LD Systems VIBZ 8 DC – 8 channel Mixing Console with DFX and Compressor

Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.

The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.

The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.

It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.

• Item Number: LDVIBZ8DC
• Product Type: mixer
• Type: live
• Number of Channels: 8
• Mono Mic/Line Input Channels: 4
• Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
• Mono Mic Input Type: electronically balanced
• Frequency Response Mono Mic Input: 10 - 45,000 Hz
• Amplification Range Mono Mic Input: 0 - +50 dB
• Channel Insert: 2
• Insert: 6.3 mm stereo jack (TIP= send / RING= return)
• Channel Crosstalk: 62 dB
• THD Mono Mic Input: 0.0058 %
• Impedance Mono Mic Input: 4 kOhm
• S/N Ratio Mono Mic Input: 113 dB
• Mono Line Input Type: electronically balanced
• Amplification Range Mono Line Input: 0 - +50 dB
• THD Mono Line Input: 0.0045 %
• Impedance Mono Line Input: 21 kOhm
• S/N Ratio Mono Line Input: 116 dB
• Frequency Response Mono Line Input: 10 - 45,000 Hz
• Mono Channel Equalizer Treble:    +/- 15 dB 12,000 Hz
• Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
• Mono Channel Equalizer Bass:    +/- 15 dB 80 Hz
• Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
• Phantom Power: +48 V DC switchable
• Low Cut: 95 Hz
• Compressor: yes
• Stereo Line Input Channels: 3
• Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
• Stereo Line Input Type: unbalanced
• Frequency Response Stereo Line Input: 10 - 45,000 Hz
• Amplification Range Mono Line Input: 0 - +50 dB
• Channel Crosstalk: 62 dB
• THD Stereo Line Input: 0.0045 %
• Impedance Stereo Line Input: 3.7 kOhm
• S/N Ratio Stereo Line Input: 116 dB
• Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
• Stereo Channel Equalizer Mids: +/- 15 dB 2,500 Hz (channel 3/4 + 5/6)
• Stereo Channel Equalizer Bass: +/- 15 dB 80 Hz
• Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6
• Main Section:
• AUX/Effect Send Channels:    1
• AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced
• Stereo AUX Return Channels: 1 x stereo
• Stereo AUX Return Connections: 2 x 6.3 mm stereo jack
• Stereo Tape Output Channel: 1 x stereo
• Stereo Tape Output Connections: 2 x RCA (Cinch)
• Stereo Tape Input Channel: 1 x stereo
• Stereo Tape Input Connections: 2 x RCA (Cinch)
• Unbalanced Stereo Main Outputs: 1
• Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced
• Impedance Unbalanced Stereo Main Outputs: 120 Ohm
• Max. Level Unbalanced Stereo Main Outputs: +20 dBV
• Stereo Control Room Outputs: 1
• Stereo Control Room Output Connections: 6.3 mm stereo jack
• Headphone Output: 1
• Headphone Output Connections: 6.3 mm stereo jack
• Minimum Headphone Impedance: 30 Ohm
• Digital Effects Processor: Yes, 24-bit AD/DA Resolution
• No. of Presets: 100
• Footswitch Connection DFX Mute: 6.3 mm stereo jack
• Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room)
• Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak
• Power Supply: 18 V AC - 1 A, External PSU
• Width: 265 mm
• Height: 77 mm
• Depth: 350 mm

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

• Frequency Response Mic/Line Input to any output, 20Hz - 20kHz

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

• 26 inputs
• 16 mono microphone channels
• 4 stereo returns
• 4-bus architecture, with sub-group routable to mix
• Built-in 24 bit Lexicon digital effects processor
• 32 FX settings
• Tap Tempo
• 3 FX parameter adjust rotaries
• User FX settings store function
• Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
• Inserts on all mono channels
• Inserts on stereo mix output
• Classic Soundcraft 3-band EQ with swept mid-band
• Stereo 18dB/octave 100Hz high-pass filter
• Dual global +48V phantom power split channels 1-8 and 9-16
• Channel Mute control
• 10-segment tri-coloured metering
• Two sub-group outputs
• Separate mono sum output
• Integral universal power supply

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    * 100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU