| Content | Expansive Capabilities
The IRT-X is a portable active speaker which gives a Full-Range Flat-Response (FRFR) output that can be used in many different scenarios. It features 200 watts of power through an 8" studio-quality woofer with a 1" compression driver giving you ultimate power and dynamic range. Its key design is to be used with a guitar amp as an auxiliary speaker, where it provides tonal and volume expansion to your sound. The IRT-X can also be used as an FRFR monitor for amp-modelling setups as it provides clean and neutral amplification, or it can even be used as a PA speaker or personal monitor. Depending on your requirements, this can solve many different problems or become the core solution to your tonal needs.
Guitar Cabinet Expansion
At its heart, the IRT-X is a unique product in the market, where it is designed to be placed in-between your power amp output and your speaker. It takes the signal from your amplifier and, using clever on-board electronics, it re-amplifies that tone and expands it. The original signal returns to your current speaker unaffected, giving you two speakers of expanded tone. This can be used to fit many different setups:
Amplify a low-powered amplifier: Here the IRT-X can be used to take a low-power amplifier that you may enjoy at home but can't use on stage due it's low volume. The IRT-X will take your tone and amplify it to gig-ready levels, meaning you can use that favourite tube amp on stage.
A new effects loop: If your current amp doesn't have an effects loop, the IRT-X comes to the rescue and enables you to channel your tone through a new loop, giving your old vintage amp modern capability and the potential for stereo chains.
Auxiliary speaker for wider tone: The IRT-X can be used in conjunction with your combo amp as an auxiliary speaker and provide you with a wider sound-field and greater projection. In this setup, the IRT-X could provide the front-of-house sound while your amp can be used as a personal monitor.
The IRT-X offers so many options, it really is a unique product that can radically change your tone and change the way you think about live sound!
FRFR Monitor
The IRT-X provides 200 watts of clean amplification in a full-range and flat-response which makes it ideal for modern amplifier-modelling systems and preamps. It can provide you with a neutral and powerful tone to act as your own personal monitor, and give the accurate detail and definition that modelling systems require.
PA Speaker And Monitor
The 200 Watts of clean amplification and multitude of inputs enables you to use the IRT-X as a traditional active loud speaker. Its top-hat mount enables mounting on speaker poles, while the trapezoidal design also allows it to be placed on stage and used as a personal monitor. The DI output enables your instrument or microphone signal to be fed straight to a mixing desk, giving you even more logistical possibilities.
Ultimate Connectivity
Loaded with XLR & Jack inputs, Input Level, Master Volume, Treble and Bass EQ and a Stereo FX loop; the IRT-X ensures that you have every connection you need. Combine that with a Balanced DI out with Switchable Cabinet Emulation options plus Speaker Phase Reversal and your guitar sound has never sounded better. This product can solve many problems and create brand new tones, changing the way you think about your on-stage guitar setup and giving you tones you never thought possible.
Features
200w power through 8" studio-quality woofer and 1" compression driver
Trapezoidal design enables on stage monitor use while top-hat mount enables speaker pole mounting
FRFR for guitar preamp/modelling systems
Guitar cab modelling for use with traditional guitar amp
Balanced DI out
Stereo FX loop
Enables guitar amp-in and speaker-out connections for cab "Expansion"
Specification
Aux in: mini jack
Cabinet Design: offset trapizoidal - upright or monitor orientations
DI socket: balanced di output with source switching
Drivers: high quality flat response 8” bass driver + high quality 1” compression driver
Equalisation: master treble & bass eq
FX Loop(s): stereo fx loop
Inputs: xlr/jack combi inputs
Line in: jack
Packed dimensions: (h x w x d mm)425 x 280 x 265
Power: 200w rms ice power
Unit Dims - for int. Case: (h x w x d mm) 425 x 280 x 265
Cabinet Emulation: switchable cabinet emulation, non, 1 x 12" or 4 x 12" options
Speaker in and thru connectors: jack socket
Speaker Phase Switch: allows for phase reversal of the unit
Ground Lift: hum busting ground lift switches
Pole Stand Fitting: top hat supplied as standard | Featuring two Celestion Vintage 30 speakers, the PPC212 is in essence our classic 4×12 slashed in half. The large internal volume of the sealed enclosure makes the PPC212 ideal for players looking for the the fattest possible tone when a 4×12″ would be too large. Many players choose to stack two PPC212 cabs for ease of load-in, also giving them the flexibility of using just one for smaller venues. Made in England from high density 13 ply 18mm Baltic birch plywood, the PPC212 is fitted with steel hardware to withstand the rigours of the road. Our unique skid runners fitted to the base helps to acoustically couple our cabinets to the stage for a fuller low end response.
| Power: |
120 Watts |
| Drivers: |
2 X 12? CELESTION VINTAGE 30 |
| Dimensions ( W x H x D ): |
53 X 78 X 38 cm |
| Weight: |
28 Kg |
| Fitted with a pair of Celestion Vintage 30 speakers, the PPC212OBʼs design accentuates the top end frequencies whilst softening the bass response. The split rear panel means the delivery is less directional, creating an airy, spacious and three-dimensional sound. The added presence and chime makes the PPC212OB especially suited for cleaner styles, or for players who want a more vintage combo-type tone from their amp head. The PPC212OB features an 18mm birch plywood shell with our signature skid runners secured to the base to help acoustically couple the cabinet to the stage. | The PPC112 is one of the most popular 1x12 cabinets on the market today, and with good reason. Its closed-back, 18mm birch plywood enclosure is slightly bigger than a conventional 1x12. This gives the PPC112 a greater internal volume for a fatter tone with excellent projection. Housing a single Celestion Vintage 30 speaker, the cabinet also features our unique skid runners on the base to acoustically couple the cabinets to the stage to improve low end responsiveness. For lower wattage heads like our Terror Series or the OR15, the PPC112 is an excellent choice. | Marshall 1960A 300W Guitar Speaker Cabinet
The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed "the business.“
Great sound and looks however are not everything. Many years of experience mean that Marshall's speaker cabinets are also built to stand the test of time. Their highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy-duty hardware, and the highest quality fittings.
The Marshall Stack
If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then they have made many thousands, which have appeared on stages both large and small all over the world.
After the initial success of the Marshall 4x12, it wasn't too long before they designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only 6 were ever made.
As a result, we came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack, on the other hand, has stayed in production ever since and has gone on to become the most recognizable rock 'n' roll icon.
As we invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation.
The 1960A is switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side], and is equipped with Celestion G12T-75 speakers.
The highest quality woodwork includes the "corner locking" of each and every joint. This helps give Marshall cabinets the incredible strength and durability, which has become as legendary as the Marshall sound itself.
Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.
No sharp metal edges or rough fittings ??? the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all 8 cabinet corners.
Technical Info
Black grille cloth
White piping
Black elephant grain vinyl
Speaker: 4 x 12 in. G12T-75
Power: 300 watt
Impedance: 4 or 16 ohms mono/8 ohms stereo
Dimensions: 760 x 830 x 360mm
Weight: 36.4 kg | The Vox V412BK features 4 specially voiced, custom designed 12 in. Vox speakers in a road worthy closed-back cabinet for maximum tone and projection. With 4 30-watt/8-ohm speakers, the V412BK cab is a perfect match for the AD100VTH 100-Watt head. And with its sturdy construction, rugged good looks and high, sound pressure level capabilities, it's also an ideal choice for teaming up with any other tube, solid-state or hybrid head. |
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