| Content | The GH50L is a single channel master volume style head with footswitchable gain. It is capable of a huge variety of sounds, from sparkling clean through powerful crunch to full on monster tones and everything in between. If tone capable of turning people's heads at 100 yards is what you're after - look no further. As well as astounding tone these heads offer a valve-coupled effects loop and link jacks for slaving several heads together. The GH50L features an ECC83 equipped preamp and EL34 output section, easily switchable for 5881's. The GH50L is designed to be used with the GS412IA and GS412IS cabinets - to enhance the amplifiers huge tonal range and produce stunning tone at any volume.
| Power: |
50 Watt |
| Channels: |
1 : with footswitchable Gain |
| Equalizer: |
3 Band EQ |
| Inputs: |
Ηι & Lo Jacks, Slave In |
| Outputs: |
Speaker connections 1 x 16 Ohm, 2 x 16 Ohm, 1 x 8 Ohm , 2 x 8 Ohm, Slave Out |
| Effects: |
- |
| Valves: |
2 x EL34B-STR Power Tubes, 4 x 12 AX7 Preamp Tubes |
| Foot-switch: |
- |
| Controls: |
Resonance, Presence, 3 Band EQ, Master Volume, Gain, Drive |
| FX Loop: |
FX Send / FX Return / FX Return Level |
| Dimensions ( W x H x D ): |
67.8 cm x 24 cm x 25.3 cm |
| Weight: |
20 kg |
| Weighing in at under 1 kilo, the Micro Terror is arguably the most portable amp head on the market. When paired with its matching PPC108 cabinet, the Micro Terrorʼs Aux Input and Headphone output make it a perfect practice partner, small enough for even the most cluttered sideboard. However, donʼt be fooled by its miniature footprint because size is the only thing that is small about this amp.
With a high tensile steel casing, the Micro Terror is built to the same high standards as the rest of the Terror family and features a single 12AX7/ECC81 preamp valve, coupled to a solid state output section. The depth of sound (and volume) that this little thing pushes out is truly staggering, with Orange growl and bite in abundance. Whatʼs more, the Micro Terror can be used with any 8-16 Ohm speaker cabinet. | The first high gain amp in the Terror series, the Dark Terror is a true master of saturated distortion, making it an ideal match for Hard Rock players looking for signature Orange ʽchugʼ in a portable package. Featuring the same 15/7 Watt output section as the Tiny Terror, plus the addition of our low impedance, valve buffered effects loop, the key to the amp its high gain preamp section and our exclusive Shape control.
The Shape, which first appeared on our Thunderverb Series, takes your sound from scooped, chunky modern rhythm tones in the fully clockwise position, to a more classic voicing (anticlockwise) with boosted mids and smooth highs, and everywhere in-between. This makes the amp much more versatile than its single channel, three knob layout (and black chassis!) might suggest. The preamp features four stages of gain, becoming increasingly aggressive as you turn the Gain control, reaching truly insane levels of drive. Ignore the clean and crunch tones at your peril, though. There are some tasty Blues tones to be had here! |
Info
Marshall 2555X Silver Jubilee, all-valve electric guitar head, 100W, 2 channels, preamp tubes: 3x ECC83, power amp tubes: 4x EL34, 1x input, controls: input gain (push/pull: rhythm clip), lead master, output master, treble, middle, bass, presence, pentode/triode switching, FX loop, DI out, incl. footswitch (channel change), speaker outputs: 1x 16 ohms, 1x 8 ohms (or 2x 16 ohms) & 1x 4 ohms (or 2x 8 ohms), dimensions: 750 x 230 x 310mm, weight: 22,1kg
| Featuring a 30 Watt output section the Dual Terror head is the most powerful in the Terror range, offering more clean headroom and volume than the Tiny Terror with the added flexibility of a second channel. The ʽTiny Terror Channelʼ is lifted straight from the original 15 Watt version, retaining the signature tones that made the Tiny Terror such a hit. However, with double the power on offer, it packs an even fiercer punch.
The additional ʽFatʼ channel provides extra girth with its more rounded, slightly gainier character, perfect for leads or for balancing between two different guitars on stage. The Dual Terror switches from 30 to 15 to 7 watts, making it a perfect portable amp head for both for studio and stage. |
Marshall 4100 100W Guitar Amplifier
| Marshall 4100
With 4 - 5881 output tubes for 100W of room-shaking power, this head is made for nonstop heavy rockin?.
For total control, the 4100 has 2 channels, each with separate Gain, Master Volume, and Reverb controls. Channel A is voiced for anything from shimmering clean to raw crunch reminiscent of a JTM45. Channel B picks up where normal boost channels quit, generating supercharged distortion and ringing sustain. Other great features include 4-band rotary EQ, adjustable effects loop, and both normal and cab effect direct outs. |
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