Designed as a complete setup for musicians, solo performers, and songwriters questing for studio-quality recordings and fresh sounds, the M-Audio AIR 192|4 Vocal Studio Pro bundles a studio condenser microphone and over-ear headphones with the AIR 192|4 desktop 2×2 USB Type-C audio interface, which provides transparent preamps and converters, easy operability, and an expansive software package of DAWs, virtual instruments, plug-ins, and loops.
With its XLR-1/4″ combo mic/line input and dedicated front-panel 1/4″ Hi-Z instrument input, the AIR 192|4 can simultaneously accommodate a dynamic or condenser mic and an electric guitar/bass while offering separate meters and gain controls for both inputs. Since the interface has two 1/4″ TRS monitor outputs and a 1/4″ headphone output with its own level control, you can connect active speakers and a set of headphones and adjust their volumes independently. The built-in monitor mixer lets you dial in the optimal blend of zero-latency live input signal and low-latency computer playback, so you can smoothly transition from tracking to overdubbing to mixing.
Complete Package for Home Recording
The AIR 192|4 Vocal Studio Pro provides a complete package for recording vocals at home or in your project studio; all you need to supply is a computer, a mic stand, and some creativity.
AIR 192|4 desktop 2×2 USB audio interface with USB Type-C and USB Type-A cables
Nova Black large-diaphragm cardioid studio condenser microphone with shockmount, XLR cable, windscreen, and carrying pouch
HDH40 closed-back, over-ear monitor headphones
Bundled software including DAWs, virtual instruments, effect plug-ins, and loops
Studio-Quality Recording for Solo Performers
With the AIR 192|4, you can create 24-bit / 192 kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to two channels at once with its dedicated XLR-1/4″ balanced combo mic/line input (+48V phantom power is switchable), and a front-panel 1/4″ instrument input that has a specially designed gain and impedance stage to provide an accurate representation of a guitar or bass plugged directly into the interface.
Crystal Preamps and High-Resolution Converters
M-Audio’s engineers designed the Crystal preamps to provide you with a transparent, low-noise preamp that guarantees an accurate sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit / 192 kHz resolution digital audio with a dynamic range that lets you capture every nuance and subtlety of the performance.
Nova Black Microphone
At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide-range frequency response (20 Hz to 20 kHz), resulting in a microphone that captures even the most subtle nuances. Use it for spoken word (podcasts, narrations, etc), vocals, or instruments.
HDH40 Headphones
M-Audio’s HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the effective acoustic isolation required in recording and monitoring environments.
Listen without Latency
When recording, you want to focus on capturing that perfect moment, so you can get the best performance out of your artist and talent. You don’t want to be bogged down by clicks, pops, or latency. The AIR 192|4 not only features a high-speed USB connection for providing low round-trip latency (2.59 ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology. The AIR 192|4 sports stereo 1/4″ monitor outputs and a 1/4″ headphone output, each with its own level control.
Bus Powered
The AIR 192|4 is bus powered, so you don’t have to carry around an external power supply. Connect it to your Mac or Windows computer via the supplied USB cables (one USB Type-C and one USB Type-C to Type-A). The interface is class-compliant for Macs and utilizes a downloadable driver for Windows.
Premium Software Suite
The AIR 192|4 comes complete with an expansive software package—two DAWs, 40 effect plug-ins, virtual instruments, and loops—to kickstart your musical creations.
Pro Tools | First M-Audio Edition: Audio/MIDI recording software with unlimited buses, Elastic Time, Elastic Pitch, offline bouncing, and 1GB of free cloud storage space
Ableton Live Lite: Popular audio/MIDI performance and production software
Eleven Lite: Guitar amp simulator with modern and vintage amps and cabs
AIR Creative FX Collection: 20 effects including reverbs, equalizers, delays, filters, and more
AVID Effects Collection: 20 effects including compression, delay, reverb, and more
AIR Music’s Instrument Collection
Boom: Drum machine
Vacuum: Monophonic tube synth
Mini Grand: Acoustic piano
Xpand!2: Multitimbral workstation
Touch Loops 2GB Loop Library
Weight
3 kg
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Designed as a complete setup for musicians, solo performers, and songwriters questing for studio-quality recordings and fresh sounds, the M-Audio AIR 192|4 Vocal Studio Pro bundles a studio condenser microphone and over-ear headphones with the AIR 192|4 desktop 2x2 USB Type-C audio interface, which provides transparent preamps and converters, easy operability, and an expansive software package of DAWs, virtual instruments, plug-ins, and loops.
With its XLR-1/4" combo mic/line input and dedicated front-panel 1/4" Hi-Z instrument input, the AIR 192|4 can simultaneously accommodate a dynamic or condenser mic and an electric guitar/bass while offering separate meters and gain controls for both inputs. Since the interface has two 1/4" TRS monitor outputs and a 1/4" headphone output with its own level control, you can connect active speakers and a set of headphones and adjust their volumes independently. The built-in monitor mixer lets you dial in the optimal blend of zero-latency live input signal and low-latency computer playback, so you can smoothly transition from tracking to overdubbing to mixing.
Complete Package for Home Recording
The AIR 192|4 Vocal Studio Pro provides a complete package for recording vocals at home or in your project studio; all you need to supply is a computer, a mic stand, and some creativity.
AIR 192|4 desktop 2x2 USB audio interface with USB Type-C and USB Type-A cables
Nova Black large-diaphragm cardioid studio condenser microphone with shockmount, XLR cable, windscreen, and carrying pouch
HDH40 closed-back, over-ear monitor headphones
Bundled software including DAWs, virtual instruments, effect plug-ins, and loops
Studio-Quality Recording for Solo Performers
With the AIR 192|4, you can create 24-bit / 192 kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to two channels at once with its dedicated XLR-1/4" balanced combo mic/line input (+48V phantom power is switchable), and a front-panel 1/4" instrument input that has a specially designed gain and impedance stage to provide an accurate representation of a guitar or bass plugged directly into the interface.
Crystal Preamps and High-Resolution Converters
M-Audio's engineers designed the Crystal preamps to provide you with a transparent, low-noise preamp that guarantees an accurate sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit / 192 kHz resolution digital audio with a dynamic range that lets you capture every nuance and subtlety of the performance.
Nova Black Microphone
At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide-range frequency response (20 Hz to 20 kHz), resulting in a microphone that captures even the most subtle nuances. Use it for spoken word (podcasts, narrations, etc), vocals, or instruments.
HDH40 Headphones
M-Audio's HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the effective acoustic isolation required in recording and monitoring environments.
Listen without Latency
When recording, you want to focus on capturing that perfect moment, so you can get the best performance out of your artist and talent. You don't want to be bogged down by clicks, pops, or latency. The AIR 192|4 not only features a high-speed USB connection for providing low round-trip latency (2.59 ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology. The AIR 192|4 sports stereo 1/4" monitor outputs and a 1/4" headphone output, each with its own level control.
Bus Powered
The AIR 192|4 is bus powered, so you don't have to carry around an external power supply. Connect it to your Mac or Windows computer via the supplied USB cables (one USB Type-C and one USB Type-C to Type-A). The interface is class-compliant for Macs and utilizes a downloadable driver for Windows.
Premium Software Suite
The AIR 192|4 comes complete with an expansive software package—two DAWs, 40 effect plug-ins, virtual instruments, and loops—to kickstart your musical creations.
Pro Tools | First M-Audio Edition: Audio/MIDI recording software with unlimited buses, Elastic Time, Elastic Pitch, offline bouncing, and 1GB of free cloud storage space
Ableton Live Lite: Popular audio/MIDI performance and production software
Eleven Lite: Guitar amp simulator with modern and vintage amps and cabs
AIR Creative FX Collection: 20 effects including reverbs, equalizers, delays, filters, and more
AVID Effects Collection: 20 effects including compression, delay, reverb, and more
AIR Music's Instrument Collection
Boom: Drum machine
Vacuum: Monophonic tube synth
Mini Grand: Acoustic piano
Xpand!2: Multitimbral workstation
Touch Loops 2GB Loop Library
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
34/47/62 mV/Pa*
Rated impedance
50 ohms
Rated load impedance
1000 ohms
Equivalent SPL CCIR 468-3
28/25/23 dB*
Equivalent SPL DIN/IEC 651
16/13/11 dB-A*
S/N ratio CCIR 468-3
66/69/71 dB*
S/N ratio DIN/IEC 651
78/81/83 dB*
Typical SPL (tube characteristic)
K
Maximum output voltage
18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for
101 (121) dB
Powering
Power supply N 149
Matching connectors
Microphone DIN 8F, Power supply XLR 3F
Weight
730 g
Diameter
70 mm
Length
201 mm
* Omnidirectional / cardioid / figure-8
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg)
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
20 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1000 ohms
Equivalent SPL CCIR 468-3
24 dB
Equivalent SPL DIN/IEC 651
12 dB-A
S/N ratio CCIR 468-3
70 dB
S/N ratio DIN/IEC 651
82 dB
Maximum SPL
114 dB for THD
Maximum output voltage
8 dBu
Dyn. range of the mic. amplifier DIN/IEC 651
102 dB for THD
Supply voltage
Power supply N 149 A
Matching connector
Microphone: DIN 8F, Power Supply: XLR 3F
Weight
460 g
Diameter
57 mm
Length
142 mm
Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, cardioid, figure-8 plus
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
20/28/22 mV/Pa1)
Rated impedance
200 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR2)
26/23/25 dB1)
Equivalent noise level, A-weighted2)
15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL)
68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL)
79/82/80 dB1)
Maximum SPL for THD 0.5%3)
117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3)
127 dB
Maximum output voltage
390 mV
Dynamic range of the microphone amplifier (A-weighted)
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