The revised DN500 Plus series utilises a new ?THAT?s? chip which features lower distortion, improved dynamic range and faster slew rate. We?ve updated the cosmetics too, bringing them into the new KT ?family look?.The DN500 Plus is our dual compressor / limiter / expander which is characterised by its extremely quiet operation, typically >2dB quieter […]
The revised DN500 Plus series utilises a new ?THAT?s? chip which features lower distortion, improved dynamic range and faster slew rate. We?ve updated the cosmetics too, bringing them into the new KT ?family look?. The DN500 Plus is our dual compressor / limiter / expander which is characterised by its extremely quiet operation, typically >2dB quieter than any comparable product. This alone has made it a broadcast-industry standard for many years. The two channels are linkable for true stereo operation, and both the compressor and expander sections are fitted with their own sidechain inputs. The DN504 Plus Quad Compressor has enjoyed hugely increased popularity in recent years, due to the ever expanding use of in-ear monitor systems. This is because the unit can be configured into two stereo pairs, has all the superlative audio performance of the DN500 Plus, and fits two sets of stereo compression into just one rack space. This configuration also makes it extremely cost effective. DN514 Plus has become one of the industry standard multi-gate devices for both recording and live applications. Providing the same superb audio performance as its other 500 Plus – series, DN514 Plus packs four channels of frequency conscious gating into just 1RU. This provides a significant operational advantage, being able to tailor the operation of each gate to a specific frequency range.
DN500 Plus Dual Compressor / Limiter Expander Overview :
Two channels of full function compression, expansion, limiting and peak clipping in one unit of rack space. Variable knee control for compression styles from hard to easy. Auto attack/release mode for inaudible compression and easy set-up. Manual attack/release mode for creating compression effects. Advanced VCA design for extremely low noise and distortion. Flexible expander section features variable ratio for gentle expansion or hard gating. Separate side chain inputs are provided for compressor and expander sections. A peak limiter with variable threshold and programme related release provides additional protection. Peak clipper eliminates transient overload and tracks limiter threshold for total protection. Additional features include stereo link function, gain reduction meters for both compressor/ expander sections and output level meter. The DN500 Plus is sturdily constructed throughout and complies with standard 19? 1U rack mounting requirements.
DN500 Plus Architect’s & Engineer’s Specification
The compressor/limiter shall provide two complete channels of compression, expansion, peak limiting and peak clipping. The compressor section shall provide for adjustment of Threshold, Ratio, Knee, Attack and Release and have push button selection of auto or manual modes. The expander section shall provide for adjustment of Threshold, Ratio and Release and have push button selection of Auto or Fixed attack times. The limiter section shall provide for adjustment of Threshold and have push button selection of a Peak Clipper. An output gain control and level meter shall be provided. Gain reduction meters shall be provided for both compressor and expander sections. The compressor/limiter shall meet or exceed the following specifications: Distortion (THD+N) 115dBu Compressor Attack time 50?s-20ms Compressor Release time 60ms-2 secs Maximum output level into 600 +21dBu Push button switches shall be provided to select compressor, expander and channel bypass and to link both channels for stereo operation. Side chain inputs shall be provided for both compressor and expander sections. Channel inputs and outputs shall be via XLR style connectors, external side chain inputs shall be via 1/4? jack. A tamperproof front panel cover shall be available to fit the unit. The compressor/limiter shall be 19? standard rack mountable and 1U high. The unit shall be capable of operating from a 115/230V 50/60Hz AC power source. The compressor/limiter shall be the Klark Teknik Model DN500 Plus and no alternative specification option is available.
DN500 Plus Technical Data Input Two Type Electronically balanced (pin 3 hot) Impedance (Ω) Balanced 20k Unbalanced 10k Side Chain Inputs Two (Compressor) + Two (Expander) Type Electronically balanced (tip hot) Impedance (Ω) Balanced 20k Balanced 10k Audio Outputs Two Type Unbalanced (pin 3 hot) Minimum load impedance 600 Ω Source impedance
Weight
6.00 kg
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Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
New gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Stereo or dual-mono operation
Balanced inputs and outputs on 1/4" TRS and XLR connectors
Side Chain insert
Classic dbx® "Auto" mode
Content
The revised DN500 Plus series utilises a new ?THAT?s? chip which features lower distortion, improved dynamic range and faster slew rate. We?ve updated the cosmetics too, bringing them into the new KT ?family look?. The DN500 Plus is our dual compressor / limiter / expander which is characterised by its extremely quiet operation, typically >2dB quieter than any comparable product. This alone has made it a broadcast-industry standard for many years. The two channels are linkable for true stereo operation, and both the compressor and expander sections are fitted with their own sidechain inputs. The DN504 Plus Quad Compressor has enjoyed hugely increased popularity in recent years, due to the ever expanding use of in-ear monitor systems. This is because the unit can be configured into two stereo pairs, has all the superlative audio performance of the DN500 Plus, and fits two sets of stereo compression into just one rack space. This configuration also makes it extremely cost effective. DN514 Plus has become one of the industry standard multi-gate devices for both recording and live applications. Providing the same superb audio performance as its other 500 Plus - series, DN514 Plus packs four channels of frequency conscious gating into just 1RU. This provides a significant operational advantage, being able to tailor the operation of each gate to a specific frequency range.
DN500 Plus Dual Compressor / Limiter Expander Overview :
Two channels of full function compression, expansion, limiting and peak clipping in one unit of rack space. Variable knee control for compression styles from hard to easy. Auto attack/release mode for inaudible compression and easy set-up. Manual attack/release mode for creating compression effects. Advanced VCA design for extremely low noise and distortion. Flexible expander section features variable ratio for gentle expansion or hard gating. Separate side chain inputs are provided for compressor and expander sections. A peak limiter with variable threshold and programme related release provides additional protection. Peak clipper eliminates transient overload and tracks limiter threshold for total protection. Additional features include stereo link function, gain reduction meters for both compressor/ expander sections and output level meter. The DN500 Plus is sturdily constructed throughout and complies with standard 19? 1U rack mounting requirements.
DN500 Plus Architect's & Engineer's Specification
The compressor/limiter shall provide two complete channels of compression, expansion, peak limiting and peak clipping. The compressor section shall provide for adjustment of Threshold, Ratio, Knee, Attack and Release and have push button selection of auto or manual modes. The expander section shall provide for adjustment of Threshold, Ratio and Release and have push button selection of Auto or Fixed attack times. The limiter section shall provide for adjustment of Threshold and have push button selection of a Peak Clipper. An output gain control and level meter shall be provided. Gain reduction meters shall be provided for both compressor and expander sections. The compressor/limiter shall meet or exceed the following specifications: Distortion (THD+N) 115dBu Compressor Attack time 50?s-20ms Compressor Release time 60ms-2 secs Maximum output level into 600 +21dBu Push button switches shall be provided to select compressor, expander and channel bypass and to link both channels for stereo operation. Side chain inputs shall be provided for both compressor and expander sections. Channel inputs and outputs shall be via XLR style connectors, external side chain inputs shall be via 1/4? jack. A tamperproof front panel cover shall be available to fit the unit. The compressor/limiter shall be 19? standard rack mountable and 1U high. The unit shall be capable of operating from a 115/230V 50/60Hz AC power source. The compressor/limiter shall be the Klark Teknik Model DN500 Plus and no alternative specification option is available.
DN500 Plus Technical Data Input Two Type Electronically balanced (pin 3 hot) Impedance (Ω) Balanced 20k Unbalanced 10k Side Chain Inputs Two (Compressor) + Two (Expander) Type Electronically balanced (tip hot) Impedance (Ω) Balanced 20k Balanced 10k Audio Outputs Two Type Unbalanced (pin 3 hot) Minimum load impedance 600 Ω Source impedance
Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
New gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Stereo or dual-mono operation
Balanced inputs and outputs on 1/4" TRS and XLR connectors
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance
Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level
Tip = >+22dBu (Input)
Sidechain Max Output Level
Ring = >+20dBu (Output)
Compressor Threshold Range
-40dBu to +20dBu
Compressor Threshold Characteristic
Selectable OverEasy® or hard knee
Compressor Ratio
1:1 to Infinity:1
Compressor Attack Time
Scalable Program-Dependent AutoDynamic™
Compressor Release Time
Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range
-60dBu to +15dBu
Expander/Gate Ratio
1:1 to 4:1
Expander/Gate Attack Time
Description
The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone application including wireless types. It can provide effective feedback control to any sound reinforcement situation. It can also eliminated string feedback in guitars and bass instruments which are equipped with piezo or condenser pickups. The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal, detecting the presence of feedback and then notching out the feedback frequency. The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a feedback signal before it can grow into a peak. Internally a discriminator circuit detects the presence of regenerative feedback and triggers the automatic equaliser to insert a notch where the feedback peak is coming up. This normally prevents other peaks from developing but if they do, the process is repeated at high speed, thus keeping feedback under control.
Technical Data In- and Outputs transformer balanced max. Inputlevel + 3 dB Gain (RS=200 Ohm, RL=2kOhm) 0 dB Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB Feeback Cancellation 6 ... 10 dB Power Requirement 30 ... 48 V Phantom Current drain ca. 8 mA External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip + Housing Aluminium Diecast Weight 285 grams Dimensions 112 x 60 x 32 mm
Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
Input Connectors
1/4" TRS, female XLR (pin 2 hot)
Input Impedance
>50kΩ balanced, >25kΩ unbalanced
Max Input
>+24dBu, Balanced or Unbalanced
Input Type
Electronically balanced/unbalanced, RF filtered
Sidechain
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance
Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level
>+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors
1/4" TRS, female XLR (pin 2 hot)
Output Impedance
120Ω balanced, >60Ω unbalanced
Max Output
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise
SHARK FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and "intelligently" locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
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