LINE 6 FM4 Guitar Pedal

Discontinued

246.99 incl. GR VAT

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The first great sounding professional guitar effects pedals designed to deliver a wide range of cutting edge and legendary effects tones in a programmable stomp box format. Tired of the same old effects? You say you want something a little bit… different? The FM4 Filter Modeler, part of Line 6’s award winning line of Stompbox […]

 

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The first great sounding professional guitar effects pedals designed to deliver a wide range of cutting edge and legendary effects tones in a programmable stomp box format.

Tired of the same old effects? You say you want something a little bit… different? The FM4 Filter Modeler, part of Line 6’s award winning line of Stompbox Modelers, gives you an array of vintage and new effects from just a wee bit odd to full frontal freaky! From the gentle auto-wah of an envelope filter to the complete wackiness of mutated VCO controlled ring modulators, FM4 can get as strange as you wanna be.

Offering an awesome collection of vintage filter and monophonic synth effects, 24-bit processing, and true bypass, the FM4 features 16 models of classic and collectible filters and synths. With 4 programmable presets, the FM4 gives guitarists easy access to a set of world-class tones and controls for customization.

Features
4 completely programmable presets available at the tap of a toe. No more need for multiple pedals for multiple effects.

True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp.

Expression Pedal Input – for real-time control of all effect settings. Also the ability to morph between settings lets you create effects not possible with the originals.

Nothing but knobs. No menus, no multiple button contortionist gymnastic moves, just twist and go.

Stereo inputs and outputs

Runs from batteries (Heck, they even include a set) or optional power adapter.

After Line6 finished designing POD, Flextone, AX2, Spider, and Amp Farm, they weren’t content to sit, rest, and read all the raves from reviewers and users. Not at Line 6; they were spending all their time thinking about what we could build to make a guitar player’s life even more fun than it normally is. One day, it came to them: Why not design the first great sounding pedals with models of all the most in demand, classic, hard to find effects, make it fully programmable, and put it into a heavy duty, pro-quality, true bypass stompbox? So they did.

Each pedal is designed to give you the best choices for classic and new effects; The DL4 Delay Modeler gives you not only instant access to the most desired delay sounds, but to new, never before possible delays. The FM4 Filter Modeler sends you off the the world of strange and interesting filter and monophonic synthesizer sounds, from auto-wahs to garishly bizarre, never-before-heard synth effects. The optional EX1 Expression pedal even gives you the power to morph between settings on all the pedals.

So get on the good foot, with Line 6 modeling stompboxes, ’cause tone is a terrible thing to waste.

Digital Effects: 16

Factory Presets: 20

User Programmable Channels: 4

Controls: Effect Selector, Freq, Q, Speed, Mode, Mix

Additional Controls: Expression Pedal (optional)

Mono/Stereo: Stereo in/Stereo out

Chassis Color: Purple

Model List
Tron Down: Mu-Tron III

Tron Up: Mu-Tron III

Seeker: Z-Vex Seek Wah

Obi-Wah: Oberheim Voltage Controlled Filter

Voice Box: Vocoders, Vocals, Surgical Tubing

V-Tron: Voice Box meets Mu-Tron III

Throbber: Electrix Filter Factory

Spin Cycle: Craig Anderton’s Wah/Anti-Wah

Comet Trails: Too Much Mountain Dew (really!)

Slow Filter: Just what it says…

Octisynth: Eight-Armed denizens of the Deep (Octopi)

Synth-O-Matic: A collection of Vintage Analog Synths

Attack Synth: Korg X911 Guitar Synth

Synth String: Roland GR700 Guitar Synth

Growler: GR700 meets Mu-Tron III

Q Filter: Your very own Parked Wah!

Fender, Marshall, Vox, and other amplifier and effect models are all trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely for the purpose of describing certain tones modeled after some of the most popular sounds of these classic effects.

Dimensions and Weight in Packaging
Shipping Weight: 4 lbs
Shipping Dimensions: 13 x 7 x 3 in

Weight 1.90 kg

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Quick Comparison

LINE 6 FM4 Guitar Pedal removeBOSS TR-2 Tremolo Pedal removeVOX V847 WAH-WAH PEDAL removeEVENTIDE MODFACTOR MODULATION EFFECT/PEDAL removeBEHRINGER BEQ700 BASS GRAPHIC EQUALIZER Pedal removeBOSS CE-5 CHORUS ENSEMBLE Pedal remove
NameLINE 6 FM4 Guitar Pedal removeBOSS TR-2 Tremolo Pedal removeVOX V847 WAH-WAH PEDAL removeEVENTIDE MODFACTOR MODULATION EFFECT/PEDAL removeBEHRINGER BEQ700 BASS GRAPHIC EQUALIZER Pedal removeBOSS CE-5 CHORUS ENSEMBLE Pedal remove
Image
SKUFM4690.ROL.105V847 WAH-WAHMODFACTORE005247BOS.1575.0009
Rating
Price 246.99 incl. GR VAT 102.00 incl. GR VAT 91.00 incl. GR VAT 470.68 incl. GR VAT 35.00 incl. GR VAT117.79 incl. GR VAT
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Description
ContentThe first great sounding professional guitar effects pedals designed to deliver a wide range of cutting edge and legendary effects tones in a programmable stomp box format. Tired of the same old effects? You say you want something a little bit... different? The FM4 Filter Modeler, part of Line 6's award winning line of Stompbox Modelers, gives you an array of vintage and new effects from just a wee bit odd to full frontal freaky! From the gentle auto-wah of an envelope filter to the complete wackiness of mutated VCO controlled ring modulators, FM4 can get as strange as you wanna be. Offering an awesome collection of vintage filter and monophonic synth effects, 24-bit processing, and true bypass, the FM4 features 16 models of classic and collectible filters and synths. With 4 programmable presets, the FM4 gives guitarists easy access to a set of world-class tones and controls for customization. Features 4 completely programmable presets available at the tap of a toe. No more need for multiple pedals for multiple effects. True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp. Expression Pedal Input - for real-time control of all effect settings. Also the ability to morph between settings lets you create effects not possible with the originals. Nothing but knobs. No menus, no multiple button contortionist gymnastic moves, just twist and go. Stereo inputs and outputs Runs from batteries (Heck, they even include a set) or optional power adapter. After Line6 finished designing POD, Flextone, AX2, Spider, and Amp Farm, they weren't content to sit, rest, and read all the raves from reviewers and users. Not at Line 6; they were spending all their time thinking about what we could build to make a guitar player's life even more fun than it normally is. One day, it came to them: Why not design the first great sounding pedals with models of all the most in demand, classic, hard to find effects, make it fully programmable, and put it into a heavy duty, pro-quality, true bypass stompbox? So they did. Each pedal is designed to give you the best choices for classic and new effects; The DL4 Delay Modeler gives you not only instant access to the most desired delay sounds, but to new, never before possible delays. The FM4 Filter Modeler sends you off the the world of strange and interesting filter and monophonic synthesizer sounds, from auto-wahs to garishly bizarre, never-before-heard synth effects. The optional EX1 Expression pedal even gives you the power to morph between settings on all the pedals. So get on the good foot, with Line 6 modeling stompboxes, 'cause tone is a terrible thing to waste. Digital Effects: 16 Factory Presets: 20 User Programmable Channels: 4 Controls: Effect Selector, Freq, Q, Speed, Mode, Mix Additional Controls: Expression Pedal (optional) Mono/Stereo: Stereo in/Stereo out Chassis Color: Purple Model List Tron Down: Mu-Tron III Tron Up: Mu-Tron III Seeker: Z-Vex Seek Wah Obi-Wah: Oberheim Voltage Controlled Filter Voice Box: Vocoders, Vocals, Surgical Tubing V-Tron: Voice Box meets Mu-Tron III Throbber: Electrix Filter Factory Spin Cycle: Craig Anderton's Wah/Anti-Wah Comet Trails: Too Much Mountain Dew (really!) Slow Filter: Just what it says... Octisynth: Eight-Armed denizens of the Deep (Octopi) Synth-O-Matic: A collection of Vintage Analog Synths Attack Synth: Korg X911 Guitar Synth Synth String: Roland GR700 Guitar Synth Growler: GR700 meets Mu-Tron III Q Filter: Your very own Parked Wah! Fender, Marshall, Vox, and other amplifier and effect models are all trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely for the purpose of describing certain tones modeled after some of the most popular sounds of these classic effects. Dimensions and Weight in Packaging Shipping Weight: 4 lbs Shipping Dimensions: 13 x 7 x 3 inThe BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
  • Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
  • Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
  • “Rate" control allows for higher speed adjustment than classic PN-2
  • “Wave" control alters LFO waveform from triangle to square
  • “Depth" control determines the strength of the effect
  • BOSS 5-year warranty

The new V847 Wah-Wah pedal is an enhanced version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the new Wah-Wah offers guitarists the same legendary tone with the addition of AC power capability and a buffered input jack for preserving the unprocessed guitar tone when the pedal is not engaged. The pedalʼs inductor has undergone a redesign to be closer in specification to the original VOX wah inductors, for improved dynamics and tone. These additions will benefit players of all genres who use a wah pedal as an integral part of their sound.

About the Wah-Wah

VOX developed the worldʼs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted an important musical ingredient of the day. VOXʼs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered "must-have equipment” for guitar players of all levels and abilities today.

VOX V847 Wah-Wah Specificaitons
  • Input/Output jacks: INST jack, AMP jack, DC i/p jack.
  • Power supply: One 9V DC battery 6F22(S-006P)
  • Power consumption: 540uA @ 9VDC
  • Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
  • Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest postion)
  • Weight: 1673g (including battery)
  • Included Accessories: Vinyl carry bag
Studio Quality Effects at Your Feet Premier recording studios worldwide use Eventide on hit after hit.  ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility. Flexibility Built-In Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals. Obsolescence is so 20th Century Easy to upgrade; download new software from the Internet and install via USB. Features
  • 27 of Eventideʼs signature stereo or mono effects:
    • Liquid Chorus
    • Shimmer Chorus
    • Organic Chorus
    • Negative Phaser
    • Postive Phaser
    • BiPhase Phaser
    • Feedback Phaser
    • WahWah Q-Wah
    • Voc-Wah Q-Wah
    • Positive Flanger
    • Negative Flanger
    • Jet Flanger
    • Thru-o Flanger
    • Lowpass ModFilter
    • HiPass ModFilter
    • BandPass ModFilter
    • Standard Rotary
    • Giant Rotary
    • Bias Tremolo
    • Opto Tremolo
    • Modern Vibrato
    • Vintage Vibrato
    • Retro Vibrato
    • Pitch Undulator
    • Feedback Undulator
    • Ring (DC) Ringmod
    • String (AC) Ringmod
  • Studio quality sound
  • Software upgradeable via USB 2.0
  • MIDI control via USB or MIDI in, out/thru
  • Instant program change
  • Real-time control with 10 knobs, MIDI, or expression pedal
  • Tap tempo and MIDI clock sync
  • 40 factory presets, unlimited through MIDI
  • True analog bypass
  • Rugged cast metal construction
  • Reliable metal footswitches for instant preset access
  • Mono or stereo operation
  • Guitar or line level inputs and outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance 500K ohms
Output Impedance 470 ohms
Recommended Load Impedance 10K ohms or greater
Connectors
Input 1 (mono) ¼ inch mono phone jack
Input 2 ¼ inch mono phone jack
Output 1 (mono) ¼ inch mono phone jack
Output 2 ¼ inch mono phone jack
Expression Pedal ¼ inch mono phone jack
Aux Switch ¼ inch stereo phone jack
USB Type B Socket. Use 2.0 cables only.
MIDI In Five pin DIN (Female)
MIDI Out/Thru Five pin DIN (Female)
AC Adapter Jack Power Supply included (see below)
Physical
Power 9 VDC, 1200 mA, Tip hot (+)
Dimensions English: 4.8" (H) x 7.5" (W) x 2.12" (D) Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight 2.15 lbs, 1kG
Product Features: Shape your sound and eliminate feedback with 7 bands of equalization This BEHRINGER product has been designed to compete head to head with leading products on the market Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band Status LED for effect on/off and battery check Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) First-class electronic On/Off switch for noise-free operation High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany How the specific frequency bands of the BEQ700 can shape your sound 50 Hz (sub-bass) Boost: To thicken up sub-bass content, which is mostly felt rather than heard Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power 120 Hz (soft bass) Boost: To enhance the lower end of the bass spectrum Cut: To reduce the tendency of low frequency content to overwhelm a small room 400 Hz (hard bass) Boost: To enhance the "hard” bass punch of fundamental tones Cut: To reduce punch for better linkage with the kick drum 500 Hz Boost: or Cut: To control bass clarity and warmth 800 Hz Boost: To add an aggressive edge to the overall bass sound Cut: For reducing somewhat nasal or horn-like content 4.5 kHz Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate harshness 10 kHz Boost: To bring out the upper harmonics and add edge to the overall bass tonality Cut: Apply a cut to reduce harsh high-frequency content or hiss acrobat_reader_logo. User's Manual

Produces everything from mild, natural chorusing to the penetrating stereo chorus popular in contemporary music. Covers a wide frequency range and includes both high- and low-cut filters.

 

 

Input Impedance1 M ohms
Output Impedance1 k ohms
Recommended Load Impedance10 k ohms or greater
Residual Noise Level-93 dBu (IHF-A, Typ.)
ConnectorsINPUT Jack, OUTPUT Jack A (mono)/ B, AC Adaptor Jack (DC 9 V)
Power SupplyDC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw22 mA (DC 9 V)
AccessoriesDry Battery 9 V type (6F22/9 V)
OptionAC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm2-7/8 inches
Depth
129 mm5-1/8 inches
Height
59 mm2-3/8 inches
Weight
410 g0 lbs. 15 oz.

 

Weight1.90 kg1.20 kg1.67 kg1.00 kg0.50 kg0.41 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.90 kg
Weight 1.20 kg
Weight 1.67 kg
Weight 1.00 kg
Weight 0.50 kg
Weight 0.41 kg