| Content | The LH offers the epitome of valve tone and live versatility. A reliable, gig ready head and cab combination with all of the sounds and features required to cover genres from Country to Metal.
The LH50 head offers independent Gain and Drive controls on each of itʼs two channels giving the player maximum tonal flexibility for a variety of performance styles.
Each of the LH50ʼs twin channels features their own dedicated drive control, three band EQ, plus global Reverb and overall Tone control.
The benefit of having a Gain on both channels is that even if you want to set one channel up clean you have the ability to add a little drive to it giving you that luxurious gently pushed valve amp sound. No need for a pedal in the front end! Wind the other channel up and hit it hard and the amp sings, rich with harmonics and defiantly screaming its heart out.
On the far right lies the master tone control. This is a very cool idea indeed and acts a lot like your guitars tone pot. This makes for some serious tonal tomfoolery.
The rear panel of the LH50 features an FX loop and the external speaker sockets.
| Power: |
50 Watt |
| Channels: |
2 |
| Equalizer: |
Yes (Bass, Middle & Treble_ |
| Inputs: |
FX Loop(s), Hi & Lo Jacks |
| Outputs: |
Footswitch, Speaker connections |
| Effects: |
Reverb, overall Tone control |
| Valves: |
Premium EL34 |
| Foot-switch: |
FS2 (Not included) |
| Controls: |
Gain, 3 Band EQ/ each channel |
| FX Loop: |
Yes |
| Dimensions ( W x H x D ): |
556 x 246 x 262 |
| Weight: |
14 Kg |
| Weighing in at under 1 kilo, the Micro Terror is arguably the most portable amp head on the market. When paired with its matching PPC108 cabinet, the Micro Terrorʼs Aux Input and Headphone output make it a perfect practice partner, small enough for even the most cluttered sideboard. However, donʼt be fooled by its miniature footprint because size is the only thing that is small about this amp.
With a high tensile steel casing, the Micro Terror is built to the same high standards as the rest of the Terror family and features a single 12AX7/ECC81 preamp valve, coupled to a solid state output section. The depth of sound (and volume) that this little thing pushes out is truly staggering, with Orange growl and bite in abundance. Whatʼs more, the Micro Terror can be used with any 8-16 Ohm speaker cabinet. |
Ultimate Rock Tone 120-Watt 2-Channel Tube Amplifier Head with Reverb and INFINIUM Tube Life Multiplier
- Hand-built 120-Watt amplifier driven by 4 x 6L6 tubes (convertible to EL34)
- 2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 tubes for thick and screaming hi-gain
- Revolutionary INFINIUM Tube Life Multiplier technology:
- Extends the life of your amplifierʼs expensive power tubes up to 20 times
- Provides incredible reliability and consistent tone over the complete lifespan of your tubes
- No need for expensive matched tube sets
- Allows you to mix and match any combination of compatible tube types and brands
- Monitors performance of each power tube continuously and displays defective tubes to allow for easy and individual replacement
- Integrated high-class reverb with dedicated Reverb control for each channel
- Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls
- Classic Presence control per channel for efficient midrange sound shaping
- Heavy-duty footswitch for Channel selection and FX Loop function included
- Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet
- High-quality components and exceptionally rugged construction ensure long life
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Marshall 4100 100W Guitar Amplifier
| Marshall 4100
With 4 - 5881 output tubes for 100W of room-shaking power, this head is made for nonstop heavy rockin?.
For total control, the 4100 has 2 channels, each with separate Gain, Master Volume, and Reverb controls. Channel A is voiced for anything from shimmering clean to raw crunch reminiscent of a JTM45. Channel B picks up where normal boost channels quit, generating supercharged distortion and ringing sustain. Other great features include 4-band rotary EQ, adjustable effects loop, and both normal and cab effect direct outs. |
|
- Extremely small all-tube guitar amplifier head
- NORMAL/TOP BOOST channel select
- THIN/MELLOW tone control
- GAIN and VOLUME controls
- 8Ω/16Ω speaker out select
- Full metal construction
Power:
| 5W | | Channels: | 1 | | Equalizer: | - | | Inputs: | 1 | | Outputs: | 2 | | Effects: | - | | Valves: | Yes | | Foot-switch: | - | | Controls: | Thin, Mellow, Gain, Volume | | FX Loop: | - | | Dimensions ( W x H x D ): | -
120mm (d) x 193mm (w) x 105mm (h)
| | Weight: | -
2,55kg
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Info
Marshall 2555X Silver Jubilee, all-valve electric guitar head, 100W, 2 channels, preamp tubes: 3x ECC83, power amp tubes: 4x EL34, 1x input, controls: input gain (push/pull: rhythm clip), lead master, output master, treble, middle, bass, presence, pentode/triode switching, FX loop, DI out, incl. footswitch (channel change), speaker outputs: 1x 16 ohms, 1x 8 ohms (or 2x 16 ohms) & 1x 4 ohms (or 2x 8 ohms), dimensions: 750 x 230 x 310mm, weight: 22,1kg
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