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- Connect HDMI sources to your audio equipment, even if they lack a dedicated audio output (Apple TV 4, Chromecast, Wii U, media players).
- Listen to music (MP3, audio streams, radio channels) without requiring the TV being turned on.
- Versatile problem solver when connecting your audio equipment to your TV, monitor or projector.
- Determine your desired audio format using the unique EDID switch.
- Play the audio from your Smart TV applications (Netflix, YouTube) or built-in TV decoder on your home cinema set, audio amplifier or soundbar.
- Use your TV's Audio Return Channel (ARC) function, even when your audio equipment is not suitable for this.
Still want to connect your Apple TV 4, Google Chromecast or TV without an audio output to your audio equipment? You can with the Connect AE14.
This HDMI audio extractor with ARC allows you to extract audio from your HDMI source or TV and to forward it to the speakers of a home cinema set, audio amplifier or soundbar.
The products the Connect-series can be used if the inputs and outputs of equipment cannot be connected with each other by default.
Connections
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AV input |
1 x HDMI |
AV output |
1 x HDMI |
HDMI cable length |
15 metres (max.) |
Digital audio output |
1 x Toslink (optical), 1x coaxial |
Analogue audio output |
1 x stereo 3.5 mm jack |
Video
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Supported resolution |
Max. 2160@30Hz |
HDMI standards |
HDMI 1.4, HDCP, CEC, ARC, EDID, DVI, Deep Color 36-bit, 3D formats and x.v. Colour |
Video bandwidth |
10.2 Gbps |
Clock frequency |
300 MHz |
HDCP standards |
HDCP 1.4/2.2 |
Colour formats |
RGB and YCbCr 4:4:4, 4:2:0 of 4:2:2 |
Colour depth |
Max. 36-bit |
Audio
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Digital audio output |
DTS 5.1, Dolby Digital/AC3 and PCM 2.0 CH |
Analogue audio output |
2.0 CH |
General
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Dimensions (h x w x d) |
20 x 70 x 68 mm |
Weight |
130 grams |
Ambient temperature |
+0 to +70 °C |
Humidity |
10% to 85% |
Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
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- Connect 2 TVs or projectors and switch between 4 connected HDMI devices.
- HDMI matrix switch allows you to watch other HDMI devices on 2 screens independently.
- Use the built-in 1080p downscaler in case 1 or more screens do not support 4K resolution.
- Suitable for the latest Ultra HD 4K60 resolution (3840 x 2160/60 Hz), High Dynamic Range (HDR), Deep Color and 4:4:4 chroma colours.
- Supports Dolby Atmos and DTS:X and all other common audio formats.
- With additional digital audio output to also connect your AV receiver using a single cable.
- Supports Audio Return Channel (ARC) to avoid lip-sync problems.
- Switches automatically and/or with remote control.
Connections
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AV input |
4 x HDMI |
AV output |
2 x HDMI |
Digital audio output |
1x Toslink (optical) |
Video
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|
Video resolution |
Max. 4K60 (3840 x 2160@60 Hz) |
PC resolution |
Max. 2560 x 2048 Hz |
Video bandwidth |
18 Gbps |
Clock frequency |
Max. 600 MHz |
HDMI standard |
HDMI, EDID, DVI, Deep Color 36 bit, x.v. Colour and 3D formats |
HDCP standard |
HDCP 2.2 |
Colour formats |
RGB and YCbCr 4:4:4, 4:2:0 or 4:2:2 |
Colour depth |
Max. 36 bit |
Audio
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|
HDMI audio |
DTS-HD Master Audio, Dolby TrueHD, Dolby Atmos, DTS:X, Dolby Digital/AC3, DTS 5.1 and PCM stereo |
Optical Audio |
Dolby Digital/AC3, DTS 5.1 and PCM stereo |
General
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Dimensions (h x w x d) |
18 x 242 x 104 mm |
Weight |
620grams |
Power |
100-240 VAC 50/60 Hz, 12 VDC adapter |
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In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.
The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.
All four channels have the following controls:
Threshold - allows you to set the level at which the compressor starts affecting the gain
OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.
Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.
Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.
Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.
Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.
PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.
Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.
All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.
- Four independent channels of operation, stereo linkable in two pairs
- PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
- Independent Threshold and ratio controls
- Switchable OverEasy® or Hard Knee compression
- Classic dbx® compression
- Differentially balanced gold-plated XLR and 1/4" inputs and outputs
- True RMS level detection
- Precision metering of input level, output level, and gain reduction
- Dual True stereo or quad mono operation
- Switchable +4dBu or -10dBV operation per channel
Input Connectors | XLR and 1/4" TRS (Pin 2 and tip hot) | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced > 40 kOhm, unbalanced >20 kOhm | Max Input | > +22 dBu balanced or unbalanced | CMRR | Typically >50 dB at 1 kHz | Output Connectors | XLR and 1/4" TRS (Pin 2 and tip hot) | Output Type | Servo-balanced/unbalanced, RF filtered | Output Impedance | Balanced 30 Ohm, unbalanced 15 Ohm | Max Output | > +22 dBm balanced, > +20 dBm unbalanced | Bandwidth | 20 Hz to 20 kHz, +0/-0.5 dB | Frequency Response | 0.35 Hz to 90kHz, +0/-3 dB | Noise | | Dynamic Range | > 118 dB, unweighted | THD+Noise | >0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), | IMD | | Interchannel Crosstalk | | Stereo Coupling | True RMS Power Summing | Compressor Threshold Range | -40 dBu to +20 dBu | Compressor Ratio | 1:1 to infinity:1 | Compressor Threshold Characteristic | Selectable OverEasy® or hard knee | Compressor Attack/Release Characteristic | AutoDynamic™ | Compressor Attack Time | Program-dependent | Compressor Release Time | Program-dependent | Compressor Output Gain | -20 to +20 dB | Limiter Threshold Range | 0 dBu to +24 dBu (off) | Limiter Ratio | infinity:1 | Limiter Type | PeakStopPlus® two-stage limiter | Limiter Stage 1 | PeakStop® brickwall limiter | Limiter Stage 1 Attack Time | Zero | Limiter Stage 1 Release Time | Zero | Limiter Stage 2 | Predictive intelligent program limiter | Limiter Stage 2 Attack Time | Program-dependent | Limiter Stage 2 Release Time | Program-dependent | OverEasy® Switch | Activates the OverEasy compression function | I/O Meter Switch | Switches between monitoring input and output levels on the Input/Output Level meter | Bypass Switch | Activates the direct input-to-output hard-wire bypass | Operating Level Switch | (rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels | ST Link Switch | Links channels in stereo pairs. Channels One and Three become the master channels | Gain Reduction Meter | 8 segment LED bar graph at 1, 3, 6, 10, 15, 20, 25, and 30 dB | I/O Meter | 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu | PeakStop™ Indicator | 1 LED to indicate PeakStop™ limiting | Function Switches | LED indicator for each front-panel switch | Output Transformer Options | Jensen® JT-123-dbx or JT- 11-dbx, BCI RE- 123-dbx or RE-11-dbx | Operating Voltage | Switchable:100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz | Power Consumption | 20 Watts | Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T | Power Connector | IEC receptacle | Dimensions | 1.75“Hx19“Wx9“D (4.4cmx48.3cmx20.1cm) | Unit Weight | 5.2 lbs. (2.4 kg) | Shipping Weight | 7.6 lbs. (3.5 kg) |
| Passive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors.
- Each channel: Input: female XLR type
- Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR type
- Nominal impedance for inputs/outputs: 200
- Max. input level: + 6 dBu
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Features: Two channel / four way split Channels linkable for 1 in, 8 out Ultra low noise design ?SilentSwitch? Phantom Power switch ?20 dB pad switch 0 to +40 dB Gain available via rear switches Electronically Balanced Inputs and Outputs (standard) Transformer Balanced Outputs option 12 VDC supply connector for remote or mobile applications Intuitive, 'user friendly' layout Flawless performance in any audio environment
Today?s venues face a growing need to provide a multiplicity of audio feeds from presentations, conferences, orchestral performances and lectures. The advent of digital broadcasting, the growth of webcasts and direct-to-CD archiving highlight the deficiencies in audio splitting systems more than ever before. Whether the final product is a broadcast feed or CD sales of an unrepeatable lecture, performance or event, end-users? expectations of audio quality are higher than ever.With these requirements in mind, ARX has developed the MSX 8 Active Microphone/Line Splitter to deliver the performance required by today?s standards of audio production. Active microphone and line splitting has a number of benefits over passive splitters: primarily these are improved sound quality, noise figures comparable to the best microphone inputs, and increased resistance to RFI. All of which translate into superb audio quality for your clients. About the MSX 8 The MSX 8 consists of two channels of actively buffered ultra low noise Microphone/ Line Splitter. Each of these channels has four electronically Balanced splits ? two on the rear panel, plus two more on the front panel. All four output splits have the option of transformer balancing if so specified.Each channel has a ?20 dB pad switch plus silently switchable 48V Phantom power with indicator LED.Gain through the MSX 8 can be set individually by the small DIP switches on the rear of each channel, from 0dB through to +40 dB in 10 dB stepsA ?Link? switch links Channel 1 to Channel 2, providing an ultimate maximum of 8 Outputs from a single input. An indicator LED shows when this is active. A Clip LED indicates imminent signal overload through the channel, and a numbered marker panel on the front provides a space where individual channel connections can be noted.For remote or mobile applications a 5 pin DIN connector on the rear panel provides an access point to connect a 12V DC power supply Inside Information Internally, powerful RF input filtering removes both common mode and differential interference at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components throughout.Advanced user options include internally jumper linking Inputs to Main outputs, and Ground lifting Output Pins 1as required. Internal Power Supply The MSX 8 has a low noise transformer based power supply to obtain the maximum benefit from the ultra low noise design of the splitter circuitry. Summing up, the feature packed MSX 8 is the answer wherever transparent signal buffering and routing is required. T E C H N I C A L S P E C I F I C A T I O N S Signal / Noise Ratio -94dB Distortion .008% 20Hz - 20KHz Gain through unit Switchable 0, +10, +20, +30, +40 dB Maximum Output +24dB Pad Switch ?20dB attenuation Gain Switch +20dB gain Phantom Power +48VDC slow turn on/turn off Output Impedance 100 Ohms Electronically Balanced (Optional Transformer balancing available) Clip LED 1dB before clipping 12 Volt Connector 5 pin DIN AC Mains Input Fused IEC socket AC Power 100-120VAC 2 amp, 220-240VAC 1 amp Transformer Type Low noise toroidal Size 19?W x 1??H x 6?D, 482 x 44 x 125 mm Weight 5 lbs (2.2 Kg)
Front Panel A and B balanced XLR Output splits Channels 1 and 2. Pin 3?-, Pin 2 +, Pin 1 Ground 48V Phantom Power switch and LED Channel link switch and LED switch ?20dB pad switch Numbered marker panel for labelling individual channel assigns AC power LED Rear Panel Channel Gain DIP switches: 0, +10, +20, +30, +40dB Balanced XLR Input Channels 1 and 2. Pin 3 ?, Pin 2 +, Pin 1 Ground Balanced XLR Main (FOH) Output (same wiring as Input) Channels 1 and 2 Balanced XLR Monitor Output (same wiring as Input) Channels 1 and 2 12 Volt DC power supply input for remote or mobile applications IEC 3 pin AC connector and integral fuseholder. Replace fuse with correct value only: 100?120 V AC 2 amp, 220?240 V AC 1 amp |
- With improved 192 kHz sample rate for the best sound reproduction.
- Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
- Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
- Ideal for presentation or distribution to another room.
- The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
- Supports the S/PDIF and Toslink standard.
Your TV has 1 Toslink output, but you use 2 amplifiers. This requires the Toslink cable to be split from 1 into 2. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen.
Connections
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Audio input |
1 x Toslink (optical) |
Audio output |
2 x Toslink (optical) |
Audio
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Supported audio |
PCM2, Dolby Digital 5.1 and DTS |
Sample rate |
Up to 192 kHz |
General
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Dimensions (h x w x d) |
24 x 46 x 46 mm |
Weight |
22 grams |
Ambient temperature |
+0 to +40 °C |
Humidity |
10% to 85% |
Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
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