LINE 6 STAGESCAPE M20D Digital Console

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StageScape™ M20d is the world’s first smart mixing system for live sound. Utilizing a groundbreaking touchscreen visual mixing environment, StageScape M20d streamlines the way you mix to get your sound dialed in quickly and stay in the creative zone. Massive DSP power delivers comprehensive, professional audio processing on every channel including multi-band feedback suppression. Pristine […]

 

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StageScape™ M20d is the world’s first smart mixing system for live sound. Utilizing a groundbreaking touchscreen visual mixing environment, StageScape M20d streamlines the way you mix to get your sound dialed in quickly and stay in the creative zone. Massive DSP power delivers comprehensive, professional audio processing on every channel including multi-band feedback suppression. Pristine audio quality will impact your stage performances, and multi-channel recording allows you to easily capture every rehearsal or show, with or without a computer. The entire system can be controlled remotely from the stage or audience with one or more iPad® devices. StageScape M20d is the integrated professional mixing system that delivers great live sound, so you can focus on whatʼs most important: your performance.

Weight 6.00 kg

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SettingsLINE 6 STAGESCAPE M20D Digital Console removeALLEN AND HEATH GLD 80 Digital Mixer removeYAMAHA DM1000VCM 16 channel digital mixer removeYAMAHA QL5 32 channel digital mixer removeYAMAHA QL1 16 channel digital mixer removeYAMAHA 01V96i 16 channel digital mixer remove
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Description
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StageScape™ M20d is the world's first smart mixing system for live sound. Utilizing a groundbreaking touchscreen visual mixing environment, StageScape M20d streamlines the way you mix to get your sound dialed in quickly and stay in the creative zone. Massive DSP power delivers comprehensive, professional audio processing on every channel including multi-band feedback suppression. Pristine audio quality will impact your stage performances, and multi-channel recording allows you to easily capture every rehearsal or show, with or without a computer. The entire system can be controlled remotely from the stage or audience with one or more iPad® devices. StageScape M20d is the integrated professional mixing system that delivers great live sound, so you can focus on whatʼs most important: your performance.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 44 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 20 faders, 4 layers, 80 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • AviomTM Pro16 compliant Monitor port on main AudioRack
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineerʼs mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get started quickly with Template Shows
  • Dimensions: (W x D x H) 730 x 577 x 159mm
  • Weight: 16kg

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.


When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.


Outline
Mixing capability Mixing channels 48
GROUP 8
AUX 8
MAIN Stereo
Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functions Attenuator, 4-band PEQ, Compressor, Delay
On-board processors 4x SPX multi effectors
I/O Mic inputs 16
Phantom power +48V DC; ON/OFF per channel
Line inputs 4x Omni in
AD converter 24-bit; 128-time over sampling
Line outputs 12x Omni output
DA converter 24-bit; 128-time over sampling
Digital I/O 2x 2tr in/out
Expansion slots 2x Mini-YGDAI (16-in/16-out)
Control and others To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O
General specifications
Internal processing 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delay Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz)
Total harmonic distortion Less than 0.05% (20Hz-40kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range DA: 110dB; AD+DA: 106dB
Hum & noise level Equivalent input noise -128dBu
Residual output noise -86dBu
Crosstalk -80dB
Power requirements AC100V, 120V, 220-240V 50/60 Hz
Power consumption 135W
Dimensions W 436mm; 17-3/16in
H 200mm; 7-7/8in
D 585mm; 23-1/16in
Net weight 20kg; 44.1lbs
Accessories Owner's Manual, Studio Manager Installation Guide, AC power cord

32 + 2 fader configuration adapts to a wide range of channel layouts. The QL5 is a compact console with large-scale capabilities.

 

  • Mix channels: 64 mono, 8 stereo.
  • Busses: 16 mix, 8 matrix (Input to Matrix supported).
  • Local I/O: 32 in, 16 out.
  • Fader configuration: 32 + 2 (Master).
  • Stainless steel iPad support stays.

 


General specifications QL5
Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz
Fader 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.
Hum & noise level Equivalent input noise -128dBu typ., Equivalent Input Noise, Input Gain=Max
Residual output noise -88dBu, Residual output noise, ST master off
Crosstalk -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.
Power requirements 100-240V 50/60Hz
Power consumption 200W
Dimensions W 828mm(32.6in)
H 272mm(10.7in)
D 563mm(22.2in)
Net weight 21.8kg(48.1lb)
Accessories Owner's Manual, dust cover, power cord, DVS license sheet
Options Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live
Others Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C

16 + 2 fader configuration in a compact, rack mountable unit.

  • Mix channels: 32 mono, 8 stereo.
  • Busses: 16 mix, 8 matrix (Input to Matrix supported).
  • Local I/O: 16 in, 8 out.
  • Fader configuration: 16 + 2 (Master).
  • Rack mountable with optional RK1 Rack Mount Kit.

General specifications QL1
Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz
Fader 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.
Hum & noise level Equivalent input noise -128dBu typ., Equivalent Input Noise, Input Gain=Max
Residual output noise -88dBu, Residual output noise, ST master off
Crosstalk -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.
Power requirements 100-240V 50/60Hz
Power consumption 135W
Dimensions W 468mm(18.4in )
H 272mm(10.7in)
D 562mm(22.1in)
Net weight 14.7kg(32.4lb)
Accessories Owner's Manual, power cord, DVS license sheet
Options Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live
Others Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C

Building on the proven configuration of its predecessors, the new 01V96i now offers USB 2.0 connectivity along with new multi-track recording features and improved sonic quality.  

Sometimes everything just comes together-and when it does, the new 01v96i is there to capture that perfect moment for you in stunning 96kHz sound. Since its initial release in 1998, the 01V has been the mixer of choice for a wide variety of applications, ranging from recording and production environments to live sound and installation setups. The 01V96i represents the next step in the evolution of an industry standard, building on the proven configuration of its predecessors to create a compact digital mixer that meets the needs of an expanding user base. Now, with 16 in/16 out USB 2.0 audio streaming at an impressive 96kHz, the latest version of Steinberg's Cubase AI, the full suite of Yamaha's acclaimed Virtual Circuitry Modeling DSP effects and newly improved studio quality head amps, the next generation 01V96i will take every aspect of your mixing and recording to the next level.      

Outline  

Mixing capability

Mixing channels

32 Mono + 4 Stereo

GROUP

8

AUX

8

MAIN

Stereo

Input channel functions

Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan

Output channel functions

Attenuator, 4-band PEQ, Compressor, Delay

On-board processors

4x SPX multi effectors

I/O

Mic inputs

12

Phantom power

+48V DC; ON/OFF per 4ch

Line inputs

2x Stereo, 2x 2tr in

AD converter

24-bit; 128-time over sampling

Line outputs

Stereo output, Monitor output, 4x Omni output

DA converter

24-bit; 128-time over sampling

Digital I/O

ADAT (8-in/8-out), 2tr in/out

Expansion slots

Mini-YGDAI (16-in/16-out)

Control and others

To Host(USB), MIDI, Word clock I/O

 

General specifications  

Internal processing

32bit, Accumulator: 58bit

Sampling frequency rate

Internal

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

External

44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)

Signal delay

Less than 1.6ms CH INPUT to STEREO OUT (@SampIing frequency = 48kHz) / Less than 0.8ms CH INPUT to STEREO OUT (@SampIing frequency = 96kHz)

Total harmonic distortion

CH INPUT to STEREO OUT: Less than 0.05%, 20Hz to 20kHz @+14dBu into 600Ω / Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 48kHz) / Less than 0.05%, 20Hz to 40kHz @+14dBu into 600Ω / Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 96kHz)

Frequency response

CH INPUT to STEREO OUT: 0.5, -1.5dB, 20Hz - 20kHz @+4dBu into 600Ω(@SampIing frequency = 48kHz) / 0.5, -1.5dB, 20Hz - 40kHz @+4dBu into 600Ω(@SampIing frequency = 96kHz)

Dynamic range

110dB typ. DA Converter (STEREO OUT) / 105dB typ. AD+DA (to STEREO OUT) @fs=48kHz / 105dB typ. AD+DA (to STEREO OUT) @fs=96kHz

Hum & noise level

Equivalent input noise

-128dBu Equivalent Input Noise.

Residual output noise

-86dBu residual output noise. STEREO OUT: STEREO OUT off. / -86dBu (90dB S/N) STEREO OUT: STEREO fader at nominal level and all CH INPUT faders at minimum level. / -64dBu (68dB S/N) STEREO OUT: STEREO fader at nominal level and one CH INPUT fader at nominal level

Crosstalk

-80dB adjacent input channels (CH1-12) / -80dB adjacent input channels (CH13-16) / -80dB input to output

Power requirements

AC100V, 120V, 220-240V 50/60 Hz

Power consumption

90W

Dimensions

W

436mm; 17-1/8in

H

148mm; 5-7/8in

D

548mm; 21-5/8in

Net weight

14kg; 30.86lbs

Others

Fader: 100mm motorized x17

Weight6.0016.0020.0022.0015.0014.00
DimensionsN/AN/AN/AN/AN/AN/A
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