KORG KROSS2-88 MB Portable Synth/Workstation with 88 weighted keys

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Keys, drums, sequences, sampling, and a performance powerhouse. The 88-key model of the all-in-one KROSS 2 synthesizer is now available in a “super matte black” rubberized finish. Packed with all the immediacy and huge sound of the KROSS 2, it features an additional expansion that adds all-new programs including a beautifully resonant acoustic piano. Designed […]

 

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Keys, drums, sequences, sampling, and a performance powerhouse. The 88-key model of the all-in-one KROSS 2 synthesizer is now available in a “super matte black” rubberized finish. Packed with all the immediacy and huge sound of the KROSS 2, it features an additional expansion that adds all-new programs including a beautifully resonant acoustic piano.

Designed to be your main keyboard, Kross 2 features everything a performer needs, far exceeding its class in power and usability.

Weight 12.20 kg

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KORG KROSS2-88 MB Portable Synth/Workstation with 88 weighted keys removeKORG PA300 Professional Arranger Keyboard With Built-In Speakers Upgradable removeWALDORF Blofeld Keyboard Synthesizer removeNOVATION BASS STATION II SYNTHESISER 25 KEYS removeARP ODYSSEY ANALOG SYNTHESIZER 37 KEYS ORANGE BLACK removeWALDORF Blofeld Desktop Synthesizer Module remove
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SKUKROSS2-88 MBPA300BlofeldKeyboardBASS STATION IIODYSSEYBlofeld
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Description
  • Over 950 sounds from almost every musical genre
  • GM soundset and 64 drum kits
  • Multilayer stereo acoustic piano sampled from a concert grand, which includes string and damper pedal resonance
  • Sounds are fully editable and changes can be saved in user locations
  • Four stereo master effects processors
  • 125 effects include reverb, delay and chorus, and some REMS guitar-based effects for generating authentic guitar tones
  • Each track features an EQ with low, mid and high controls
  • Custom track EQ can be memorized in the general preferences for the Song Play mode
  • Four-band parametric EQ is added to the final sound output
  • Hundreds of styles covering an expanded range of musical genres
  • Each style includes four fills/ breaks, plus three intros and three endings
  • Choice of different transposition tables
  • Guitar Mode 2 adds a new perspective to Style Guitar tracks
  • Record and edit custom Styles
  • Automatic accompaniment with realistic backing patterns (Styles)
  • Play a chord progression and the Quick Record function will complete the basic backing tracks
  • Single Touch Settings (STS ) memories recall sounds for all the keyboard tracks
  • Two interface modes - Easy mode displays only the most important controls while Expert mode provides full editing control
  • Onboard player can read MID, KAR and MP3 files while also reading lyrics and chords from all these file types
  • Score Viewer displays the lead track (or any other track) as traditional musical notations with notes or chords, together with lyrics and chord abbreviations
  • Chord names can be shown in English and Italian
  • Show "note names next to each note" function for those learning music
  • SongBook is a completely user-programmable musical database containing all the settings needed to play a particular song
  • Search function
  • SongBook can use Styles, MID or MP3 files and immediately recall settings such as song title, genre, artist, tempo, volumes, sounds, muted tracks, FX settings, easy edit, STS, master transpose, and more
  • Dual 13W amplifiers drive two loudspeakers in a bass-reflex box
Content

Keys, drums, sequences, sampling, and a performance powerhouse. The 88-key model of the all-in-one KROSS 2 synthesizer is now available in a "super matte black" rubberized finish. Packed with all the immediacy and huge sound of the KROSS 2, it features an additional expansion that adds all-new programs including a beautifully resonant acoustic piano.

Designed to be your main keyboard, Kross 2 features everything a performer needs, far exceeding its class in power and usability.

The Pa300 is the latest keyboard in the KORG Pa series of internationally acclaimed and bestselling musical arrangers. Itʼs compact, inexpensive and powerful, with the most up-to-date collection of quality sounds and Styles. Using the built in Styles, you can quickly and easily play along with a backing band or even create your own music. The Pa300 is not only fun to play any time you like, but itʼs the ideal way for people of all ages to write and perform music!
The Pa300 from Korg is a compact but fully featured musical arranger with an up-to-date collection of sounds and styles. Using the built-in styles allows the user to quickly and easily play along with a backing band or even create custom music. The enhanced RX (Real eXperience) sound engine offers improved realism and vivid sound. A five-inch TouchView color TFT display provides an intuitive graphical interface with a search function for easy retrieval of any musical resource or file. Over three-hundred factory styles each include intro, fill and ending variations and can be edited and stored in user memory locations. An enhanced Guitar Mode 2 provides realistic guitar parts, and an improved GM set for playing Standard MIDI Files. Other features include an MP3 player with transpose and tempo change that is also compatible with popular lyric formats including graphical (+G), Text Viewer and Score. Four stereo master effects feature well over one-hundred effects algorithms. A fully programmable SongBook database is based on styles, SMF, Karaoke and MP3 files with instant recall of any song setting.
Keyboard 61 keys Velocity sensitivity is supported System Upgradable Operating System RX (Real eXperience) Multitasking, Load while play feature Tone Generator 128 Voices, 128 Oscillators Filters with Resonance Three band EQ for each track Effects Up to 4 Stereo Digital Multi-Effect block systems 125 Master Effect types Master 4 band Parametric EQ Sounds / Drum Kits Factory: More than 950, including Stereo Piano and GM2 sound compatibility 64 Drum Kits Full Sound and Drum Kit editing capability User: 256 Sounds 128 Drum Kits Styles Factory: More than 310 Preload Styles Full Style editing capability User: Up to 1,040 available Style locations including the Favorite/User banks Structure: Eight Style tracks, 4 Single Touch Settings, 4 Pads, and one Style Performance per Style Style Controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Auto fill, Synchro Start/Stop, Tap Tempo/Reset, Manual Bass, Bass Inversion, Memory, Accompaniment On/Off, Kick & Snare Designation Style Others: Guitar Mode 2, Parallel and Fixed NTT Performance / STS 240 Keyboard Performance locations, My Setting special Performance STS: Memorize Keyboard tracks - Up to 4 x 1040 Styles, up to 4 x SongBook entries Keyboard Tracks Four Keyboard tracks (Upper 1, 2, 3, Lower) Pads 4 Pad tracks + Stop button Full Pad editing capability Full Pad editing capability Song Play Player with select, Start/Stop, Home, Rewind and Fast Forward controls Jukebox function – Compatible with SMF (format 0 and 1) and MP3 – Lyrics (compatible with CGD), Score MP3 Player MP3 Player Transpose (+6/-5 semitones) Tempo change (±30%) Sequencer Quick Record (Backing Sequence) Multitrack and Step Record functions - Full-featured sequencer - 16 tracks - Up to 100,000 events SMF format SongBook Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes – User-definable custom lists - Filtering options Search Style, Song, Performance, SongBook, Sound and Lyrics TXT Compatibility "i-Series" models: Styles "Pa series” model Style, Performance, Sound, Song, SongBook, Pad General Controls Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Upper Tracks Octave Transpose, Master Transpose, Tempo Lock, Quarter Tone Arabic Scale, User Scale memorized inside Performance/STS, Search, Lyrics, Score, Dial, Tempo, Metronome, Split, Joystick Connections Control Inputs: Assignable Pedal/Footswitch (Damper) Headphone/ Outputs: Unbalanced Stereo Jack MIDI USB to MIDI using the USB Device port – 8 user definable MIDI Presets USB USB-MIDI Interface Type A (TO DEVICE): 1 (Rear) Type B (TO HOST): 1 (Rear) 2.0 Hi Speed connections Mass Storage USB Memory Stick Display Color TouchView™ 5” (480 x 272 dots) TFT display Speaker System Amplification: 13 W x 2 Speakers; 10 cm x 2 Double Cone Speakers in Bass Reflex Box Power Power Supply: AC 100-240 V Power Consumption: 18 Watt Dimensions (W x D x H) 1,030 x 378.3 x 127 mm / 40.55 x 14.89 x 5.00 inches (without music stand); Weight 8.35 kg / 18.41 lbs Accessories Quick Guide, Music Stand, External Power Supply Adapter and Power Cable, Accessory DVD (Including Video Manual) Options EXP-2 - Expression/Volume Pedal XVP-10 - Professional Expression/Volume Pedal DS-1H - Damper Pedal PS-1/PS-3 Switch Pedal The Pa300 is the latest keyboard in the KORG Pa series of internationally acclaimed and bestselling musical arrangers. Itʼs compact, inexpensive and powerful, with the most up-to-date collection of quality sounds and Styles. Using the built in Styles, you can quickly and easily play along with a backing band or even create your own music. The Pa300 is not only fun to play any time you like, but itʼs the ideal way for people of all ages to write and perform music! - See more at: http://www.korg.com/us/products/synthesizers/pa300/#sthash.lBGekdqP.dpuf

Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synthesis and the classic wavetables it now sports a whopping 60 megabytes of sample memory.

Just imagine to add a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.

Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.

All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.

And although it comes for an unbeatable price tag, we add something very special. It comes:

From Waldorf with Love!

Features:

  • 60 Megabyte sample memory 
  • Class compliant USB MIDI for PC,Mac and Linux 
  • 16 part multimode 
  • maximum 25 voices polyphony 
  • highest quality standard keybed with 49 weighted keys and aftertouch 
  • Internal power supply 
  • Pitchbend and modulation wheel 
  • Virtual analog, wavetable, and sample based oscillators 
  • MIDI in/out 
  • Sturdy metal case 
  • Stainless steel rotary encoders 
  • Backlit 128x64 pixel LCD 
  • Over 1000 sounds 
  • 3 oscillators, 2 filters per voice 
  • Selectable drive curves 
  • Frequency modulation for oscillators and filters 
  • Three LFO, four envelopes per voice 
  • Extensive modulation capabilities 
  • Complex arpeggiator 
  • Powerful effects section 
  • weight: apprx 8,-- kgs 
  • weight in carton: apprx 9,5 kgs

Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.

Specifications Synth engine Oscillators
  • Osc 1
  • Osc 2
  • Sub Osc (3)
  • Noise generator

Osc 1 & 2

Select between waveforms:

  • sine
  • triangle
  • sawtooth
  • square/variable pulse width

Features

  • Sync 1 & 2
  • Detune 
  • Octave range
  • Pitch bend
  • Pitch modulation from Mod Envelope and/or LFO 1
  • Pulse width modulation from Mod Envelope and/or LFO 2

Sub Osc (3) which is tracked to Osc 1

Select independently between waveforms:

  • Sine
  • Square
  • Narrow pulse

Features

  • All modulation and tuning tracked to Osc 1
  • Independent octave select 
Mixer 
  • Osc 1 level
  • Osc 2 level
  • Sub Osc level
  • Noise generator level
  • Ring modulation depth
  • External signal level
Filter

Two filter types

  • Acid type (diode ladder filter design)
  • Classic type (derived from original Bass Station)

Features

  • Cutoff
  • Resonance
  • Overdrive
  • Filter frequency to Mod Envelope depth
  • Filter frequency to LFO 2 depth

Select 'Classic' filter between:

  • Low pass
  • Band pass
  • High pass
  • 12dB slope
  • 24dB slope
Envelopes

Two ADSR Envelopes  (Attack/Decay/Sustain/Release)

  • Amp Envelope
  • Mod Envelope
  • Combined control of both Envelopes

Select triggering mode between:

  • Single trigger (holds envelope state when new note is played)
  • Multi trigger (re-triggers with every new note played)
  • Autoglide (engages portamento) 

There is also a VCA limiter

LFO

Two LFOs each selectable between:

  • Triangle
  • Sawtooth
  • Square
  • Sample and hold
  • Both LFOs independently adjustable between rate and delay time
  • Key sync LFO 1 & 2
  • LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)
 Effects   
  • Distortion send
  • Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
     
Step Sequencer/Arpeggiator

Arpeggiator

  • Up to 32 different patterns
  • Select between 1-4 octave range
  • Swing function
  • Select direction:
    • up
    • down
    • up / down 1
    • up / down 2
    • As played
    • Random
  • Latch (hold the arpeggiator)

Step Sequencer

  • Up to four sequences
  • Assign one of 32 preset rhythms or create your own
  • insert rests or legato (slide)
  • Sequencer re-trigger function
Portamento
  • Adjust glide time
  • Single trigger or re-trigger modes
  • Integrate into step sequencer and arpeggiator
Hardware & controller assignment
  • 25 note synth-action keyboard
  • Aftertouch can be assigned to modulate:
    • Filter frequency
    • LFO 1to Osc pitch
    • Osc 2 speed
  • Pitch wheel
  • Modulation wheel can be assigned to:
    • LFO 2 to filter frequency
    • LFO 1 to Osc pitch
    • Osc 2 pitch
  • Octave up/ down buttons
  • 64 factory presets
  • 64 slots for user patches (and patch dump facility for storing more)
  • Master volume dial
Inputs and Outputs
  • USB MIDI (for connecting & powering Bass Station II via host computer)
  • Mono output on 1/4" TRS jack
  • Headphone output on 1/4" TRS jack
  • External input on 1/4" TRS jack
  • Sustain pedal input on 1/4" TS jack
  • MIDI IN / MIDI OUT ports on 5 pin din
  • DC power input
  • Switch between power off / DC powered / bus powered
Dimensions
  • 18" wide x 10.75" deep x 3" tall

 

Info

The ARP Odyssey has been downsized to 86% of the original ARP Odyssey. Carefully selected parts are used in the familiar slider section, providing an operating feel that's even smoother than the original. The keyboard uses a 37-note slim keyboard that features lighter weight and excellent playability. While making the instrument more compact and easier to use, we have also paid attention to ensuring that the mini-keyboard is uncompromisingly "playable." Although the keyboard has 37 keys, the transpose function lets it cover a broad range of seven octaves.

Waldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with "Wave" in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Oscillators
Each of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.

Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.

Not only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II/XT. Plus, lo and behold, the desperately requested "Upper Wavetable" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.

What's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.

Brilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.

Each of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.

On top of all that, oscillator 2 can be hard-synced to oscillator 3.

Ring Modulation and Noise Generator
Oscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.

The noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.

The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.

Filters
The Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.

The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB/oct or 24dB/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).

Furthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.

Overdrive, Saturation, Distortion, Shaping
You name it. The Blofeld offers a freely controllable "Drive" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low/medium/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as "binary distortion“, a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.

Effects
The Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.

The first effect slot offers such modulation effects as chorus, flanger as well as a combined type called "Triple FX“. The latter gives you several effects at once, but with a reduced parameter set.

The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.

Envelopes
Four envelopes with different types and trigger modes affect any sound parameters you choose.

Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think "organ percussion register“, for instance.

The Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a "one shot" Envelope.

The Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).

LFOs
Each of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample & hold and random.

LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).

One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.

Modulation Matrix
Here's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters.

Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level – everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers) etc.

You can of course "modulate the modulators" i.e. control LFO speeds and individual envelope rates and levels. But in Blofeld you can even specify that these sources modulate themselves – recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.

And how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here. You get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, Osc 1, 2 and 3 frequency and PWM (pulse width modulation), filter 1 and 2 cutoff, panorama and amp level modulation. And let's not forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. Makes a total of 33 simultaneous connections if we counted correctly.

Modifiers
What if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as "LFO1*MW" (LFO 1 controlled by Modulation Wheel) and "LFO2*Press" (LFO 2 controlled by monophonic Aftertouch), there's nobody doing the "LFO3*MW" thing for you.

But, don't worry, that's where the Modifiers come into play. In seconds you can set up a new modifier, with the two sources set to LFO 3 and modulation wheel, and the "operation" set to "*" (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.

Okay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your service.

Arpeggiator
Okay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...

It features variable clock divisions from 1/64 triplets to more than 1000 bars, with variable swing/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.

But more importantly, it has the most powerful Pattern Editor we have ever seen.

You can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.

Then you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.

No wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!
Sound

Now, how does all that sound? You probably know that Waldorf synthesizers are well loved for their sound character, and the Blofeld is certainly no exception. But who are we to tell you? Better listen to the Waldorf Blofeld demos or just believe us: it sounds great. Now go and get one!
Technical InfoMost important features
Unbeatable price tag

Sturdy Metal Enclosure

7 endless stainless steel Dials

Graphic Display 128 x 64 pixels, b/w, white background LED

More than 1000 Sounds

3 Oscillators per voice

Frequency Modulation between the Oscillators

All Q Oscillator Models

All Microwave II/XT/XTk Wavetables

2 independent Multi Mode Filters per voice

Filter FM

2 Drive stages per voice with selectable Drive Curves

3 fast LFOs per voice

4 fast Envelopes per voice

Powerful Arpeggiator

Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound

General Features
Up to 25 Voices

16 part multi timbral

More than 1000 Sounds

Sturdy Metal Enclosure

7 endless stainless steel Dials

5 Buttons

Graphic Display 128 x 64 pixels, b/w, white background LED

MIDI LED

Volume Control

Power Switch

Stereo Output

Headphone Output

MIDI In

USB Connector for MIDI In / Out:
- uses standard USB MIDI Driver provided by host computer OS
- Windows ME minimum, Windows XP or newer recommended
- Mac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended

External Power Supply

Per Voice
3 Oscillators
Virtual Analog Models:
- Pulse with Pulse Width Modulation and adjustable Brilliance
- Sawtooth with adjustable Brilliance
- Triangle
- Sine

Wavetables:
- Q Alt 1 and Alt 2 Wavetable with adjustable Brilliance
- All Wavetables from Microwave II/XT/XTk Series with adjustable Brilliance
- Separate Wavetable selectable for Oscillator 1 and 2

Frequency Modulation between the Oscillators

Oscillator Synchronization

Ring Modulator for Osc 1 / 2

Noise Generator with Noise Colour

2 independent Multi Mode Filters:
- Filter FM
- Resonance up to Self-Oscillation
- Low Pass 24 dB / 12 dB
- Band Pass 24 dB / 12 dB
- High Pass 24 dB / 12 dB
- Notch 24 dB / 12 dB
- Comb Filter with positive / negative Feedback
- PPG Low Pass Filter

2 Drive stages per voice with adjustable Drive Gain and selectable Curves:
- Clip
- Hard
- Medium
- Soft
- Sine Shaper
- etc.

Modulation Matrix with 16 Slots, freely programmable:
- Modulation Speed far into Audio Range
- Modulation Sources include all internal Modulation Sources plus various MIDI messages
- Modulation Destinations for almost all continuous sound parameters

Various pre-routed Modulation Destinations with selectable Sources:
- Pitch Modulation
- Oscillator 1 / 2 / 3 Frequency Modulation
- Oscillator 1 / 2 / 3 Pulse Width Modulation
- Filter 1 / 2 Cutoff Modulation
- Filter 1 / 2 Frequency Modulation
- Pan 1 / 2 Modulation
- Amp Modulation

4 Modifiers for transforming Modulation Sources with various Algorithms

3 fast LFOs:
- Syncable to MIDI Clock
- Note Retrigger with adjustable Start Phase
- Monophonic LFO
- Keytrack

4 fast Envelopes with selectable types:
- Single Trigger / Retrigger per Envelope
- ADSR
- ADS1DS2R (2 Decay/Sustain stages plus adjustable Attack Level)
- One Shot
- Loop S1S2 (Loop between Sustain 1 and 2)
- Loop All (Loop over all stages)

Poly, Mono, Dual or Unisono Mode with selectable Voice Count

Per Part
Powerful Arpeggiator:
- Hold and One Shot modes
- Syncable to MIDI Clock
- Direction Up, Down, Alternate
- Range up to 10 Octaves
- Various methods to modify Note Sort Order

Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound.
programmable per Step:
- Accent
- Timing
- Length
- Glide on/off
- Pause
- Chord
- Previous note
- Random not from Note List
- first and/or last note from Note List

1 Effect slot per part

1 Effect slot globally for all parts

Effect types:
- Chorus
- Flanger
- Phaser
- Overdrive
- Triple FX (S&H, Ring Modulation, Chorus)
- Delay (only available on global Effect slot)
- Clocked Delay (only available on global Effect slot)
- Reverb (only available on global Effect slot)

Weight12.208.359.503.007.005.00
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 12.20 kg
Weight 8.35 kg
Weight 9.50 kg
Weight 3.00 kg
Weight 7.00 kg
Weight 5.00 kg