LD Systems VIBZ 6 Mixing Console 6 channel

130.19 incl. GR VAT

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User´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate Data Sheet 39 KB 6 channel Mixing Console with DFX 6-channel mixer with 16 digital effects 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply The VIBZ 6 D […]

 

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User´s manual
IF Design Award 2016 certificate
Reddot Award 2016 certificate Data Sheet 39 KB

6 channel Mixing Console with DFX

6-channel mixer with 16 digital effects

2 microphone channels with 3-band EQ

2 mono-compatible stereo line channels with 2-band EQ

Master, Monitor and headphone outputs

Securely fastening external power supply

The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop.

The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly.

A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories.

Product type

Mixers


Type

Live


Channels

6


Mono Channels:


Mono Mic and Line Input Channels

2


Mono Mic input connectors

6.3 mm TRS , XLR


Mono Mic Input Type

electronically balanced


Mono Mic Input Frequency Range

10 Hz


Amplification Range mono Mic Input

– 50 dB


Mono Mic Input Input THD-N

0.0058%


Mono Mic Input Impedance

4k Ohm(s)


Mono Line Input Type

electronically balanced


Mono Line Input Frequency Range

10 Hz


Amplification Range mono Line Input

– 50 dB


Mono Line Input Input THD-N

0.0045 %


Mono Line Input Impedance

21k Ohm(s)


Mono Line Input S/N Ratio

116 dB


Mono Channel Equalizer High

+/- 15 dB @ 12000 Hz


Mono Channel Equalizer Low

+/- 15 dB @ 80 Hz


Controls Mono Mic and Line Input Channels

3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan


Phantom power

48 V DC switchable


Stereo Channels:


Stereo Line Input Channels

2


Stereo Line Input Connectors

6.3 mm TS


Stereo Line Input Type

unbalanced


Stereo Line Input Frequency Range

10 – 54000 Hz


Stereo Line Input Input THD-N

0.0045 %


Stereo Line Input Impedance

3,7k Ohm(s)


Stereo Line Input S/N Ratio

116 dB


Stereo channel equalizer treble

+/- 15 dB @ 12000 Hz


Stereo channel equalizer bass

+/- 15 dB @ 80 Hz


Controls Stereo Line Input Channels

2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume


Main Section:


AUX / Effects Send Channels

1


AUX / Effects Send Connectors

6.3 mm stereo jack unbalanced


Stereo AUX Return Channels

1 x stereo


Stereo AUX Return Connectors

2 x 6.3 mm TRS


Stereo Tape Out Channel

1 x stereo


Stereo Tape Out Connectors

2 x RCA (Cinch)


Stereo Tape In Channel

1 x stereo


Stereo Tape In Connenctors

2 x RCA (Cinch)


Unbalanced stereo Main Outputs

1


Unbalanced stereo Main Output Connections

6.3 mm TRS


Unbalanced Stereo Main Out Impedance

120 Ohm(s)


Max. Unbalanced Stereo Main Out Level

+20 dBu


Stereo Control Room Out

1


Stereo Control Room Out Connectors

6.3 mm stereo jack unbalanced


Headphones ouput

1


Headphones outputs

6.3 mm TRS


Digital Effects Processor

Yes, 24-bit AD/DA Resolution


Number of Presets

16


Footswitch Connector DFX Mute

6.3 mm TRS


Main section controls

2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume


Indicators

4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power


Operating voltage

18 V AC – 1 A, External PSU


Width

209 mm


Height

68 mm


Depth

260 mm


Weight

1,45 kg

Weight 1.45 kg

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Quick Comparison

LD Systems VIBZ 6 Mixing Console 6 channel removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo remove
NameLD Systems VIBZ 6 Mixing Console 6 channel removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo remove
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SKULDVIBZ6SPIRIT FOLIO FX16 IISPIRIT LX7 16CH MKIISPIRIT EFX8GB2 16CHSPIRIT-EPM12
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Description
ContentUser´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate Data Sheet 39 KB 6 channel Mixing Console with DFX 6-channel mixer with 16 digital effects 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Product type Mixers
Type Live
Channels 6
Mono Channels:
Mono Mic and Line Input Channels 2
Mono Mic input connectors 6.3 mm TRS , XLR
Mono Mic Input Type electronically balanced
Mono Mic Input Frequency Range 10 Hz
Amplification Range mono Mic Input - 50 dB
Mono Mic Input Input THD-N 0.0058%
Mono Mic Input Impedance 4k Ohm(s)
Mono Line Input Type electronically balanced
Mono Line Input Frequency Range 10 Hz
Amplification Range mono Line Input - 50 dB
Mono Line Input Input THD-N 0.0045 %
Mono Line Input Impedance 21k Ohm(s)
Mono Line Input S/N Ratio 116 dB
Mono Channel Equalizer High +/- 15 dB @ 12000 Hz
Mono Channel Equalizer Low +/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels 3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan
Phantom power 48 V DC switchable
Stereo Channels:
Stereo Line Input Channels 2
Stereo Line Input Connectors 6.3 mm TS
Stereo Line Input Type unbalanced
Stereo Line Input Frequency Range 10 - 54000 Hz
Stereo Line Input Input THD-N 0.0045 %
Stereo Line Input Impedance 3,7k Ohm(s)
Stereo Line Input S/N Ratio 116 dB
Stereo channel equalizer treble +/- 15 dB @ 12000 Hz
Stereo channel equalizer bass +/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels 2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume
Main Section:
AUX / Effects Send Channels 1
AUX / Effects Send Connectors 6.3 mm stereo jack unbalanced
Stereo AUX Return Channels 1 x stereo
Stereo AUX Return Connectors 2 x 6.3 mm TRS
Stereo Tape Out Channel 1 x stereo
Stereo Tape Out Connectors 2 x RCA (Cinch)
Stereo Tape In Channel 1 x stereo
Stereo Tape In Connenctors 2 x RCA (Cinch)
Unbalanced stereo Main Outputs 1
Unbalanced stereo Main Output Connections 6.3 mm TRS
Unbalanced Stereo Main Out Impedance 120 Ohm(s)
Max. Unbalanced Stereo Main Out Level +20 dBu
Stereo Control Room Out 1
Stereo Control Room Out Connectors 6.3 mm stereo jack unbalanced
Headphones ouput 1
Headphones outputs 6.3 mm TRS
Digital Effects Processor Yes, 24-bit AD/DA Resolution
Number of Presets 16
Footswitch Connector DFX Mute 6.3 mm TRS
Main section controls 2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume
Indicators 4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power
Operating voltage 18 V AC - 1 A, External PSU
Width 209 mm
Height 68 mm
Depth 260 mm
Weight 1,45 kg

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

  • 26 inputs
  • 16 mono microphone channels
  • 4 stereo returns
  • 4-bus architecture, with sub-group routable to mix
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo
  • 3 FX parameter adjust rotaries
  • User FX settings store function
  • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
  • Inserts on all mono channels
  • Inserts on stereo mix output
  • Classic Soundcraft 3-band EQ with swept mid-band
  • Stereo 18dB/octave 100Hz high-pass filter
  • Dual global +48V phantom power split channels 1-8 and 9-16
  • Channel Mute control
  • 10-segment tri-coloured metering
  • Two sub-group outputs
  • Separate mono sum output
  • Integral universal power supply

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Soundcraft EFX



(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz
Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
  • Frame sizes 12+2
  • 2 configurable auxiliary buses
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
Weight1.45 kg5.00 kg18.20 kg3.00 kg32.00 kg5.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.45 kg
Weight 5.00 kg
Weight 18.20 kg
Weight 3.00 kg
Weight 32.00 kg
Weight 5.80 kg