| Content | M-Audio Air 192 4 Vocal Studio Pro Overview
Designed as a complete setup for musicians, solo performers, and songwriters questing for studio-quality recordings and fresh sounds, the M-Audio AIR 192|4 Vocal Studio Pro bundles a studio condenser microphone and over-ear headphones with the AIR 192|4 desktop 2x2 USB Type-C audio interface, which provides transparent preamps and converters, easy operability, and an expansive software package of DAWs, virtual instruments, plug-ins, and loops.
With its XLR-1/4" combo mic/line input and dedicated front-panel 1/4" Hi-Z instrument input, the AIR 192|4 can simultaneously accommodate a dynamic or condenser mic and an electric guitar/bass while offering separate meters and gain controls for both inputs. Since the interface has two 1/4" TRS monitor outputs and a 1/4" headphone output with its own level control, you can connect active speakers and a set of headphones and adjust their volumes independently. The built-in monitor mixer lets you dial in the optimal blend of zero-latency live input signal and low-latency computer playback, so you can smoothly transition from tracking to overdubbing to mixing.
The AIR 192|4 Vocal Studio Pro provides a complete package for recording vocals at home or in your project studio; all you need to supply is a computer, a mic stand, and some creativity.
- AIR 192|4 desktop 2x2 USB audio interface with USB Type-C and USB Type-A cables
- Nova Black large-diaphragm cardioid studio condenser microphone with shockmount, XLR cable, windscreen, and carrying pouch
- HDH40 closed-back, over-ear monitor headphones
- Bundled software including DAWs, virtual instruments, effect plug-ins, and loops
With the AIR 192|4, you can create 24-bit / 192 kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to two channels at once with its dedicated XLR-1/4" balanced combo mic/line input (+48V phantom power is switchable), and a front-panel 1/4" instrument input that has a specially designed gain and impedance stage to provide an accurate representation of a guitar or bass plugged directly into the interface.
M-Audio's engineers designed the Crystal preamps to provide you with a transparent, low-noise preamp that guarantees an accurate sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit / 192 kHz resolution digital audio with a dynamic range that lets you capture every nuance and subtlety of the performance.
At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide-range frequency response (20 Hz to 20 kHz), resulting in a microphone that captures even the most subtle nuances. Use it for spoken word (podcasts, narrations, etc), vocals, or instruments.
M-Audio's HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the effective acoustic isolation required in recording and monitoring environments.
When recording, you want to focus on capturing that perfect moment, so you can get the best performance out of your artist and talent. You don't want to be bogged down by clicks, pops, or latency. The AIR 192|4 not only features a high-speed USB connection for providing low round-trip latency (2.59 ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology. The AIR 192|4 sports stereo 1/4" monitor outputs and a 1/4" headphone output, each with its own level control.
The AIR 192|4 is bus powered, so you don't have to carry around an external power supply. Connect it to your Mac or Windows computer via the supplied USB cables (one USB Type-C and one USB Type-C to Type-A). The interface is class-compliant for Macs and utilizes a downloadable driver for Windows.
The AIR 192|4 comes complete with an expansive software package—two DAWs, 40 effect plug-ins, virtual instruments, and loops—to kickstart your musical creations.
- Pro Tools | First M-Audio Edition: Audio/MIDI recording software with unlimited buses, Elastic Time, Elastic Pitch, offline bouncing, and 1GB of free cloud storage space
- Ableton Live Lite: Popular audio/MIDI performance and production software
- Eleven Lite: Guitar amp simulator with modern and vintage amps and cabs
- AIR Creative FX Collection: 20 effects including reverbs, equalizers, delays, filters, and more
- AVID Effects Collection: 20 effects including compression, delay, reverb, and more
- AIR Music's Instrument Collection
- Boom: Drum machine
- Vacuum: Monophonic tube synth
- Mini Grand: Acoustic piano
- Xpand!2: Multitimbral workstation
- Touch Loops 2GB Loop Library
| AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish | A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
| Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
| Polar pattern |
Cardioid, omnidirectional, figure-eight |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
28 mV/Pa (-31 dBV) |
| Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave, 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: |
NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 13 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent noise level, CCIR1) | 23 dB | | Equivalent noise level, A-weighted1) | 12 dB-A | | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 71 dB | | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 82 dB | | Maximum SPL for THD | 110 dB | | Maximum SPL for THD | 129 dB | | Maximum output voltage for THD | -1 dBu | | Dyn. range of the mic. amplifier /A-weighted, 0.5 %2)) | 98 dB | | Dyn. range of the mic. amplifier /A-weighted, 5 %2)) | 117 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 3.2 mA | | Matching connector | XLR 3F | | Weight | 825 g | | Diameter | 78 mm | | Length | 165 mm |
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal |
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