Korg Radias-R Synthesizer-Vocoder Rack

Korg Radias-R Synthesizer-Vocoder Rack

Past, present, and future come together in one thrilling instrument that is every synthesist?s dream.

With a bold new approach that is at once both daring and familiar, RADIAS exceeds common analog expectations and rapidly takes off for uncharted territories.

Based on Korg?s cutting-edge MMT engine, this 24-voice synthesizer offers a variety of synthesis algorithms together with multiple effects, new comb filter and wave shaping features, modulation sequencing, as well as new formant-motion vocoding.

RADIAS offers an innovative design that can be custom configured to suit your set-up. The control module can be used independently or teamed with the unique dedicated keyboard, creating a seamlessly integrated instrument that delivers the sounds of the future ? today.

Innovative synthesis teamed with remarkable fidelity
The heart of RADIAS beats with Korg?s cutting-edge MMT (Multi Modeling Technology) synth engine, and borrows much of its modeling techniques from Korg?s flagship OASYS ? eliminating aliasing noise in even the highest frequencies and delivering clean, pure waveforms.

RADIAS provides two oscillators for each timbre. Between them, they deliver not only modeled analog waveforms, but also formant waveforms, noise, ring modulation, sync, plus both classic and up-to-date PCM waveforms. When using the analog modeled waveforms, a variety of oscillator modulation algorithms ? including pulse-width modulation, a massive Unison mode, Korg?s proprietary VPM (Variable Phase Modulation) or cross modulation ? can be used to create complex sounds, even from a single oscillator.

RADIAS provides a dual-filter structure, allowing the two filters to be used individually, side by side, or in series for maximum versatility. Filter 1 is highlighted by a continuously variable multi-mode filter, embracing Low Pass, High Pass and Band Pass modes ? and new treatments in between. This dual filter arrangement provides a vast range of sounds that would be unimaginable from just a single filter, and opens up new sonic possibilities including some fantastic comb filtering.

Three Envelope Generators (EG) are used to apply time-varying changes to the pitch, filter cutoff, and amp level, as well as many other parameters. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new levels of precision and articulation.

Two LFOs are available to apply cyclic changes to a host of synth parameters. Six LFO waveforms are provided, including the popular ?Sample & Hold? stepped wave. Each waveform can be extensively modified via the Shape control, greatly expanding the versatility of the LFO section for creating highly complex types of modulation.

Adding Drive can produce the distinctive warmth of a true analog synthesizer and can also distort the sound intensely to generate new overtones. The amount of Drive is dependent on the level of each voice as it enters the mixer, so you can create nuances that cannot be achieved by an external effect unit.

RADIAS offers eleven innovative types of Wave shaping ? even recreating the tonal character of an electromagnetic pickup. The Drive/Waveshaping circuit can be placed in different locations in the signal chain, affecting the sound in very meaningful ways. An additional Punch Level setting emphasizes the attack portion of the sound, letting you create sounds with even more impact. Clearly, this is a radical new instrument that is not bound by conventions of the past!

Dynamic modulation station
Three Modulation Sequencers can change a parameter?s value in discreet steps over time, similar to using sequencing control voltages (CV) on analog synthesizers of the past. The value of each step can be edited in real time using the front panel knobs. Each Mod Sequence can be up to sixteen steps long, and each can play forwards, backwards, loop, etc., allowing you to create very detailed filter and panning changes or complex and evolving timbres that build over time.

The six virtual patches are modern versions of the patch cords found on Korg?s classic PS and MS series of synthesizers, among other legends of the past. Going beyond the hardwired limits of a normal voice structure, a virtual patch provides a method for freely connecting any of fifteen modulation sources to any of fifteen destinations, accommodating even the most advanced modulation routings.

Two audio input jacks and an internal envelope follower allow external audio sources to be processed, to be used as a modulation source, and even trigger the RADIAS. A powerful internal bus structure allows Timbres to be routed to trigger effects, the built-in vocoder, or as modulation sources for the step-sequencers.

Formant motion vocoding keeps things moving
Thanks to the included headset microphone, you can enjoy vocoding ? using your voice to modulate another sound ? the instant the idea strikes you, with the push of a single button. RADIAS provides a sixteen-band vocoder that allows the level and pan of each band to be individually adjusted to obtain a wide range of sounds, above and beyond the distinctive talking music and ?robot voice? effects.

Our new Formant Motion function can record up to 7.5 seconds of incoming formant information (spoken words, scat singing, etc.) so that you can re-create vocoder effects even without a microphone present. Sixteen sets of recorded formant data can be stored in the internal memory.

Powerful program parameters
RADIAS? effect section provides a two-band EQ and two insert effects for each timbre, plus a master effect for the complete program, delivering a total of nine possible simultaneous effects. Thirty effect algorithms are provided, ranging from delay, chorus, and reverb to compressor and talking modulator. You can assign any effect parameter to the front panel knobs for instant control, providing even more versatility in sound design.

Arpeggiator settings can be made for each program individually, and the arpeggiator can be applied to any or all of the timbres in a program. Six types of arpeggiator patterns are provided. Patterns can be up to 32 steps long; the gate time, velocity, and on/off status can be set for each step individually to create the exact groove you want. Swing amount and octave range are also assignable for even more detailed control.

Two step sequencers can record and play back performance data, each with up to 32 steps. By applying a step sequencer to a drum kit, you can use RADIAS as a programmable drum machine. Each step supports up to eight notes of polyphony, allowing the creation of dense sequenced passages and patterns that can be played back with just one finger. With sequence editing, you can adjust settings such as swing and gate time. The two step sequencers can be set to transpose live from the keyboard, and can also be linked to create a single step sequencer of up to 64 steps.

The best sounds around
RADIAS comes loaded with 256 programs, 32 drum kits, and 16 formant motion sets, all created by an international team of synth experts. A program can consist of up to four complete timbres, and each timbre can be assigned its own note range, output, MIDI channel and control parameters, allowing your RADIAS to perform as a multitimbral module ? or one monster performance synth.

Each drum kit consists of sixteen different drum or percussion instruments assigned to separate keys. In addition to calling up an individual PCM drum waveform, each drum instrument uses all of the parameters in the synth section, such as filter, EG, LFO and virtual patches to create incredibly detailed sounds.

To speed up the sound creation process, RADIAS includes templates that can be used as ?starting points;? and you can begin your own customization from there. RADIAS provides template data for 128 synth timbres, 128 insert effects, and 128 master effects so you can create new sounds faster than you ever thought possible.

And as easy as RADIAS is to use, you?ll also appreciate the free RADIAS Sound Editor/Librarian software for editing, managing and archiving your RADIAS settings on your computer (Mac or PC). A single USB connection makes transferring data quick and easy.

New shape, new possibilities
You can choose the RADIAS model that?s right for you; RADIAS consists of a sound module section plus a dedicated 49-note, velocity-sensing keyboard with traditional Pitch and Mod wheels. The panel layout features a lavish complement of knobs and buttons, letting you enjoy the same intuitive feel of creating sounds as on an analog synthesizer. The unique design allows the knob-laden control module to pivot up or down, and even move to the side to accommodate a laptop computer, ElecTribe, KAOSS Pad or other audio unit. RADIAS?R is the sound module by itself, which can be used both as a rackmount or tabletop synthesizer.

Korg Microkorg - 37 Keys Analog Modeled Synthesizer-Vocoder

State-of-the-art analog modeling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG Synthesizer/Vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

Powerful synthesis
The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg?s critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms . These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg?s classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings ? routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. ? and you have performance that is unheard of from a synthesizer in this price range!

Classic vocoding
The microKORG includes an 8-band vocoder with many advanced features. You can capture and ?freeze? the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

A full range of effects
Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock ? a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Great sounds and expression
Korg has used all of the microKorg?s synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The Pitch Bend wheel, Modulation wheel and five other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The Edit Mode allows you to fully edit the existing sounds, or to create your own new ones.

Flexible arpeggiator
Six types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

Audio in
Two external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG?s filter and effects, allowing you to process sounds in truly creative ways.

A compact MIDI controller
The microKORG?s compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It?s also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

Clear control and classic looks
There?s no complex menu structure ? all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that?s both vintage and funky.

• 4-operator FM Sound Engine offers dynamic and expressive additive synthesis
• A new feature of this engine is continuously variable feedback on every operator allowing for a wide-range of sound creation
• Two programmable effects blocks with seven effect types per block:
• The effect types are: VCM Touch Wah, VCM Flanger, VCM Phaser, Chorus, Delay, Reverb and Distortion
• Multi-touch control interface gives direct access to four simultaneous parameters
• 32 Voice memory locations allow storing and recalling favorite Voices

Krome
Music Workstation

On Stage. On the Go. On Top.

Offering full-length, unlooped samples of every key for a spectacular piano sound, this new keyboard redefines your expectations for an instrument in this class. Taking its name from the Greek word meaning "color," Krome is the new standard for sonic excellence in a gigging musician\'s keyboard, providing a limitless palette of sound to bring vivid inspiration your music. Introducing the Krome Music Workstation.

Product Highlights:

• The Korg workstation ideal for any style of piano playing
• Kronos-derived full length, unlooped piano and drum sounds, plus new electric pianos designed to shine on stage
• Electric pianos with eight-level velocity switching for unmatched expressive power
• Clear, intuitive control with Korg\'s exclusive 7-inch color TouchViewTM display
• Drums offering separately mixable direct and ambient sounds for studio-grade quality
• Drum Track plays back realistic, inspiring grooves at the touch of a button
• Expertly created, in-demand sounds including 640 Programs and 288 Combinations
• Powerful Effects with 5 Inserts, 2 Master, and 1 Total FX, plus per track/timbre EQ
• Distinctive aluminum panel design exudes a sense of quality
• USB connection to your computer, plus an SD Card slot for data storage
• You can use the Krome editor to edit sounds on your computer
• Available in 61, 73, and 88 key models.

In addition to Korg\'s well-proven workstation features, Krome features a carefully chosen selection of the top sounds available today for bread-and-butter keyboard instruments such as piano and electric piano, as well as vital and dynamic drum kits, giving you the best of the basics. These highly usable piano, electric piano, and drum sounds by themselves set Krome apart from any other keyboard in its class. With sound quality and features normally found in much more expensive instruments, Krome aspires to set a whole new value standard, and become a unique and irreplaceable partner for real-world musicians.

Specifications

Keyboard

            Krome 61: Semi-weighted keyboard

                          *velocity-sensitive supported, after touch is not supported

                          *Standard C2-C7 (transposable in the range [C1...C6]-[C3...C8])

            Krome 73: Semi-weighted keyboard

                          *velocity-sensitive supported, after touch is not supported

                          *Standard C1-C7 (transposable in the range [C0...C6]-[C2...C8])

Krome 88: NH keyboard (Natural Weighted Hammer Action] keyboard

             *velocity sensitive is supported, after touch is not supported

             *Standard A0-C8 (transposable in the range [A-1...C7]-[A1...C9]

              *The NH keyboard reproduces the touch of an acoustic piano, with a heavier feel in the low register and a lighter feel in the upper register.

System

            EDS-X (Enhanced Definition Synthesis-eXpanded)

Sounds

Maximum Polyphony:

            120 voices (120 Oscillators) / Single Mode

             60 voices (120 Oscillators) / Double Mode

              *The maximum simultaneous voice polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.

PCM Memory:

            3.8 GB, 48kHz/16-bit linear equivalent

              583 Multisamples (Including 12 Stereo multisamples)

             2,080 Drumsamples (Including 474 Stereo Drumsamples)

Program:

Oscillator

            OSC1 (Single); OSC1 + 2 (Double): Stereo multisamples are supported

            8 velocity zones per oscillator with switching, crossfades and layers

Filters

            Four types of filter routing (single, serial, parallel, 24 dB)

            Two multi-mode filters per oscillator (low pass, high pass, band pass, band reject)

Driver

            Per-voice nonlinear driver and low boost

EQ

            Three bands, with sweepable mid

Modulation

            For each oscillator: two envelope generators (Filter & Amp)

            Two LFOs

            Two key tracking generators (Filter & Amp)

            Two AMS mixers

            Pitch EG

            Common LFO

            Two common key tracking generators

Combination:

Timbres: 16 maximum, each with split/layer/velocity switching with crossfading, plus modifications via Tone  

Adjust function

MIDI Controller Functionality: Customizable MIDI channel and Internal/External/Both settings per timbre

Master Keyboard Functionality

It\'s available for controlling external MIDI devices

Drum Kit:

Stereo and mono drum samples

8 velocity zones switch (crossfades and layers)

Sounds:

Program: 640 preload, 768 total locations

Combi: 288 preload, 512 total locations

Drumkits: 32 preload, 48 total locations

The number of Combination / Program / Drum Kit:

            User: 512 Combination (288 Preload)

User: 768 Program (640 Preload)

User: 48 Drum Kit (32 Preload)

              Preset: 256 GM2 Program + 9 GM2 Drums Program

Effects

Insert Effects:

            5 Insert Effects (stereo in/out)

            2 Master Effects (stereo in/out)

            1 Total Effect (stereo in/out)

Timbre / Track EQ:

            3-band EQ per timbre/track

Effect Types:

 193, useable as Insert, Master, or Total effects. Note that a double-size effect cannot be used as  a total effect.

Modulation:

            Dynamic Modulation, 2 Common LFO

Effects Control Busses:

            Stereo sidechain (Limiter, Gate, Vocoder, etc)

Effect Preset:

            32 preset per effect

Polyphonic Arpeggiator

Program Mode:

 Single polyphonic arpeggiator

Combination, Sequencer Mode:

 Dual polyphonic arpeggiators

Number of pattern:

 900 preload, 1028 total locations

 5 preset arpeggio patterns

Drum Track

 637 preload, 1000 total locations

 Configurable Trigger Mode/Sync/Zone

Sequencer

Tracks:

            16 MIDI tracks + 1 master track

Number of Songs:

            128 Songs

Resolution:

            1/480 PPQ

Tempo:

            40.00- 300.00 (1/100 BPM resolution)

Maximum memory:

            210,000 MIDI events

Template Song:

            16 preset / 16 user template songs

Cue List function:

            20 Cue Lists

 99 steps

Pattern:

            605 Preset / 100 User patterns

RPPR (Realtime Pattern Play and Recording):

              1 pattern set per song

Format:

               KORG (KROME) format, SMF format 0 and 1

Media

            Load, Save, Utility, data filer functionality (Save and Load MIDI System Exclusive Data)

Controllers

*Joystick, SW [1], SW [2]

*Realtime Control

             [SELECT] Switch:

            REALTIME CONTROL (TONE, USER), ARP

            4 Knobs;

             REALTIME CONTROL: Real-time Modulation, Arpeggio control

*Drum Track

            [DRUM TRACK] Switch On/Off

*Arpeggiator

            [ARP] Switch On/Off

User Interface

Display:

            TouchView(tm) Graphical User Interface

            7-inch color TFT LCD, 800 x 480 pixels

            Onboard LCD brightness control

Mode Switch:

            [COMBI], [PROG], [SEQ], [GLOBAL], [MEDIA] switch

VALUE controller:

            [VALUE] Dial, [INC], [DEC] Switch, 10 key block ([0] - [9], [-], [.], [ENTER], [COMPARE])

BANK Switch:

            [A], [B], [C], [D], [E], [F] switch (in Combination mode, [A], [B], [C], [D] switch are available)

SEQUENCER switch:

            [PAUSE], [REW], [FF], [LOCATE], [REC], [START / STOP]

TEMPO:

             [TEMPO] knob, [TAP] switch

Others:

            [PAGE] switch, [WRITE] switch, [EXIT] switch, [VOLUME] knob, Contrast knob

Outputs

AUDIO OUTPUT (L / MONO, R):

            6.3mm (Mono) Phone jack, Unbalanced

  Output Impedance: 1100Ohm, 550Ohm with Mono output

  Maximum level: +16.0 [dBu], Load Impedance: more than 10Ohm.

Headphone Output:

            3.5mmStereo phone jack

  Output Impedance: 33Ohm

               Maximum level: 60 + 60mW with 33Ohm load

Control Input

            DAMPER pedal (Half Damper supported)

            ASSIGNABLE SWITCH

            ASSIGNABLE PEDAL

MIDI

            IN/OUT

USB

            USB-MIDI Interface (TYPE B) x 1

SD Card Slot

            Max: 2 GB / SD memory card

  Max: 32 GB/ SDHC memory card

  Note: SDXC memory cards are not supported.

Power

            Power supply (DC12V 3.5A), POWER switch

Dimensions (W x D x H)

KROME-61 = 40.43 x 12.32 x 3.66 inches / 1,027 × 313 × 93 mm

KROME-73 = 46.89 x 12.32 x 3.66 inches / 1,191 × 313 × 93 mm

KROME-88 = 57.01 x 15.08 x 5.16 inches / 1,448 × 383 × 131 mm

Weight

KROME-61 = 15.87 lbs. / 7.2 kg

KROME-73 = 18.08 lbs. / 8.2 kg

KROME-88 = 32.41 lbs. / 14.7 kg

Power Consumption

  13 W

Accessories

               AC Adapter

Quick Start Guide

Accessory Disc (Operation Guide PDF, Parameter Guide PDF, Video Manual)

Option

XVP-10: Expression/Volume pedal

EXP-2: Foot Controller

DS-1H: Damper Pedal

PS-1, PS-3: Pedal Switch

PC System Requirements for Krome Editor/Plug-In Editor

Windows

OS:

   Windows Vista SP2 and later (32- and 64-bit, all editions),

   Windows 7 (all editions, including 64-bit)

Computer:

            USB port required

Macintosh

OS:

            Mac OS X 10.4.11 or later

Computer:

             USB port required

PC System Requirements for Krome Editor/Plug-In Editor

Windows

OS:

   Windows Vista SP2 and later (32- and 64-bit, all editions),

   Windows 7 (all editions, including 64-bit)

CPU:

            Intel Pentium 4/ Greather than 1 gHz, later Core Duo recommended.

Memory:

             More than 512MB (Greater than 1 GB recommended)

Monitor:

             1,024x768, at least 16-bit color

Others:

            Computer with USB port, running Windows 7, Windows XP, or Windows Vista

Macintosh

OS:

            Mac OS X 10.5 or later (32-bit and 64-bit kernel modes supported)

                 Note: This plug-in is not 64-bit.

CPU:

            Intel Mac supported

    Later Core Duo recommended

Memory:

            More than 512MB (at least 1 GB recommended)

Monitor:

            1,024x768, at least 32,000 colors

Others:

            Apple Macintosh computer with USB port, running Mac OS X.

*Krome Plug-In Editor supports VST/RTAS in Windows, VST/ Audio Unit/RTAS in Macintosh.

*Only a single instance of the Krome Editor or Krome Plug-In Editor can be used at once.

*All other product and company names are trademarks or registered trademarks of their respective holders.

*Specifications and appearance are subject to change without notice for improvement.

• 60 Megabyte sample memory
• Class compliant USB MIDI for PC,Mac and Linux
• 16 part multimode
• maximum 25 voices polyphony
• highest quality standard keybed with 49 weighted keys and aftertouch
• Internal power supply
• Pitchbend and modulation wheel
• Virtual analog, wavetable, and sample based oscillators
• MIDI in/out
• Sturdy metal case
• Stainless steel rotary encoders
• Backlit 128x64 pixel LCD
• Over 1000 sounds
• 3 oscillators, 2 filters per voice
• Selectable drive curves
• Frequency modulation for oscillators and filters
• Three LFO, four envelopes per voice
• Extensive modulation capabilities
• Complex arpeggiator
• Powerful effects section
• weight: apprx 8,-- kgs
• weight in carton: apprx 9,5 kgs