MIDAS VENICE 160 8MONO-4 STEREO CH. MIXING DESK

Discontinued

4,248.47 incl. GR VAT

Out of stock

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Venice is Midas\’ first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional […]

 

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Venice is Midas\’ first truly compact console built in direct response to customer demand.
It does exactly what was asked in that it provides a high quality alternative in a huge number
of applications where previously Midas was not an option. These range from smaller conference
or live band applications, to effects returns or additional inputs in a large multi-console application,
or indeed as part of a small complete mobile system. It also provides the perfect feature set
for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact
and light enough to fit on even the most cramped performance area. As usual, Midas has
paid attention to the details that set their consoles apart taking care to provide high quality mic
preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple
but intuitive outputs make the overall configuration of the console extremely quick and easy to use.

VENICE 160 SPECS
Inputs (12) XLR mic, (8) ?” TRS line (4 stereo pair), (4) ?” effects returns, (2) RCA tape return (L/R)
Outputs (8) ?” direct, (4) impedance balanced ?” subgroup, (2) XLR monitor, (2) impedance balanced
?” effects, (2) XLR aux, (2) XLR master, (2) XLR master B, (2) stereo headphone, (2) impedance
balanced ?” stereo speaker, (2) RCA tape send (L/R)
Inserts (8) ?” TRS mono channel, (4) ?” TRS subgroup, (2) ?” TRS master
Mono Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12kHz (shelving);
high mid ±15 dB, continuously variable 400 Hz-8 kHz Q factor 1.4 (1.4 Oct); low mid ±15 dB,
continuously variable 100 Hz-2 kHz Q factor 1.4 (1.4 Oct);bass ±15dB @ 80 Hz (shelving)
Stereo Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12 kHz (shelving);
high mid ±15 dB @ 3 kHz Q factor 1.4 (1.4 Oct.); low mid ±15 dB @ 300 Hz Q factor 1.4 (1.4 Oct.);
bass ±15 dB @ 80 Hz (shelving)
Buses (4) subgroup, (2) monitor (prefader), (2) effects (postfader), (2) aux switchable pre/postfader,
(2) master L/R, (1) mono PFL, (2) stereo AFL
Distortion at 1 kHz Mic to insert (+30 dB gain, +20 dBu output) typ. 0.0007%; mic to master (+30 dB
gain, +20 dBu output)

Weight 45.00 kg

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NameMIDAS VENICE 160 8MONO-4 STEREO CH. MIXING DESK removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT RZ-2702 150M OPTICAL FIBRE CABLE removeSOUNDCRAFT GB4 LIVE 24MONO + 2STEREO MIXING CONSOLE remove
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SKUVENICE 160SPIRIT EFX8E005126GB4 32CHRZ-2702GB4 24CH
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Description
ContentVenice is Midas\' first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area. As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use. VENICE 160 SPECS Inputs (12) XLR mic, (8) ?" TRS line (4 stereo pair), (4) ?" effects returns, (2) RCA tape return (L/R) Outputs (8) ?" direct, (4) impedance balanced ?" subgroup, (2) XLR monitor, (2) impedance balanced ?" effects, (2) XLR aux, (2) XLR master, (2) XLR master B, (2) stereo headphone, (2) impedance balanced ?" stereo speaker, (2) RCA tape send (L/R) Inserts (8) ?" TRS mono channel, (4) ?" TRS subgroup, (2) ?" TRS master Mono Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12kHz (shelving); high mid ±15 dB, continuously variable 400 Hz-8 kHz Q factor 1.4 (1.4 Oct); low mid ±15 dB, continuously variable 100 Hz-2 kHz Q factor 1.4 (1.4 Oct);bass ±15dB @ 80 Hz (shelving) Stereo Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12 kHz (shelving); high mid ±15 dB @ 3 kHz Q factor 1.4 (1.4 Oct.); low mid ±15 dB @ 300 Hz Q factor 1.4 (1.4 Oct.); bass ±15 dB @ 80 Hz (shelving) Buses (4) subgroup, (2) monitor (prefader), (2) effects (postfader), (2) aux switchable pre/postfader, (2) master L/R, (1) mono PFL, (2) stereo AFL Distortion at 1 kHz Mic to insert (+30 dB gain, +20 dBu output) typ. 0.0007%; mic to master (+30 dB gain, +20 dBu output)

Soundcraft EFX



(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.
  • Premium ultra low-noise, high headroom analog mixer
  • State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
  • Neo-classic "British" 2-band EQ for warm and musical sound
  • Main mix, stereo CD/tape plus separate headphone outputs
  • CD/tape inputs assignable to headphone output or main mix outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

Weight45.00 kg3.00 kg0.55 kg32.00 kg1.00 kg27.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 45.00 kg
Weight 3.00 kg
Weight 0.55 kg
Weight 32.00 kg
Weight 1.00 kg
Weight 27.00 kg