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Venice is Midas' first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area. As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.
Features and Specifications Venice 320
Inputs (total) 46 Mono-Inputs (Mic/Line) with Inserts 24 Stereo-Line/Mono-Mic-Input Channels 4/4 Stereo-Effect-Returns (Line) 4 Stereo-Tape-Return (Line) Busses 15 Subgroups 4 Aux Pre-Fader (Monitor) 2 Aux Post-Fader (Effects) 2 Aux switchable Pre/Post-Fader 2 Master L/R 2 Mono-PFL 1 Stereo-AFL 2 Outputs Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks Aux Pre-Fader (Monitor) 2 XLR (balanced) Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks Aux switchable Pre/Post-Fader 2 XLR (balanced) Master (with Inserts) 2 XLR (balanced) Master B Out 2 XLR (balanced) (switchable Mono/Stereo, pre- post Fader) 2 XLR (balanced) Tape Send (Recording) 1 Stereo (Phono) Direct Outputs (1/4 inch Jack) 24 Stereo-Headphones 2 Stereo-1/4 inch jack Stereo-Speakers 2 impedanced balanced 1/4 inch jacks Additional Features Connector for desk lamps 2 x 12V/5W (4-Pin XLR) 19?-rack-mounting- kit, - rotatable connector panel - Accesories Dust Cover (included) 12 V Desk Lamp (not included) Input Transformer (not included) Technical Data Input Impedance Mic 2 Kohms Balanced Line 20 Kohms Balanced Input Gain Mic Continuously variable 0dB to +60dB Line (Mono Channell) Continuously variable -20dB to +40dB Line (Stereo Channel) Continuously variable -10dB to +20dB Line Level Inputs 0dB Maximum Input Level Microphone and Line +22dBu Line Level Inputs (Mono) +42dBu Line Level Inputs (Stereo) +22dBu CMR at 1kHz Mic (Gain +30dB) > 80dB Line > 40dB CMR at 100Hz Mic (Gain +30dB) 70dB typical Frequency Response (20Hz-20kHz) Mic to Mix (Gain +60dB) + 0dB to -1dB Noise (20Hz-20kHz) Mic EIN ref. 150gain +60dB -129dBuMic EIN ref. 150gain 0dB -107dBu System Noise (20Hz-20kHz) Summing Noise (12 channels routed, faders down) -90dBu Line to Mix Noise (12 channels routet at 0dB) -84dBu Distortion at 1kHz Mic to Insert (+30dB Gain. +20dBu Output) Typ 0,0007% Mic to Master (+30dB Gain, +20dBu Output) < 0,009% Crosstalk at 1kHz Channel to Channel < -80dB Mix to Mix < -80dB Channel to Mix < -80dB Fader Attenuation > 100dB Switch Rejection > 100dB Output Impedance Line Outputs 75 Ohm balanced Headphones to drive 32 Ohm Maximum Output Level Master Outputs +25dBu Line Outputs +22dBu Headphones +22dBu / 600 Nominal Signal Level Microphone - 60dBu to 0dBu Line 0dBu Equaliser Mono Channel Hi Pass Filter 2nd order Butterworth, 80Hz Treble +/-15dB at 12kHz (Shelv) Hi Mid Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB Lo Mid Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB Bass + /-15dB at 80Hz (Shelv) Equaliser Stereo Channel Treble +/-15dB at 12kHz (Shelv) Hi Mid 3kHz (1,4 Oct) +/-15dB Lo Mid 300Hz (1,4 Oct) +/-15dB Bass +/-15dB at 80Hz (Shelv) Size (mm/inch) Width 906 / 35.7? Depth 568 / 22.4? Heights 194 / 7.6? Weight (kg/lb) 25,8 / 56.9 |
The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:
- 32 channel frame size
- 12 busses
- 2 full feature stereo channels
- 2 stereo returns (on stereo channels)
- 6 Aux sends
- 4 sub groups (paired)
- 6x2 output matrix
- GB30 mic preamp and precision equalisation circuitry
- Direct outputs on every channel
- Talkback facility
- 100mm faders
- Switchable 48V phantom powering on every channel
- 100Hz high pass filter
- 12-segment LED metering
- Record output
- Width: 1247mm (49.09“)
- Weight: 30kg (66.1lbs)
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The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.
Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.
Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections
Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.
Soundcraft GB2 16 main features include:
- Frequency Response Mic/Line Input to any output, 20Hz - 20kHz
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- Premium ultra low-noise, high headroom analog mixer
- State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
- Neo-classic "British" 2-band EQ for warm and musical sound
- Main mix, stereo CD/tape plus separate headphone outputs
- CD/tape inputs assignable to headphone output or main mix outputs
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
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Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a. | Low-cost high-performance mixers
Key Features
- 6 Mono & 2 Stereo Input Channels
- 6x GB30 Microphone Preamplifiers
- Recording and Live Sound Audio Console
- Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs |
6x Mono
2x Stereo |
Mic/Line Inputs |
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR |
Stereo Line Inputs |
2x Stereo: L/R 1/4" TRS Phone |
In-Line Inputs/Returns |
No |
AUX Sends |
2x Aux Sends |
AUX Returns |
No dedicated returns |
Inserts |
1/4" TRS Phone - Mono Inputs, Main Stereo Output |
BUS (Group) Outputs |
Stereo Output Only |
2 Trk Master I/O |
Mix L/R: Stereo Paired L/R RCA Phono |
ALT I/O |
No |
Monitor Outputs |
Monitor: L/R Stereo Paired 1/4" TRS Phone |
EQ Section |
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz - 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz |
Solo/Mute |
All Input Channels |
Channel Level Control |
100 mm Faders |
Trim/Gain Control |
Rotary Potentiometers |
Phantom Power |
+48 V Phantom |
Metering |
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED |
Frequency Response |
20 Hz to 20 kHz +/-1.5 dB |
Dynamic Range |
Not specified by manufacturer |
Signal-to-Noise Ratio |
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down |
Total Harmonic Distortion (THD) |
Mic sensitivity 30 dB, +14 dBu @ mix output: |
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