| Content | Uber Mic is the perfect set-up for all your recording needs—whether it’s recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all – start recording, streaming & broadcasting now!
• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise
• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources
• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously
• Stereo – picks up from the left and right side of the microphone, producing a true stereo image
Features
- Easy, intuitive operation for any application
- Wide-range 30–20,000Hz frequency response delivers detailed, natural sound
- 3-capsule condenser microphone element, including single-point stereo
- 4 selectable polar patterns to customize your ideal recording
- Polar patterns: cardioid, figure-8, omnidirectional, and stereo
- 1/8” headphone jack and internal headphone amplifier
- USB/direct mixing control with mic volume control enables zero-latency recording and monitoring
- Microphone mute control ensures privacy
- LCD display shows polar pattern and currently selected control level
- Studio-quality recording and playback for accurate reproduction
- Convenient desktop mounting with threaded insert for optional stand-mounting
- Integrated stand fits easily into any setup
- iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)
Specifications
- Microphone:
- Type: 3-capsule condenser USB microphone
- Capsule Size: 16mm
- Polar Patterns: Figure 8, cardioid, omni, and stereo
- Frequency Response: 30 Hz - 20 KHz
- Sensitivity: -45 dB (0 dB = 1V/Pa @ 1 kHz)
- SNR: 110 dB
- Maximum SPL: 120 dB (THD
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The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
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8 Wide frequency response range
High sensitivity, Low distortion
High input withstand S.P.L.
Rugged brass case, Light weight
Shock mount adapters, stereo mounting bracket and wind screens as standard
PREMLIMINARY INFORMATION.
The MC10ST is a stereo microphone set including a pair of cardioid electret condenser microphones,
shock mount adapters, stereo mounting bracket and wind screens. The MC10ST can be used in a
wide range of applications, from studio and home recording to field or location sound aquisition.
Wide frequency response range
High sensitivity
Low distortion
High input withstand S.P.L.
Rugged brass case
Light weight
Shock mount adapters, stereo mounting bracket and wind screens as standard
Dedicated carry case as standard
SPECIFICATIONS:
Type: Back Electret Condenser Microphone
Polar Pattern: Cardioid
Frequency Response: 40Hz to 20kHz +/-10dB
Sensitivity: -40dBV/pa (10mv/pa)
Rated Impedance: 200ohm
Equivalent Noise Level: 22dB (A weighted IEC/DIN 651)
Maximum SPL: 134dB (THD |
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
- Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
- Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
- Mono compatibility ideal for broadcast applications
- 40 to 20,000 Hz frequency response
- Low noise and distortion
- Wide dynamic range
- Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
- Operates on phantom power or a 6V camera battery
- LED power indicator
- Internal shock mount for reduced stand vibration and handling noise
- Built-in "pop" screen
- Includes windscreen, swivel adapter, and Y-cable
| Technical specifications
| Polar pattern |
cardioid |
| Frequency range |
50 to 20,000 Hz |
| Sensitivity |
20 mV/Pa (?34 dBV) |
| Max. SPL |
125 dB (k=1 %) |
| Equivalent noise level |
21 dB-A |
| Signal/noise ratio (A-weighted) |
73 dB |
| Impedance |
600 ohms |
| Recommended load impedance |
>2000 ohms |
| Supply voltage |
9 to 52 V phantom power, requires DPA adapter (supplied with most Installation Modules) |
| Current consumption |
|
| Connector |
Discreet Acoustics Modular standard |
| Finish |
matte dark gray |
| Dimensions |
13.5 x 20 mm dia. (0.5 dia. x 0.8 in.) |
| Net weight |
5 g (0.17 oz.) |
| Shipping weight |
88 g (3.1 oz.) |
| Accessories (included) |
W 30 |
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The super-cardioid e 614 is a permantly polarized condenser microphone
designed for demanding applications which require a wide frequency response,
high SPL, fast transient response and a compact design. With its frequency
response of 40 Hz to 20 kHz, the e 614 is able to capture the full sound of the
instrument, while its super-cardioid pick-up pattern isolates the microphone
from other on-stage signals.
An excellent microphone for percussion instruments, the e 614 is also an ideal
choice for woodwind and string instruments. Its excellent acoustic properties
also make it a valuable tool for home recording.
Features
Rugged design Effective rejection of incidental rear noise Excellent directivity
across the whole frequency range Full, natural sound High maximum sound
pressure level
Wide frequency response
Delivery Includes
Microphone pouch
Microphone clip MZQ 100
Technical Data
Frequency response 40 Hz ... 20 kHz
Transducer principle permanently polarized condenser
Pick-up pattern supercardioid
Sensitivity in free field, no load (1kHz) 3 mV/Pa = - 50dB (0 dB = 1 V/Pa)
Nominal impedance 50 Ohm
Min. terminating impedance 1 kOhm
Maximum sound pressure level (passiv) 139 dB/SPL
Equivalent noise level 24 dB(A)
Equivalent noise level weighted as per CCIR 468-3 35 dB
Dimensions ? 20mm, L = 100mm
Weight w/o cable 93 g
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