| Content |
- With improved 192 kHz sample rate for the best sound reproduction.
- Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
- Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
- Ideal for presentation or distribution to another room.
- The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
- Supports the S/PDIF and Toslink standard.
Your TV has 1 Toslink output, but you use 2 amplifiers. This requires the Toslink cable to be split from 1 into 2. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen.
Connections
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| Audio input |
1 x Toslink (optical) |
| Audio output |
2 x Toslink (optical) |
Audio
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| Supported audio |
PCM2, Dolby Digital 5.1 and DTS |
| Sample rate |
Up to 192 kHz |
General
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|
| Dimensions (h x w x d) |
24 x 46 x 46 mm |
| Weight |
22 grams |
| Ambient temperature |
+0 to +40 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
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DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
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INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40k ohm, unbalanced 20k ohm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +/-0.5dB
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Frequency Response:
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50kHz, +0.5/-3dB
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Noise Reduction In:
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(+/-6 and +/-15dB range):
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Signal-to-Noise:
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>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>120dB, unweighted
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Noise Reduction Out:
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(+/-6dB range):
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Signal-to-Noise:
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>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
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Dynamic Range:
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>112dB, unweighted
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Noise Reduction Out:
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(+/-15dB range):
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Signal-to-Noise:
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>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>108dB, unweighted
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THD + Noise:
|
| | Passive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors.
- Each channel: Input: female XLR type
- Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR type
- Nominal impedance for inputs/outputs: 200
- Max. input level: + 6 dBu
|
A passive dual channel line splitter that is mainly used to feed the left and right master outputs of a mixer into several inputs such as power amplifiers, recording machines etc. A specially designed audio frequency transformer maintains signal integrity and prevents ground loop hum. This unit also converts unbalanced signals into balanced signals and vice versa. Rugged diecast aluminium box.
Technical specifications:
2 channel micro splitter "1 into 3“, each channel with:
- Input: female XLR type with parallel male XLR Type
- Output 2 transformer isolated male XLR type outputs
- Transformer ratio 1 : 1 Nominal level: 0 dB, max. level +20 dB
- Nominal impedance input and output: 600 ohms
- Ground lift switch
| The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs. All audio connections are balanced XLR. The built in power supply and single high 19″ rack mount format allows for easy installation and reliable operation.
- 5 Zone mixer / distributor
- Adjusts volume of multiple amplifiers or active monitors separately
- Stereo/mono switch + clip and 5 segment LED on each zone
- Connectors: 4x line in XLR (2x L/R), 10x XLR Out (5x L/R)
- Dimensions: 482 x 152 x 44.5 mm (19"/1U)
- Weight: 2.4 kg
| XLR-F balanced (x4) |
| XLR-M balanced (x10) |
| 47k Ω |
| 200 Ω |
| .05% Typical |
| > 90dB typical |
| +20dBu |
| +24dBu balanced |
| +6DB |
| USA – 105 to 125 VAC / 50-60Hz, 15 W typical |
| 1.75″H x 19″W x 7.25.0″D (44.5mm x 483mm x 184mm) |
| 5.34 lbs (2.42 kg) |
| The PRMMS8 is an ultra low noise 8-channel microphone splitter providing a direct output and a transformer isolated output for each balanced XLR input. For extra flexibility, four front panel switches enable channel linking which permits routing a single input signal to multiple outputs feeding FOH, monitor, recording and broadcast mixing consoles, or merging two input signals into a single output. For use with condenser microphones, the direct outputs serve as a path for phantom power. Each channel includes a ground lift switch to eliminate hum and interference caused by ground loops between electronic equipment connected to the PRMMS8.332.
Number of split-outputs per canal
1
Transformer isolated outputs
Yes
Cabinet material
sheet steel
Cabinet surface
Powder coated
Guarantee : 60 Months |
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