC -Standard Max. Input voltage > 30 V peak |
Active DI-Box SM-60
The electronic Direct-Injection Box SM-60 allows direct connection of electronic music instruments such as keyboards, synthesizers, electric and electronic pianos, etc. with mixing consoles in PA-systems and in recording studios. The SM-6 is designed for applications, where a passive DI-Box does not perfom satisfactorily, i.e., where the output level of a passive DI-Box is too low for the microphone input section of the mixing desk. Because the input impedance of the SM-6 is above 5 MOhm, instrument outputs are not loaded or in any other way adversely affected. The voltage ratio from input to output is 1: 1 and is always sufficient for connection with any microphone input. Input connectors are 1/4" phone jacks, output connector is a Switchcraft D3M; output is 600 Ohms, transformer balanced. The output level may in certain cases overload microphone inputs - the line input section of the mixing console must then be used for connecting the SM-6. The unit operates with a 9 V battery or phantom powering from 24 to 48 volts.
Technical Data
input impedance > 5 MOhm max. input impedance + 6 dBu, 1,55V ouptut impedance 600 Ohm frequency response 20 ... 20000 Hz, ± 0,2 dB gain 1 : 1 THD < 1 % at 30 Hz < 0,7 % bei 40 Hz powering 9-V battery (IEC 6LF22) or phantom power 24 ... 48 V. inputs two 1/4" phone jacks , unbalanced (one being used as output to instruments amp) outputs XLR, balanced pin 1 = ground, pin 2 = hot, pin 3 = cold case aluminium die-cast weight 240 g dimensions 113 x 71 x 37 mm |
Reviews
There are no reviews yet.