MACKIE Mix12FX Console 12 channels with integrated 12 FX, 4 mic inputs

148.00 incl. GR VAT

In stock (can be backordered)

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Console 12 channels with integrated 12 FX, 4 mic inputs with Low cut (75Hz), 4 stereo 1/4 ‘line inputs, 60mm master fader, EQ three regions, pan pot 48V phantom power, RCA tape in / out, balanced master out (TRS) and headphone / control room. Dimensions (HxWxD) 53x297x244mm – 1,7kg. Characteristics: 12-channel compact effects mixer with […]

 

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Console 12 channels with integrated 12 FX, 4 mic inputs with Low cut (75Hz), 4 stereo 1/4 ‘line inputs, 60mm master fader, EQ three regions, pan pot 48V phantom power, RCA tape in / out, balanced master out (TRS) and headphone / control room. Dimensions (HxWxD) 53x297x244mm – 1,7kg.

Characteristics:

12-channel compact effects mixer with provnoise performance
4 mic / line inputs with studio-level audio quality
3-band EQ with clean, precise tone shaping
Low cut filter (75Hz)
Pan, level and overload indication
Phantom power for studio condenser mics
4 stereo 1/4 ‘line inputs
+ 4 / -10dB operation
Balance, level and overload indication
12 great-sounding integrated effects incl reverbs, choruses and delays
Dedicated stereo RCA inputs / outputs
60mm fader for Main L / R outputs
Headphone and stereo control room outputs with separate volume control
Rugged, reliable design built to last
Extremely compact and portable

Noise

(20 Hz – 20 kHz bandwidth, 150 ohm source impedance, EIN)

All outputs, master levels and channel levels off –100 dBu

All outputs, master levels unity, all channel levels off –90 dBu

All outputs, master levels unity, 1 channel level unity –85 dBu

THD+N (20 Hz – 30 kHz bandwidth)

Mic input to main output

Weight 2.00 kg

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Quick Comparison

MACKIE Mix12FX Console 12 channels with integrated 12 FX, 4 mic inputs removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB4 LIVE 16MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) remove
NameMACKIE Mix12FX Console 12 channels with integrated 12 FX, 4 mic inputs removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB4 LIVE 16MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) remove
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SKU149.212149.049GB4 16CHSPIRIT EFX8GB2 16CHE002849
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Price 148.00 incl. GR VAT 953.99 incl. GR VAT 2,036.00 incl. GR VAT 410.00 incl. GR VAT 1,456.00 incl. GR VAT 2,398.00 incl. GR VAT
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Description
ContentConsole 12 channels with integrated 12 FX, 4 mic inputs with Low cut (75Hz), 4 stereo 1/4 'line inputs, 60mm master fader, EQ three regions, pan pot 48V phantom power, RCA tape in / out, balanced master out (TRS) and headphone / control room. Dimensions (HxWxD) 53x297x244mm - 1,7kg. Characteristics: 12-channel compact effects mixer with provnoise performance 4 mic / line inputs with studio-level audio quality 3-band EQ with clean, precise tone shaping Low cut filter (75Hz) Pan, level and overload indication Phantom power for studio condenser mics 4 stereo 1/4 'line inputs + 4 / -10dB operation Balance, level and overload indication 12 great-sounding integrated effects incl reverbs, choruses and delays Dedicated stereo RCA inputs / outputs 60mm fader for Main L / R outputs Headphone and stereo control room outputs with separate volume control Rugged, reliable design built to last Extremely compact and portable Noise
(20 Hz – 20 kHz bandwidth, 150 ohm source impedance, EIN) All outputs, master levels and channel levels off –100 dBu All outputs, master levels unity, all channel levels off –90 dBu All outputs, master levels unity, 1 channel level unity –85 dBu
THD+N (20 Hz – 30 kHz bandwidth) Mic input to main output

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

    Soundcraft EFX



    (EFX8, EFX12)

    The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

    The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

    The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

    The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

    Key Features:
    • 8+2 channel frame sizes
    • Built-in 24 bit Lexicon digital effects processor
    • 32 FX settings
    • Tap Tempo and FX setting store function
    • 1 FX send on each channel
    • 1 configurable auxiliary bus
    • XLR-type and ¼” metal jack connector sockets
    • RCA phono stereo playback inputs and record outputs
    • 3-band EQ with a swept mid on mono inputs
    • 3-band EQ on stereo inputs
    • TRS insert sockets and inserts on all mono inputs
    • Ten-segment LED output metering
    • Intuitive and comprehensive solo system
    • Headphone output
    • Easily rack mountable
    The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

    The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

    Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

    Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

    Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

    The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

    Soundcraft GB2 16 main features include:

    • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz

    MIC/LINE Input Channels
    The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
    The +48V phantom power for condenser microphones can be switched in groups of six.
    The Line Input and Channel Insert are implemented as jack sockets.
    The Gain can be controlled in the range 0-60 dB.
    The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
    Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
    With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
    2 (FX) are assiged to the two effects devices;
    2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
    2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
    MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
    Each channel offers a Signal Present and Peak LED for level control.
    The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
    All potentiometers and faders are high-quality components from ALPS.
    Stereo MIC/LINE Input Channels
    The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
    Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
    The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
    Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
    Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
    MASTER
    In the Master Section, too, the CMS3 mixers are lavishly equipped.
    The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
    The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
    The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
    The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
    The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
    A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
    DIGITAL USB 2.0 AUDIO INTERFACE  
    The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
    For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
    PC MIDI Interface
    The CMS3 also offers a fully-featured PC MIDI interface.
    The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
    Professional Effects, OLED Display and Processing Menus
    The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
    Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
    The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
    Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
    Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
    The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
    Processing Menus
    For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
    Innovative Solution for Protection and Transportation
    Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
    For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
    Accessories
    For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
    Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

    Weight2.00 kg20.00 kg22.00 kg3.00 kg32.00 kg13.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
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    Weight 20.00 kg
    Weight 22.00 kg
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    Weight 32.00 kg
    Weight 13.00 kg