M-Audio Air 192|4 Vocal Studio Pro Desktop 2×2 USB Type-C Audio Interface with Mic and Headphones

200.00 incl. GR VAT

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Key Features
  • Musicians, Solo Performers & Songwriters
  • Desktop 2×2 Audio Interface
  • Studio Condenser Microphone & Headphones
  • USB Type-C and Type-A Connectivity
  • 1 Mic/Line Preamp, 1 Instrument Input
  • 1 Headphone Output, 2 Monitor Outs
  • 24-Bit / 192 kHz AD/DA Converters
  • Bus Powered / Mac, Windows
  • Pro Tools | First and Ableton Live Lite
  • 40 FX Plug-Ins, 4 VIs, 2GB Loop Set
Key Features
  • Musicians, Solo Performers & Songwriters
  • Desktop 2×2 Audio Interface
  • Studio Condenser Microphone & Headphones
  • USB Type-C and Type-A Connectivity
  • 1 Mic/Line Preamp, 1 Instrument Input
  • 1 Headphone Output, 2 Monitor Outs
  • 24-Bit / 192 kHz AD/DA Converters
  • Bus Powered / Mac, Windows
  • Pro Tools | First and Ableton Live Lite
  • 40 FX Plug-Ins, 4 VIs, 2GB Loop Set

 

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M-Audio Air 192 4 Vocal Studio Pro Overview

Designed as a complete setup for musicians, solo performers, and songwriters questing for studio-quality recordings and fresh sounds, the M-Audio AIR 192|4 Vocal Studio Pro bundles a studio condenser microphone and over-ear headphones with the AIR 192|4 desktop 2×2 USB Type-C audio interface, which provides transparent preamps and converters, easy operability, and an expansive software package of DAWs, virtual instruments, plug-ins, and loops.

With its XLR-1/4″ combo mic/line input and dedicated front-panel 1/4″ Hi-Z instrument input, the AIR 192|4 can simultaneously accommodate a dynamic or condenser mic and an electric guitar/bass while offering separate meters and gain controls for both inputs. Since the interface has two 1/4″ TRS monitor outputs and a 1/4″ headphone output with its own level control, you can connect active speakers and a set of headphones and adjust their volumes independently. The built-in monitor mixer lets you dial in the optimal blend of zero-latency live input signal and low-latency computer playback, so you can smoothly transition from tracking to overdubbing to mixing.

Complete Package for Home Recording

The AIR 192|4 Vocal Studio Pro provides a complete package for recording vocals at home or in your project studio; all you need to supply is a computer, a mic stand, and some creativity.

  • AIR 192|4 desktop 2×2 USB audio interface with USB Type-C and USB Type-A cables
  • Nova Black large-diaphragm cardioid studio condenser microphone with shockmount, XLR cable, windscreen, and carrying pouch
  • HDH40 closed-back, over-ear monitor headphones
  • Bundled software including DAWs, virtual instruments, effect plug-ins, and loops

Studio-Quality Recording for Solo Performers

With the AIR 192|4, you can create 24-bit / 192 kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to two channels at once with its dedicated XLR-1/4″ balanced combo mic/line input (+48V phantom power is switchable), and a front-panel 1/4″ instrument input that has a specially designed gain and impedance stage to provide an accurate representation of a guitar or bass plugged directly into the interface.

Crystal Preamps and High-Resolution Converters

M-Audio’s engineers designed the Crystal preamps to provide you with a transparent, low-noise preamp that guarantees an accurate sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit / 192 kHz resolution digital audio with a dynamic range that lets you capture every nuance and subtlety of the performance.

Nova Black Microphone

At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide-range frequency response (20 Hz to 20 kHz), resulting in a microphone that captures even the most subtle nuances. Use it for spoken word (podcasts, narrations, etc), vocals, or instruments.

HDH40 Headphones

M-Audio’s HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the effective acoustic isolation required in recording and monitoring environments.

Listen without Latency

When recording, you want to focus on capturing that perfect moment, so you can get the best performance out of your artist and talent. You don’t want to be bogged down by clicks, pops, or latency. The AIR 192|4 not only features a high-speed USB connection for providing low round-trip latency (2.59 ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology. The AIR 192|4 sports stereo 1/4″ monitor outputs and a 1/4″ headphone output, each with its own level control.

Bus Powered

The AIR 192|4 is bus powered, so you don’t have to carry around an external power supply. Connect it to your Mac or Windows computer via the supplied USB cables (one USB Type-C and one USB Type-C to Type-A). The interface is class-compliant for Macs and utilizes a downloadable driver for Windows.

Premium Software Suite

The AIR 192|4 comes complete with an expansive software package—two DAWs, 40 effect plug-ins, virtual instruments, and loops—to kickstart your musical creations.

  • Pro Tools | First M-Audio Edition: Audio/MIDI recording software with unlimited buses, Elastic Time, Elastic Pitch, offline bouncing, and 1GB of free cloud storage space
  • Ableton Live Lite: Popular audio/MIDI performance and production software
  • Eleven Lite: Guitar amp simulator with modern and vintage amps and cabs
  • AIR Creative FX Collection: 20 effects including reverbs, equalizers, delays, filters, and more
  • AVID Effects Collection: 20 effects including compression, delay, reverb, and more
  • AIR Music’s Instrument Collection
  • Boom: Drum machine
  • Vacuum: Monophonic tube synth
  • Mini Grand: Acoustic piano
  • Xpand!2: Multitimbral workstation
  • Touch Loops 2GB Loop Library
Weight 3 kg

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Quick Comparison

M-Audio Air 192|4 Vocal Studio Pro Desktop 2x2 USB Type-C Audio Interface with Mic and Headphones removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones removeRODE NT-2A Multipattern Condenser Microphone removeRODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeRODE NT-2000 LARGE-DIAPHRAGM CONDESER MICROPHONE remove
NameM-Audio Air 192|4 Vocal Studio Pro Desktop 2x2 USB Type-C Audio Interface with Mic and Headphones removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones removeRODE NT-2A Multipattern Condenser Microphone removeRODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeRODE NT-2000 LARGE-DIAPHRAGM CONDESER MICROPHONE remove
ImageM-Audio Air 192 4 Vocal Studio Pro Desktop 2x2 USB Type-C Audio Interface with Mic and Headphones artsound akoustika mikrofwno
SKUMI/EM/000055C414-XLSE005251H11RD00030H11RD00025H11RD00003
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Description
Key Features
  • Musicians, Solo Performers & Songwriters
  • Desktop 2x2 Audio Interface
  • Studio Condenser Microphone & Headphones
  • USB Type-C and Type-A Connectivity
  • 1 Mic/Line Preamp, 1 Instrument Input
  • 1 Headphone Output, 2 Monitor Outs
  • 24-Bit / 192 kHz AD/DA Converters
  • Bus Powered / Mac, Windows
  • Pro Tools | First and Ableton Live Lite
  • 40 FX Plug-Ins, 4 VIs, 2GB Loop Set
Content

M-Audio Air 192 4 Vocal Studio Pro Overview

Designed as a complete setup for musicians, solo performers, and songwriters questing for studio-quality recordings and fresh sounds, the M-Audio AIR 192|4 Vocal Studio Pro bundles a studio condenser microphone and over-ear headphones with the AIR 192|4 desktop 2x2 USB Type-C audio interface, which provides transparent preamps and converters, easy operability, and an expansive software package of DAWs, virtual instruments, plug-ins, and loops. With its XLR-1/4" combo mic/line input and dedicated front-panel 1/4" Hi-Z instrument input, the AIR 192|4 can simultaneously accommodate a dynamic or condenser mic and an electric guitar/bass while offering separate meters and gain controls for both inputs. Since the interface has two 1/4" TRS monitor outputs and a 1/4" headphone output with its own level control, you can connect active speakers and a set of headphones and adjust their volumes independently. The built-in monitor mixer lets you dial in the optimal blend of zero-latency live input signal and low-latency computer playback, so you can smoothly transition from tracking to overdubbing to mixing.

Complete Package for Home Recording

The AIR 192|4 Vocal Studio Pro provides a complete package for recording vocals at home or in your project studio; all you need to supply is a computer, a mic stand, and some creativity.
  • AIR 192|4 desktop 2x2 USB audio interface with USB Type-C and USB Type-A cables
  • Nova Black large-diaphragm cardioid studio condenser microphone with shockmount, XLR cable, windscreen, and carrying pouch
  • HDH40 closed-back, over-ear monitor headphones
  • Bundled software including DAWs, virtual instruments, effect plug-ins, and loops

Studio-Quality Recording for Solo Performers

With the AIR 192|4, you can create 24-bit / 192 kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to two channels at once with its dedicated XLR-1/4" balanced combo mic/line input (+48V phantom power is switchable), and a front-panel 1/4" instrument input that has a specially designed gain and impedance stage to provide an accurate representation of a guitar or bass plugged directly into the interface.

Crystal Preamps and High-Resolution Converters

M-Audio's engineers designed the Crystal preamps to provide you with a transparent, low-noise preamp that guarantees an accurate sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit / 192 kHz resolution digital audio with a dynamic range that lets you capture every nuance and subtlety of the performance.

Nova Black Microphone

At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide-range frequency response (20 Hz to 20 kHz), resulting in a microphone that captures even the most subtle nuances. Use it for spoken word (podcasts, narrations, etc), vocals, or instruments.

HDH40 Headphones

M-Audio's HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the effective acoustic isolation required in recording and monitoring environments.

Listen without Latency

When recording, you want to focus on capturing that perfect moment, so you can get the best performance out of your artist and talent. You don't want to be bogged down by clicks, pops, or latency. The AIR 192|4 not only features a high-speed USB connection for providing low round-trip latency (2.59 ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology. The AIR 192|4 sports stereo 1/4" monitor outputs and a 1/4" headphone output, each with its own level control.

Bus Powered

The AIR 192|4 is bus powered, so you don't have to carry around an external power supply. Connect it to your Mac or Windows computer via the supplied USB cables (one USB Type-C and one USB Type-C to Type-A). The interface is class-compliant for Macs and utilizes a downloadable driver for Windows.

Premium Software Suite

The AIR 192|4 comes complete with an expansive software package—two DAWs, 40 effect plug-ins, virtual instruments, and loops—to kickstart your musical creations.
  • Pro Tools | First M-Audio Edition: Audio/MIDI recording software with unlimited buses, Elastic Time, Elastic Pitch, offline bouncing, and 1GB of free cloud storage space
  • Ableton Live Lite: Popular audio/MIDI performance and production software
  • Eleven Lite: Guitar amp simulator with modern and vintage amps and cabs
  • AIR Creative FX Collection: 20 effects including reverbs, equalizers, delays, filters, and more
  • AVID Effects Collection: 20 effects including compression, delay, reverb, and more
  • AIR Music's Instrument Collection
  • Boom: Drum machine
  • Vacuum: Monophonic tube synth
  • Mini Grand: Acoustic piano
  • Xpand!2: Multitimbral workstation
  • Touch Loops 2GB Loop Library
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg)Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones. Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
  • Large 1" (25mm) capsule with gold plated diaphragm
  • Cardioid polar pattern
  • Self noise of only 5dB (A)
  • Ultra low noise, transformerless surface mount circuitry
  • Wide dynamic range
  • Gold plated output contacts
  • True condenser (externally biased)
  • Internal capsule shock mounting
Microphone Impedance: 100 Ohms Microphone Dynamic Range: > 132dB (per IEC268-15) Microphone Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) Microphone Diameter: 50mm Microphone Powering: +48 Volts (Phantom Power) Physical Weight: 326.00g Frequency Curve Image:

NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.

The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.

SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range:  20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651:  87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery:  2.6 kg
 

Weight3 kg2.27 kg0.90 kg2.90 kg3.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3 kg
Weight 2.27 kg
Weight 0.90 kg
Weight 2.90 kg
Weight 3.00 kg
Weight 3.00 kg