MARSHALL ORIGIN 50H Guitar amplifier head 50W

610.00 incl. GR VAT

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Weight 12.00 kg


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MARSHALL ORIGIN 50H Guitar amplifier head 50W removeLANEY RB-115X Amplifier Cabinet for Electric Bass 250W removeMARSHALL MF-280A 280W Guitar Speaker Cabinet removeAMPEG Micro VR El.Bass Head 200W removeLANEY IRT-Studio Amplifier Cabinet for Electric Guitar removeMARSHALL 1960AX 100W 4x12'' Guitar Speaker Cabinet remove
Price 610.00 incl. GR VAT 285.00 incl. GR VAT 667.58 incl. GR VAT 279.00 incl. GR VAT 535.00 incl. GR VAT 686.75 incl. GR VAT

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The RB115 is the ideal choice to upgrade your Laney bass system. It is the perfect complement to the twin 10' RB7, or as part of the full bass stack : RB9, RB410and RB115. Rugged construction and kick proof grille's ensure this cab will deal with whatever punishment life on the road can deliver!     Specifications  

Power RMS

250 Watts


2x Jacks


8 Ohms


1x15' Celestion Driver

Cabinet Design

Black metal corners, gloss metal grille, metal side handles and rubber feet

Headphone Socket



Dual Front Ported

Kick Proof Metal Grill


Frequency Response

35Hz - 800Hz


98 dB/W@1M


25 Kg

Dimensions (mm)

Width 579 x Height 493 x Depth 403

Marshall MF-280A 280W Guitar Speaker Cabinet

The MF280 (280W) and MF400 (400W) cabinets are specially engineered to reproduce the balanced mid range and huge bottom end that are a pre-requisite for extreme hard rock and nu-metal sounds, these cabinets feature:

- Sonically optimised Celestion loudspeaker designs
- Pro-gauge internal wiring
- Increased internal volume
- Metal logo and piping

In keeping with all legendary Marshall cabinets the MF 4x12" cabinets are not only ready for the sonic demands of a high performance head like the MF350, but also the extreme physical abuse they may receive on the road.

We recommend the MF280A (angled) and B (base) for full stack operation and the MF400A or B for half stack operation.

Stack versus Half Stack:
The MODE FOUR cabinets can be used either as a full stack (two cabinets) or half stack (one cabinet) configuration. The rig you choose is a matter of personal taste and as always when it comes to sound we recommend you try both to see which suits your style best. Below is a guide to the major attributes of each:

Full Stack:
Enhanced on stage spread. More 'cut through' due to accentuated treble and high mids. Iconic stage presence.

Half Stack:
More controllable spread of sound on stage (especially base type) Convenient and portable.

Half Stack Options:

Whether you choose an angled or base half stack configuration is a personal choice between the different tonal qualities of each set up.

The MF400A (angled) is, in keeping with other angled 4x12" cabinets, tonally more aggressive than the base option. The angled cabinet is the usual choice for those who want a more prominent upper mid and treble response that really cuts through in a live situation.

Alternatively, the MF400B (base) delivers a more even mid range with less spread of the aggressive treble response. Marshall 4x12" base cabinets are more often used by professionals as they have a more focused bottom end and a smoother mid range and treble response. They are often easier to deal with in terms of sound reinforcement and monitoring in a live situation

Don't be fooled by its diminutive, dare we say "cute“, appearance. The Ampeg Micro-VR is a compact powerhouse fully capable of pumping its 200 watts of genuine Round Sound ™ into myriad live and recording situations. This portable, powerful solid-state head in traditional Ampeg drag is a pleasant surprise from the second you lay eyes on it to the moment its indisputable Ampeg tone hits your ears.

Featuring the same great IRONHEART tones as the bigger heads but in a low wattage studio package with some neat features added.

Most of us agree that weʼd love to record in a situation where making a lot of noise was not an problem but in most cases weʼre recording in our home studios and making a lot of noise is not always an option.

So the IRONHEARTIRT-STUDIO has a couple of features designed specifically to allow you to get a great tone whether you are recording in the studio or recording live.

The IRT-STUDIO features a USB Audio I/O and a RE-AMP send jack. The USB supplies both a dry signal and the processed signal – split left and right to your DAW– directly into either your PC/MAC or iPAD, which means that you can alter the guitar tone of your original recording – without having to re-track anything!

The IRT-STUDIO has an internal dummy load – so unlike a conventional tube loaded amp – you donʼt need to connect an external speaker – Which gives you truly silent recording!

Power    15 Watt
Channels    3 - Clean, Rhythm & Lead
Equalizer    3 Band EQ
Inputs    USB Audio I/O,MP3 Mini Jack
Outputs    Footswitch, Speaker 1x Jack
Effects    Reverb
Valves    3 x ECC83
Foot-switch    Yes (FS4-IRT)
Controls    Bass, Middle & Treble, Master, Dynamics, Tone, Reverb, Volume, Pre-boost
FX Loop    Yes
Dimensions ( W x H x D ) 428mm x 88mm x 285 mm
Weight    5.5 kg

Marshall 1960AX 100W 4x12'' Guitar Speaker Cabinet

Marshall Speaker Cabinets
Marshall is the only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed "the business.“

Great sound and looks however are not everything. Many years of experience mean that their speaker cabinets are also built to stand the test of time. Highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy-duty hardware, and the highest quality fittings.

The Marshall Stack
If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then Marshall has made many thousands, which have appeared on stages both large and small all over the world.

After the initial success of the Marshall 4x12, it wasn't too long before they designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only six were ever made.

As a result, Marshall came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs you ask? Well, 2 went to Pete Townshend, 2 went to John Entwhistle and the remaining 2 went to the Small Faces. The Marshall stack on the other hand has stayed in production ever since and has gone on to become the most recognizable rock 'n' roll icon.

As Marshall invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation.

Heavy-duty castors are fitted as standard to all Marshall full size 4x12's to ensure that these cabinets are ready to roll without rocking.

No sharp metal edges or rough fittings ? the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all eight cabinet corners.

The highest quality woodwork includes the 'corner locking' of each and every joint. This helps give Marshall cabinets the incredible strength and durability, which has become as legendary as the Marshall sound itself.

Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.

Technical Info

Vintage-circa early 70's
Checkered cloth
White piping
Medium size white logo
Black Levant vinyl
Gold beading on Cab
Angled front
Speakers: 4 Celestion G12 M-25w SPKR-00016
Power: 100 watts
Impedance: 16 ohm
Dimensions: 760 x 830 x 360 mm
Weight: 37.7 kg
Cover: COVR-00022 optional

Additional information
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