LD Systems VIBZ 8 DC – 8 channel Mixing Console with DFX and Compressor

242.00 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4049521195198
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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of […]

 

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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

  • Item Number: LDVIBZ8DC
  • Product Type: mixer
  • Type: live
  • Number of Channels: 8
  • Mono Mic/Line Input Channels: 4
  • Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
  • Mono Mic Input Type: electronically balanced
  • Frequency Response Mono Mic Input: 10 – 45,000 Hz
  • Amplification Range Mono Mic Input: 0 – +50 dB
  • Channel Insert: 2
  • Insert: 6.3 mm stereo jack (TIP= send / RING= return)
  • Channel Crosstalk: 62 dB
  • THD Mono Mic Input: 0.0058 %
  • Impedance Mono Mic Input: 4 kOhm
  • S/N Ratio Mono Mic Input: 113 dB
  • Mono Line Input Type: electronically balanced
  • Amplification Range Mono Line Input: 0 – +50 dB
  • THD Mono Line Input: 0.0045 %
  • Impedance Mono Line Input: 21 kOhm
  • S/N Ratio Mono Line Input: 116 dB
  • Frequency Response Mono Line Input: 10 – 45,000 Hz
  • Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
  • Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
  • Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
  • Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
  • Phantom Power: +48 V DC switchable
  • Low Cut: 95 Hz
  • Compressor: yes
  • Stereo Line Input Channels: 3
  • Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
  • Stereo Line Input Type: unbalanced
  • Frequency Response Stereo Line Input: 10 – 45,000 Hz
  • Amplification Range Mono Line Input: 0 – +50 dB
  • Channel Crosstalk: 62 dB
  • THD Stereo Line Input: 0.0045 %
  • Impedance Stereo Line Input: 3.7 kOhm
  • S/N Ratio Stereo Line Input: 116 dB
  • Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
  • Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
  • Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
  • Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
  • Main Section:
  • AUX/Effect Send Channels:    1
  • AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
  • Stereo AUX Return Channels: 1 x stereo
  • Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
  • Stereo Tape Output Channel: 1 x stereo
  • Stereo Tape Output Connections: 2 x RCA (Cinch)
  • Stereo Tape Input Channel: 1 x stereo
  • Stereo Tape Input Connections: 2 x RCA (Cinch)
  • Unbalanced Stereo Main Outputs: 1
  • Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
  • Impedance Unbalanced Stereo Main Outputs: 120 Ohm
  • Max. Level Unbalanced Stereo Main Outputs: +20 dBV
  • Stereo Control Room Outputs: 1
  • Stereo Control Room Output Connections: 6.3 mm stereo jack
  • Headphone Output: 1
  • Headphone Output Connections: 6.3 mm stereo jack
  • Minimum Headphone Impedance: 30 Ohm
  • Digital Effects Processor: Yes, 24-bit AD/DA Resolution
  • No. of Presets: 100
  • Footswitch Connection DFX Mute: 6.3 mm stereo jack
  • Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
  • Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
  • Power Supply: 18 V AC – 1 A, External PSU
  • Width: 265 mm
  • Height: 77 mm
  • Depth: 350 mm
Weight 2.30 kg

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Quick Comparison

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NameLD Systems VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT GB4 LIVE 16MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT EPM 8 Mixing Desk 8 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT RZ-2702 150M OPTICAL FIBRE CABLE removeSOUNDCRAFT GB2 32CH 32-Channel Multi-Purpose Mixing Console remove
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SKULDVIBZ8DCSPIRIT EPM6GB4 16CHSPIRIT EPM8RZ-2702GB2 32CH
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Description
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Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

  • Item Number: LDVIBZ8DC
  • Product Type: mixer
  • Type: live
  • Number of Channels: 8
  • Mono Mic/Line Input Channels: 4
  • Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
  • Mono Mic Input Type: electronically balanced
  • Frequency Response Mono Mic Input: 10 - 45,000 Hz
  • Amplification Range Mono Mic Input: 0 - +50 dB
  • Channel Insert: 2
  • Insert: 6.3 mm stereo jack (TIP= send / RING= return)
  • Channel Crosstalk: 62 dB
  • THD Mono Mic Input: 0.0058 %
  • Impedance Mono Mic Input: 4 kOhm
  • S/N Ratio Mono Mic Input: 113 dB
  • Mono Line Input Type: electronically balanced
  • Amplification Range Mono Line Input: 0 - +50 dB
  • THD Mono Line Input: 0.0045 %
  • Impedance Mono Line Input: 21 kOhm
  • S/N Ratio Mono Line Input: 116 dB
  • Frequency Response Mono Line Input: 10 - 45,000 Hz
  • Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
  • Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
  • Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
  • Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
  • Phantom Power: +48 V DC switchable
  • Low Cut: 95 Hz
  • Compressor: yes
  • Stereo Line Input Channels: 3
  • Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
  • Stereo Line Input Type: unbalanced
  • Frequency Response Stereo Line Input: 10 - 45,000 Hz
  • Amplification Range Mono Line Input: 0 - +50 dB
  • Channel Crosstalk: 62 dB
  • THD Stereo Line Input: 0.0045 %
  • Impedance Stereo Line Input: 3.7 kOhm
  • S/N Ratio Stereo Line Input: 116 dB
  • Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
  • Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
  • Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
  • Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
  • Main Section:
  • AUX/Effect Send Channels:    1
  • AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
  • Stereo AUX Return Channels: 1 x stereo
  • Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
  • Stereo Tape Output Channel: 1 x stereo
  • Stereo Tape Output Connections: 2 x RCA (Cinch)
  • Stereo Tape Input Channel: 1 x stereo
  • Stereo Tape Input Connections: 2 x RCA (Cinch)
  • Unbalanced Stereo Main Outputs: 1
  • Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
  • Impedance Unbalanced Stereo Main Outputs: 120 Ohm
  • Max. Level Unbalanced Stereo Main Outputs: +20 dBV
  • Stereo Control Room Outputs: 1
  • Stereo Control Room Output Connections: 6.3 mm stereo jack
  • Headphone Output: 1
  • Headphone Output Connections: 6.3 mm stereo jack
  • Minimum Headphone Impedance: 30 Ohm
  • Digital Effects Processor: Yes, 24-bit AD/DA Resolution
  • No. of Presets: 100
  • Footswitch Connection DFX Mute: 6.3 mm stereo jack
  • Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
  • Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
  • Power Supply: 18 V AC - 1 A, External PSU
  • Width: 265 mm
  • Height: 77 mm
  • Depth: 350 mm
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
  • Frame sizes 8+2
  • 2 configurable auxiliary buses
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:

  • 32 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1247mm (49.09“)
  • Weight: 30kg (66.1lbs)
Weight2.30 kg5.20 kg22.00 kg4.00 kg1.00 kg37.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.30 kg
Weight 5.20 kg
Weight 22.00 kg
Weight 4.00 kg
Weight 1.00 kg
Weight 37.00 kg