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LEXICON PCM96S, professional surroundprocessor, new and legendary reverb and effectalgorithm, up to 24bit/96khz, firewire audio streaming for six channels, "hardware plug-in" for Mac VST and audio unit software, 2200 presets and 768 user-programs, three AES/EBU in/out (XLR) OLED Display, compact flash card slot, HiQnet compatible, Midi IN/OUT/THRU, dual ethernet/firewire, wordclock in, .1U, 19“
FEATURES
- DAW automation
- FireWire streaming
- Unrivalled collection of new and legendary Lexicon reverbs and effects
- Connectivity options include six channels XLR analog, six channels XLR AES/EBU digital I/O
- MIDI, Wordclock, Ethernet and Firewire.
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1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
- Switchable boost/cut ranges of ±6 or ±15 dB
- Electronically balanced/unbalanced inputs
- Servo balanced/unbalanced inputs
- RF filtered inputs and outputs
- XLR, Barrier Strip, and 1/4" TRS connectors
- -12dB/+12dB input gain range
- 18dB/octave 40Hz Bessel low-cut filter
- Chassis/signal ground lift capability
- Internal power supply transformer
- Power-off hardwire relay bypass with 2-second power-up delay
| Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
Max Input |
>+24dBu, Balanced or Unbalanced |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Output Impedance |
120Ω balanced, >60Ω unbalanced |
Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
Noise |
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The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers. It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on the back panel selecting either mode.
Features Ultra low noise circuitry Totally phase aligned at crossover point Switchable Dual Channel 2 way or Single Channel 3 way Unique 'semi-fixed' crossover point 24dB per octave (Fourth Order) Linkwitz-Riley filters Separate Summed Mono Output Balanced Inputs and Outputs Built in High Pass filters Intuitive, 'user friendly' layout Flawless performance in any audio environment
Tamper-Proof Crossover Points The crossover points are determined internally by the value of 4 resistors per channel; changing the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of externally adjusted crossover points, making the crossover points tamper-proof once they are set. Idle fingers can't fiddle with the crossover points and create havoc with the system! As a handy guide, a list of common crossover points and their corresponding resistor values are printed inside the unit's lid, and also set out in the Owner's Manual. On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid and High in single channel 3 way mode, with corresponding Outputs on the rear panel.
Balanced Inputs and Outputs EC-2 has Balanced Inputs and Outputs, on XLR connectors. The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low feed (e.g. Left and Right full-range plus a single Sub Bass speaker). High Pass Filter There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers and waste amplifier power. In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of differing sensitivities. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage change switch. Uncompromising Audio Quality Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels. It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the crossover region. From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX EC-2 is a crossover that is suited to any application that requires flawless, transparent sound. You'll never compromise on Quality when you choose ARX
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 21 dB CMRR >45 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 21dB Frequency Response 30Hz-20KHz +or- 0.5dB Note: 30 Hz is a function of the High Pass filter Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted Distortion 004% THD,0dB,1KHz Dynamic Range 111 dB Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm Input Connector type XLR Output Connector type XLR Crossover point frequencies are changed internally by varying the value of 4 resistors per channel.
Front Panel Controls Low and High Output controls for 2 way mode Low, Mid and High Output controls for 3 way mode Marker panels for labelling crossover assigns 2 way/ 3 way status LEDs Rear Panel Balanced XLR Inputs and Outputs Additional summed mono Low output 2 way / 3 way mode switch |
With 6 inputs and 4 outputs the dbx ZonePro? 640 and 641 provide flexible signal routing,
powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the
highest quality tools available. Even the input and outputs connectors were chosen for their
standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced
signals and RCA connectors for interfacing with consumer equipment often used in commercial
applications; there is also a simple analog input buss that allows inputs to be sent from one
unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing
tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated
and specific functions such as selectable paging microphone processing including Gating,
De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the
ZonePro products is the Routing module that provides of course Primary Source Selection
but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of
processing designed for commercial applications like our patent-pending AutoWarmth? function
that was co-developed with JBL to provide natural low frequency extension at any signal level.
Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system
optimization. With the ZonePro? every tool is at your disposal to maximize the response of
your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters.
The ZonePro? 640 and 641 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? Windows? 2000 and XP GUI
? IEC, UL and CSA Approvals
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The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor,sweep equalizer, output level and VU metering in a 2U space. PREAMPLIFIER The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side- chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for "tone enhancement“. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier. AVALON VT-737SP FEATURES Vacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction. VT-737SP SPECIFICATIONS Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted -92dB Noise microphone EIN -116dB, 22Hz to 22kHz unweighted Distortion THD, IMD 0.5% Frequency response -/2.5dB 10Hz to 120kHz input filter included Frequency response -3dB 1Hz to 200kHz line in-out VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter Variable 6dB per octave 30Hz to 140Hz Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type Discrete Class A, variable active and switched passive design Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid - variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/- 24dB range, shelf AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
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