LD Systems VIBZ 6 Mixing Console 6 channel

130.19 incl. GR VAT

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User´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate Data Sheet 39 KB 6 channel Mixing Console with DFX 6-channel mixer with 16 digital effects 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply The VIBZ 6 D […]

 

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User´s manual
IF Design Award 2016 certificate
Reddot Award 2016 certificate Data Sheet 39 KB

6 channel Mixing Console with DFX

6-channel mixer with 16 digital effects

2 microphone channels with 3-band EQ

2 mono-compatible stereo line channels with 2-band EQ

Master, Monitor and headphone outputs

Securely fastening external power supply

The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop.

The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly.

A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories.

Product type

Mixers


Type

Live


Channels

6


Mono Channels:


Mono Mic and Line Input Channels

2


Mono Mic input connectors

6.3 mm TRS , XLR


Mono Mic Input Type

electronically balanced


Mono Mic Input Frequency Range

10 Hz


Amplification Range mono Mic Input

– 50 dB


Mono Mic Input Input THD-N

0.0058%


Mono Mic Input Impedance

4k Ohm(s)


Mono Line Input Type

electronically balanced


Mono Line Input Frequency Range

10 Hz


Amplification Range mono Line Input

– 50 dB


Mono Line Input Input THD-N

0.0045 %


Mono Line Input Impedance

21k Ohm(s)


Mono Line Input S/N Ratio

116 dB


Mono Channel Equalizer High

+/- 15 dB @ 12000 Hz


Mono Channel Equalizer Low

+/- 15 dB @ 80 Hz


Controls Mono Mic and Line Input Channels

3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan


Phantom power

48 V DC switchable


Stereo Channels:


Stereo Line Input Channels

2


Stereo Line Input Connectors

6.3 mm TS


Stereo Line Input Type

unbalanced


Stereo Line Input Frequency Range

10 – 54000 Hz


Stereo Line Input Input THD-N

0.0045 %


Stereo Line Input Impedance

3,7k Ohm(s)


Stereo Line Input S/N Ratio

116 dB


Stereo channel equalizer treble

+/- 15 dB @ 12000 Hz


Stereo channel equalizer bass

+/- 15 dB @ 80 Hz


Controls Stereo Line Input Channels

2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume


Main Section:


AUX / Effects Send Channels

1


AUX / Effects Send Connectors

6.3 mm stereo jack unbalanced


Stereo AUX Return Channels

1 x stereo


Stereo AUX Return Connectors

2 x 6.3 mm TRS


Stereo Tape Out Channel

1 x stereo


Stereo Tape Out Connectors

2 x RCA (Cinch)


Stereo Tape In Channel

1 x stereo


Stereo Tape In Connenctors

2 x RCA (Cinch)


Unbalanced stereo Main Outputs

1


Unbalanced stereo Main Output Connections

6.3 mm TRS


Unbalanced Stereo Main Out Impedance

120 Ohm(s)


Max. Unbalanced Stereo Main Out Level

+20 dBu


Stereo Control Room Out

1


Stereo Control Room Out Connectors

6.3 mm stereo jack unbalanced


Headphones ouput

1


Headphones outputs

6.3 mm TRS


Digital Effects Processor

Yes, 24-bit AD/DA Resolution


Number of Presets

16


Footswitch Connector DFX Mute

6.3 mm TRS


Main section controls

2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume


Indicators

4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power


Operating voltage

18 V AC – 1 A, External PSU


Width

209 mm


Height

68 mm


Depth

260 mm


Weight

1,45 kg

Weight 1.45 kg

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Quick Comparison

LD Systems VIBZ 6 Mixing Console 6 channel removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo remove
NameLD Systems VIBZ 6 Mixing Console 6 channel removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo remove
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SKULDVIBZ6SPIRIT-EPM12SPIRIT LX7 16CH MKIISPIRIT EFX12E003071SPIRIT EPM6
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Description
ContentUser´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate Data Sheet 39 KB 6 channel Mixing Console with DFX 6-channel mixer with 16 digital effects 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Product type Mixers
Type Live
Channels 6
Mono Channels:
Mono Mic and Line Input Channels 2
Mono Mic input connectors 6.3 mm TRS , XLR
Mono Mic Input Type electronically balanced
Mono Mic Input Frequency Range 10 Hz
Amplification Range mono Mic Input - 50 dB
Mono Mic Input Input THD-N 0.0058%
Mono Mic Input Impedance 4k Ohm(s)
Mono Line Input Type electronically balanced
Mono Line Input Frequency Range 10 Hz
Amplification Range mono Line Input - 50 dB
Mono Line Input Input THD-N 0.0045 %
Mono Line Input Impedance 21k Ohm(s)
Mono Line Input S/N Ratio 116 dB
Mono Channel Equalizer High +/- 15 dB @ 12000 Hz
Mono Channel Equalizer Low +/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels 3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan
Phantom power 48 V DC switchable
Stereo Channels:
Stereo Line Input Channels 2
Stereo Line Input Connectors 6.3 mm TS
Stereo Line Input Type unbalanced
Stereo Line Input Frequency Range 10 - 54000 Hz
Stereo Line Input Input THD-N 0.0045 %
Stereo Line Input Impedance 3,7k Ohm(s)
Stereo Line Input S/N Ratio 116 dB
Stereo channel equalizer treble +/- 15 dB @ 12000 Hz
Stereo channel equalizer bass +/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels 2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume
Main Section:
AUX / Effects Send Channels 1
AUX / Effects Send Connectors 6.3 mm stereo jack unbalanced
Stereo AUX Return Channels 1 x stereo
Stereo AUX Return Connectors 2 x 6.3 mm TRS
Stereo Tape Out Channel 1 x stereo
Stereo Tape Out Connectors 2 x RCA (Cinch)
Stereo Tape In Channel 1 x stereo
Stereo Tape In Connenctors 2 x RCA (Cinch)
Unbalanced stereo Main Outputs 1
Unbalanced stereo Main Output Connections 6.3 mm TRS
Unbalanced Stereo Main Out Impedance 120 Ohm(s)
Max. Unbalanced Stereo Main Out Level +20 dBu
Stereo Control Room Out 1
Stereo Control Room Out Connectors 6.3 mm stereo jack unbalanced
Headphones ouput 1
Headphones outputs 6.3 mm TRS
Digital Effects Processor Yes, 24-bit AD/DA Resolution
Number of Presets 16
Footswitch Connector DFX Mute 6.3 mm TRS
Main section controls 2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume
Indicators 4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power
Operating voltage 18 V AC - 1 A, External PSU
Width 209 mm
Height 68 mm
Depth 260 mm
Weight 1,45 kg
Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
  • Frame sizes 12+2
  • 2 configurable auxiliary buses
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:
Weight1.45 kg5.80 kg18.20 kg3.50 kg12.00 kg5.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.45 kg
Weight 5.80 kg
Weight 18.20 kg
Weight 3.50 kg
Weight 12.00 kg
Weight 5.20 kg